We Can't Have Everything (1918)

"We Can't Have Everything" (1918) earns its place among the best of Cecil B. DeMille's early works as a masterful example of his signature blend of social commentary and lavish spectacle. While often overshadowed by his later biblical epics, this film captures DeMille's talent for depicting the decadent lives of the wealthy and the moral compromises they make in pursuit of happiness. Through the story of a marriage strained by infidelity and the allure of forbidden love, DeMille fearlessly explores themes of societal hypocrisy, the changing roles of women, and the destructive power of unchecked desires. The film's opulent set design, flamboyant costumes, and emotionally charged performances contribute to a heightened sense of drama and make it a compelling snapshot of the Roaring Twenties ethos just as it was dawning. Beyond its narrative strengths, "We Can't Have Everything" showcases DeMille's innovative filmmaking techniques for the time, including sophisticated lighting and camera angles to emphasize mood and character development. While the acting style might seem melodramatic to modern viewers, it was perfectly in tune with the period's sensibilities and effectively conveys the characters' inner turmoil. Furthermore, the film serves as a fascinating historical document, offering insights into the social anxieties and cultural shifts that were shaping American society in the aftermath of World War I. As such, "We Can't Have Everything" isn't just a captivating melodrama; it's a vital piece of early Hollywood history and a testament to DeMille's skill as a storyteller and a cultural observer.