Best Tintin Comic Books
The Adventures of Tintin (French: Les Aventures de Tintin; [lez‿avɑ̃tyʁ də tɛ̃tɛ̃]) is a series of comic albums created by Belgian cartoonist Georges Remi, who wrote under the pen name Hergé. The series was one of the most popular European comics of the 20th century. By 2007, a century after Hergé's birth in 1907, Tintin had been published in more than 70 languages with sales of more than 200 million copies, and have been adapted for radio, television, theatre, and film. The series is set during a largely realistic 20th century. Its hero is Tintin, a courageous young Belgian reporter and adventurer. He is aided by his faithful dog Snowy (Milou in the original French edition). Other protagonists include the brash and cynical Captain Haddock and the intelligent but hearing-impaired Professor Calculus (French: Professeur Tournesol), as well as the incompetent detectives Thomson and Thompson (French: Dupont et Dupond) and the opera diva Bianca Castafiore. The series has been admired for its clean, expressive drawings in Hergé's signature ligne claire ("clear line") style. Its well-researched plots straddle a variety of genres: swashbuckling adventures with elements of fantasy, mysteries, political thrillers, and science fiction. The stories feature slapstick humour, offset by dashes of sophisticated satire and political or cultural commentary. Here you'll find a list of all the books that are part of the Tintin Canon - rank them from best to worst and let everyone know why you think that's what the order should be!
Tintin in the Land of the Soviets
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Prisoners of the Sun
#12.8Prisoners of the Sun (French: Le Temple du Soleil) is the fourteenth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was serialised weekly in the newly established Tintin magazine from September 1946 to April 1948. Completing an arc begun in The Seven Crystal Balls, the story tells of young reporter Tintin, his dog Snowy, and friend Captain Haddock as they continue their efforts to rescue the kidnapped Professor Calculus by travelling through Andean villages, mountains, and rain forests, before finding a hidden Inca civilisation. Prisoners of the Sun was a commercial success and was published in book form by Casterman the year following its conclusion. Hergé continued The Adventures of Tintin with Land of Black Gold, while the series itself became a defining part of the Franco-Belgian comics tradition. The two-part adventure was adapted into the 1969 film, Tintin and the Temple of the Sun by Belvision Studios, the first feature-length animated Tintin film. Prisoners of the Sun has also been adapted into two episodes of the 1990s television series The Adventures of Tintin, a video game, and a 2001 musical stage production.
The Secret of the Unicorn
#24.3The Secret of the Unicorn (French: Le Secret de La Licorne) is the eleventh volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was serialised daily in Le Soir, Belgium's leading francophone newspaper, from June 1942 to January 1943 amidst the German occupation of Belgium during World War II. The story revolves around young reporter Tintin, his dog Snowy, and his friend Captain Haddock, who discover a riddle left by Haddock's ancestor, the 17th century Sir Francis Haddock, which could lead them to the hidden treasure of the pirate Red Rackham. To unravel the riddle, Tintin and Haddock must obtain three identical models of Sir Francis's ship, the Unicorn, but they discover that criminals are also after these model ships and are willing to kill in order to obtain them. The Secret of the Unicorn was a commercial success and was published in book form by Casterman shortly after its conclusion. Hergé concluded the arc begun in this story with Red Rackham's Treasure, while the series itself became a defining part of the Franco-Belgian comics tradition. The Secret of the Unicorn remained Hergé's favourite of his own works until creating Tintin in Tibet (1960). The story was adapted for the 1957 Belvision animated series, Hergé's Adventures of Tintin, for the 1991 animated series The Adventures of Tintin by Ellipse and Nelvana, and for the feature film The Adventures of Tintin: The Secret of the Unicorn (2011), directed by Steven Spielberg.
The Seven Crystal Balls
#34.6The Seven Crystal Balls (French: Les Sept Boules de Cristal) is the thirteenth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was serialised daily in Le Soir, Belgium's leading francophone newspaper, from December 1943 amidst the German occupation of Belgium during World War II. The story was cancelled abruptly following the Allied liberation in September 1944, when Hergé was accused of collaborating with the occupying Germans and banned from working. After he was cleared two years later, the story was then serialised weekly in the new Tintin magazine from September 1946 to April 1948. The story revolves around the investigations of a young reporter Tintin and his friend Captain Haddock into the abduction of their friend Professor Calculus and its connection to a mysterious illness which has afflicted the members of an archaeological expedition to Peru. The Seven Crystal Balls was a commercial success and was published in book form by Casterman shortly after its conclusion. Hergé concluded the arc begun in this story with Prisoners of the Sun, while the series itself became a defining part of the Franco-Belgian comics tradition. Critics have ranked The Seven Crystal Balls as one of the best Adventures of Tintin, describing it as the most frightening instalment in the series. The story was adapted for the 1969 Belvision film, Tintin and the Temple of the Sun and for the 1991 animated series The Adventures of Tintin by Ellipse and Nelvana.
Red Rackham's Treasure
#46.1Red Rackham's Treasure (French: Le Trésor de Rackham le Rouge) is the twelfth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was serialised daily in Le Soir, Belgium's leading francophone newspaper, from February to September 1943 amidst the German occupation of Belgium during World War II. Completing an arc begun in The Secret of the Unicorn, the story tells of young reporter Tintin and his friend Captain Haddock as they launch an expedition to the Caribbean to locate the treasure of the pirate Red Rackham. Red Rackham's Treasure was a commercial success and was published in book form by Casterman the year following its conclusion. Hergé continued The Adventures of Tintin with The Seven Crystal Balls, while the series itself became a defining part of the Franco-Belgian comics tradition. Red Rackham's Treasure has been cited as one of the most important installments in the series for marking the first appearance of eccentric scientist Cuthbert Calculus, who subsequently became a core character. The story has been variously adapted for both the 1957 Belvision animated series, Hergé's Adventures of Tintin, and for the 1991 animated series The Adventures of Tintin by Ellipse and Nelvana, as well as for the feature film The Adventures of Tintin: The Secret of the Unicorn (2011).
Tintin in Tibet
#56.4Tintin in Tibet (French: Tintin au Tibet) is the twentieth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. It was serialised weekly from September 1958 to November 1959 in Tintin magazine and published as a book in 1960. Hergé considered it his favourite Tintin adventure and an emotional effort, as he created it while suffering from traumatic nightmares and a personal conflict while deciding to leave his wife of three decades for a younger woman. The story tells of the young reporter Tintin in search of his friend Chang Chong-Chen, who the authorities claim has died in a plane crash in the Himalayas. Convinced that Chang has survived, Tintin leads his companions across the Himalayas to the plateau of Tibet, along the way encountering the mysterious Yeti. Following The Red Sea Sharks (1958) and its large number of characters, Tintin in Tibet differs from other stories in the series in that it features only a few familiar characters and is also Hergé's only adventure not to pit Tintin against an antagonist. Themes in Hergé's story include extrasensory perception, the mysticism of Tibetan Buddhism, and friendship. Tintin in Tibet has been translated into 32 languages, is highly regarded by critics, and has been praised by the Dalai Lama, who awarded it the Light of Truth Award. The story was a commercial success and was published in book form by Casterman shortly after its conclusion; the series itself became a defining part of the Franco-Belgian comics tradition. Tintin in Tibet was adapted for television, radio, documentary, theatre, and a video game, and has been the subject of a museum exhibition.
Flight 714 to Sydney
#66.5Flight 714 to Sydney (French: Vol 714 pour Sydney; originally published in English as Flight 714) is the twenty-second volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The title refers to a flight that Tintin and his friends fail to catch, as they become embroiled in a plot to kidnap an eccentric millionaire from a supersonic business jet on an Indonesian island. This album, first published in 1968, is unusual in the Tintin series for its science fiction and paranormal influences. The central mystery is essentially left unresolved.
The Blue Lotus
#78.5The Blue Lotus (French: Le Lotus bleu) is the fifth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from August 1934 to October 1935 before being published in a collected volume by Casterman in 1936. Continuing where the plot of the previous story, Cigars of the Pharaoh, left off, the story tells of young Belgian reporter Tintin and his dog Snowy, who are invited to China in the midst of the 1931 Japanese invasion, where he reveals the machinations of Japanese spies and uncovers a drug-smuggling ring. In creating The Blue Lotus, Hergé exhibited a newfound emphasis on accuracy and documentation in his portrayal of foreign societies. He was heavily influenced by his close friend Zhang Chongren, a Chinese student studying in Belgium, and the work both satirises common European misconceptions about China as well as criticising the actions of the Japanese invaders. The Blue Lotus was a commercial success in Belgium and was soon serialised in France and Switzerland, while news of the book led to the Chinese political leader Chiang Kai-shek inviting Hergé to visit China itself. Hergé continued The Adventures of Tintin with The Broken Ear, while the series itself became a defining part of the Franco-Belgian comics tradition. In 1946, The Blue Lotus was partially re-drawn and coloured by the cartoonist and his team of assistants; during this process a number of minor plot elements were changed. The adventure introduces the recurring characters J.M. Dawson and Chang Chong-Chen. The story was adapted for a 1991 episode of the Ellipse/Nelvana animated series The Adventures of Tintin. Critical analysis of the story has been positive, with various commentators considering it to be one of Hergé's finest works.
Explorers on the Moon
#88.7Explorers on the Moon (French: On a marché sur la Lune) is the seventeenth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was serialised weekly in Belgium's Tintin magazine from October 1952 to December 1953 before being published in a collected volume by Casterman in 1954. Completing a story arc begun in the preceding volume, Destination Moon (1953), the narrative tells of the young reporter Tintin, his dog Snowy, and friends Captain Haddock, Professor Calculus, and Thomson and Thompson who are aboard humanity's first manned rocket mission to the Moon. Developed in part through the suggestions of Hergé's friends Bernard Heuvelmans and Jacques Van Melkebeke, Explorers on the Moon was produced following Hergé's extensive research into the possibility of human space travel – a feat that had yet to be achieved – with the cartoonist seeking for the work to be as realistic as possible. Hergé continued The Adventures of Tintin with The Calculus Affair, while the series itself became a defining part of the Franco-Belgian comics tradition. Critics have praised the illustrative detail of the book, but have expressed mixed views of the story. The volume was adapted for both the 1957 Belvision animated series, Hergé's Adventures of Tintin, and for the 1991 animated series The Adventures of Tintin by Ellipse and Nelvana.
Destination Moon
#99.2Destination Moon (French: Objectif Lune) is the sixteenth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was initially serialised weekly in Belgium's Tintin magazine from March to September 1950 before being published in a collected volume by Casterman in 1953. The plot tells of young reporter Tintin and his friend Captain Haddock who receive an invitation from Professor Calculus to come to Syldavia, where Calculus is working on a top-secret project in a secure government facility to plan a manned mission to the Moon. Developed in part through the suggestions of Hergé's friends Bernard Heuvelmans and Jacques Van Melkebeke, Destination Moon was produced following Hergé's extensive research into the possibility of human space travel – a feat that had yet to be achieved – with the cartoonist seeking for the work to be as realistic as possible. During the story's serialisation, Hergé established Studios Hergé, a Brussels-based team of cartoonists to aid him on the project. Hergé concluded the story arc begun in this volume with Explorers on the Moon, while the series itself became a defining part of the Franco-Belgian comics tradition. Critics have praised the illustrative detail of the book, but have expressed mixed views of the narrative. The story was adapted for both the 1957 Belvision animated series, Hergé's Adventures of Tintin, and for the 1991 animated series The Adventures of Tintin by Ellipse and Nelvana.
The Calculus Affair
#109.6The Calculus Affair (French: L'Affaire Tournesol) is the eighteenth volume of The Adventures of Tintin, the comics series by the Belgian cartoonist Hergé. The story was initially serialised weekly in Belgium's Tintin magazine from December 1954 to February 1956 before being published in a single volume by Casterman in 1956. The narrative follows the attempts of the young reporter Tintin, his dog Snowy, and his friend Captain Haddock to rescue their friend Professor Calculus, a scientist who has developed a machine capable of destroying objects with sound waves, from kidnapping attempts by the competing European countries of Borduria and Syldavia. Like the previous volume, Explorers on the Moon, The Calculus Affair was created with the aid of the Hergé's team of artists at Studios Hergé. The story reflected the Cold War tensions that Europe was experiencing during the 1950s, and introduced three recurring characters into the series: Jolyon Wagg, Cutts the Butcher, and Colonel Sponsz. Hergé continued The Adventures of Tintin with The Red Sea Sharks, and the series as a whole became a defining part of the Franco-Belgian comics tradition. The Calculus Affair was critically well-received, with various commentators having described it as one of the best Tintin adventures. The story was adapted for both the 1957 Belvision animated series Hergé's Adventures of Tintin, and for the 1991 animated series The Adventures of Tintin by Ellipse and Nelvana.
The Red Sea Sharks
#1110.5The Red Sea Sharks (French: Coke en stock) is the nineteenth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was initially serialised weekly in Belgium's Tintin magazine from October 1956 to January 1958 before being published in a collected volume by Casterman in 1958. The narrative follows the young reporter Tintin, his dog Snowy, and his friend Captain Haddock as they travel to the (fictional) Middle Eastern kingdom of Khemed with the intention of aiding the Emir Ben Kalish Ezab in regaining control after a coup d'état by his enemies, who are financed by slave traders. Following on from the previous volume in the series, The Calculus Affair, The Red Sea Sharks was created with the aid of Hergé's team of artists at Studios Hergé. Influenced by Honoré de Balzac's The Human Comedy, Hergé used the story as a vehicle in which to reintroduce a wide range of characters who had first appeared in earlier installments of the series. The story dealt with the ongoing trade in enslaved Africans across the Arab world, however in the 1960s the story would generate controversy as Hergé was repeatedly accused of having portrayed the Africans in a racist manner. He was upset by these claims, and made alterations to the depiction of the Africans in later reprints. Hergé continued The Adventures of Tintin with Tintin in Tibet, and the series as a whole became a defining part of the Franco-Belgian comics tradition. The Red Sea Sharks was critically well-received, with various commentators describing it as one of the best Tintin adventures. The story was adapted for the 1991 animated series The Adventures of Tintin by Ellipse and Nelvana.
The Crab with the Golden Claws
#1211.0The Crab with the Golden Claws (French: Le Crabe aux pinces d'or) is the ninth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was serialised weekly in Le Soir Jeunesse, the children's supplement to Le Soir, Belgium's leading francophone newspaper, from October 1940 to October 1941 amidst the German occupation of Belgium during World War II. Partway through serialisation, Le Soir Jeunesse was cancelled and the story began to be serialised daily in the pages of Le Soir. The story tells of young Belgian reporter Tintin and his dog Snowy, who travel to Morocco to pursue a gang of international opium smugglers. The Crab with the Golden Claws was published in book form shortly after its conclusion. Hergé continued The Adventures of Tintin with The Shooting Star, while the series itself became a defining part of the Franco-Belgian comics tradition. In 1943, Hergé coloured and redrew the book in his distinctive ligne-claire style for Casterman's republication. The Crab with the Golden Claws introduces the recurring character Captain Haddock, who became a major fixture of the series. The book is the first Tintin adventure published in the United States and the first to be adapted into a motion picture. The Crab with the Golden Claws was adapted for the 1956 Belvision Studios animation Hergé's Adventures of Tintin, for the 1991 Ellipse/Nelvana animated series The Adventures of Tintin, and for the 2011 film directed by Steven Spielberg.
Cigars of the Pharaoh
#1311.4The Red Sea Sharks (French: Coke en stock) is the nineteenth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was initially serialised weekly in Belgium's Tintin magazine from October 1956 to January 1958 before being published in a collected volume by Casterman in 1958. The narrative follows the young reporter Tintin, his dog Snowy, and his friend Captain Haddock as they travel to the (fictional) Middle Eastern kingdom of Khemed with the intention of aiding the Emir Ben Kalish Ezab in regaining control after a coup d'état by his enemies, who are financed by slave traders. Following on from the previous volume in the series, The Calculus Affair, The Red Sea Sharks was created with the aid of Hergé's team of artists at Studios Hergé. Influenced by Honoré de Balzac's The Human Comedy, Hergé used the story as a vehicle in which to reintroduce a wide range of characters who had first appeared in earlier installments of the series. The story dealt with the ongoing trade in enslaved Africans across the Arab world, however in the 1960s the story would generate controversy as Hergé was repeatedly accused of having portrayed the Africans in a racist manner. He was upset by these claims, and made alterations to the depiction of the Africans in later reprints. Hergé continued The Adventures of Tintin with Tintin in Tibet, and the series as a whole became a defining part of the Franco-Belgian comics tradition. The Red Sea Sharks was critically well-received, with various commentators describing it as one of the best Tintin adventures. The story was adapted for the 1991 animated series The Adventures of Tintin by Ellipse and Nelvana.
The Shooting Star
#1414.1The Crab with the Golden Claws (French: Le Crabe aux pinces d'or) is the ninth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was serialised weekly in Le Soir Jeunesse, the children's supplement to Le Soir, Belgium's leading francophone newspaper, from October 1940 to October 1941 amidst the German occupation of Belgium during World War II. Partway through serialisation, Le Soir Jeunesse was cancelled and the story began to be serialised daily in the pages of Le Soir. The story tells of young Belgian reporter Tintin and his dog Snowy, who travel to Morocco to pursue a gang of international opium smugglers. The Crab with the Golden Claws was published in book form shortly after its conclusion. Hergé continued The Adventures of Tintin with The Shooting Star, while the series itself became a defining part of the Franco-Belgian comics tradition. In 1943, Hergé coloured and redrew the book in his distinctive ligne-claire style for Casterman's republication. The Crab with the Golden Claws introduces the recurring character Captain Haddock, who became a major fixture of the series. The book is the first Tintin adventure published in the United States and the first to be adapted into a motion picture. The Crab with the Golden Claws was adapted for the 1956 Belvision Studios animation Hergé's Adventures of Tintin, for the 1991 Ellipse/Nelvana animated series The Adventures of Tintin, and for the 2011 film directed by Steven Spielberg.
The Black Island
#1514.7The Black Island (French: L'Île noire) is the seventh volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from April to November 1937. The story tells of young Belgian reporter Tintin and his dog Snowy, who travel to England in pursuit of a gang of counterfeiters. Framed for theft and hunted by detectives Thomson and Thompson, Tintin follows the criminals to Scotland, discovering their lair on the Black Island. The Black Island was a commercial success and was published in book form by Casterman shortly after its conclusion. Hergé continued The Adventures of Tintin with King Ottokar's Sceptre, while the series itself became a defining part of the Franco-Belgian comics tradition. In 1943, The Black Island was coloured and re-drawn in Hergé's distinctive ligne-claire style for republication. In the mid-1960s, Hergé's British publishers requested a major revision of the story, for which he sent his assistant Bob De Moor to Britain on a research trip; on his return, Studios Hergé produced a revised, third edition of the story, serialised in Tintin magazine. The Black Island introduces the recurring villain Dr. Müller, and has been widely cited as one of the most popular instalments in the series. The story was adapted for both the 1957 Belvision animation, Hergé's Adventures of Tintin, and for the 1991 Ellipse/Nelvana animated series The Adventures of Tintin.
Tintin and the Picaros
#1615.0Tintin and the Picaros (French: Tintin et les Picaros) is the twenty-third volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The final instalment in the series to be completed by Hergé, in Belgium it was serialized in Tintin magazine from September 1975 to April 1976 before being published in a collected volume by Casterman in 1976. The narrative follows the young reporter Tintin, his dog Snowy and his friends Captain Haddock and Professor Calculus as they travel to the (fictional) South American nation of San Theodoros to rescue their friend Bianca Castafiore, who has been imprisoned by the government of General Tapioca. Once there, they become involved in the anti-government revolutionary activities of Tintin's old friend General Alcazar. Hergé began work on Tintin and the Picaros eight years after completing the previous volume in the series, Flight 714 to Sydney, creating it with the aid of his team of artists at Studios Hergé. The setting and plot was inspired by Hergé's interest in Latin American revolutionaries, particularly those active in the Cuban Revolution. The book reflected changes to the appearance and behaviour of several key characters in the series; Tintin himself for instance no longer wears his trademark plus fours, instead wearing bell-bottoms. The volume was published to a poor reception and has continued to receive negative reviews from later commentators on Hergé's work. Early criticism of the story focused on what was seen as its pessimistic outlook on political issues, while later reviews concentrated on the poor characterisation and lack of energy. Hergé continued The Adventures of Tintin with Tintin and Alph-Art, a story that he never completed, and the series as a whole became a defining part of the Franco-Belgian comics tradition. The story was adapted for an episode of the 1991 animated series The Adventures of Tintin by Ellipse and Nelvana.
King Ottokar’s Sceptre
#1715.8King Ottokar's Sceptre (French: Le Sceptre d'Ottokar) is the eighth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from August 1938 to August 1939. Hergé intended the story as a satirical criticism of the expansionist policies of Nazi Germany, in particular the annexation of Austria in March 1938 (the Anschluss). The story tells of young Belgian reporter Tintin and his dog Snowy, who travel to the fictional Balkan nation of Syldavia, where they combat a plot to overthrow the monarchy of King Muskar XII. King Ottokar's Sceptre was a commercial success and was published in book form by Casterman shortly after its conclusion. Hergé continued The Adventures of Tintin with Land of Black Gold until Le Vingtième Siècle's forced closure in 1940, while the series itself became a defining part of the Franco-Belgian comics tradition. In 1947, Hergé coloured and redrew King Ottokar's Sceptre in his distinctive ligne-claire style with the aid of Edgar P. Jacobs for Casterman's republication. King Ottokar's Sceptre introduces the recurring character Bianca Castafiore, and introduced the fictional countries of Syldavia and Borduria, both of which reappear in later stories. The story was adapted for both the 1956 Belvision Studios animation Hergé's Adventures of Tintin and for the 1991 Ellipse/Nelvana animated series The Adventures of Tintin.
The Castafiore Emerald
#1816.5The Castafiore Emerald (French: Les Bijoux de la Castafiore) is the twenty-first volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. It was serialised weekly from July 1961 to September 1962 in Tintin magazine. In contrast to the previous Tintin books, Hergé deliberately broke the adventure formula he had created. It is the only book in the Tintin series where the characters remain at home in Marlinspike Hall, Captain Haddock's family estate in Belgium, and do not travel abroad or confront dangerous criminals. The plot concerns the visit of the opera singer Bianca Castafiore and the subsequent theft of her emerald. Although The Castafiore Emerald received critical acclaim for making its characters follow a lead of false trails, it was not a commercial success due to the experimental nature of its narrative. It was published as a book by Casterman shortly after its conclusion. Hergé continued The Adventures of Tintin with Flight 714 to Sydney, while the series itself became a defining part of the Franco-Belgian comics tradition. The story was adapted for the 1991 animated series The Adventures of Tintin by Ellipse and Nelvana.
The Broken Ear
#1917.1The Broken Ear (French: L'Oreille cassée), also published as Tintin and the Broken Ear, is the sixth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from December 1935 to February 1937. The story tells of young Belgian reporter Tintin and his dog Snowy, who pursue the thieves of a South American fetish identifiable by its broken ear. In doing so, he ends up in the fictional nation of San Theodoros, where he becomes embroiled in a civil war and discovers the Arumbaya tribe deep in the forest. The Broken Ear was a commercial success and was published in book form shortly after its conclusion. Hergé continued The Adventures of Tintin with The Black Island, while the series itself became a defining part of the Franco-Belgian comics tradition. In 1943, The Broken Ear was coloured and reformatted for republication by Casterman. The Broken Ear introduces the recurring character General Alcazar, and was the first to include fictional countries. The story was adapted for both the 1956 Belvision animation, Hergé's Adventures of Tintin, and for the 1991 Ellipse/Nelvana animated series The Adventures of Tintin.
Land of Black Gold
#2018.1Land of Black Gold (French: Tintin au pays de l'or noir) is the fifteenth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, in which it was initially serialised from September 1939 until the German invasion of Belgium in May 1940, at which the newspaper was shut down and the story interrupted. After eight years, Hergé returned to Land of Black Gold, completing its serialisation in Belgium's Tintin magazine from September 1948 to February 1950, after which it was published in a collected volume by Casterman in 1950. Set on the eve of a European war, the plot revolves around the attempts of young Belgian reporter Tintin to uncover a militant group responsible for sabotaging oil supplies in the Middle East. At the request of Hergé's British publisher, Methuen, in 1971 he made a range of alterations to the Land of Black Gold, transferring the setting from the British Mandate for Palestine to the fictional state of Khemed. Many of the visual changes to this third version of the volume were carried out by Hergé's assistant, Bob de Moor. Hergé followed Land of Black Gold with Destination Moon, while The Adventures of Tintin itself became a defining part of the Franco-Belgian comics tradition. Critical approaches to the story have been mixed, with differing opinions expressed as to the competing merits of the volume's three versions. The story was adapted for the 1991 animated series The Adventures of Tintin by Ellipse and Nelvana.
Tintin in America
#2120.3Tintin in America (French: Tintin en Amérique) is the third volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from September 1931 to October 1932 before being published in a collected volume by Éditions du Petit Vingtième in 1932. The story tells of young Belgian reporter Tintin and his dog Snowy who travel to the United States, where Tintin reports on organised crime in Chicago. Pursuing a gangster across the country, he encounters a tribe of Blackfoot Native Americans before defeating the Chicago crime syndicate. Following the publication of Tintin in the Congo, Hergé conducted research for a story set in the United States, desiring to reflect his concerns regarding the treatment of Native communities by the U.S. government. Bolstered by a publicity stunt, Tintin in America was a commercial success in Belgium and was soon republished in France. Hergé continued The Adventures of Tintin with Cigars of the Pharaoh, and the series became a defining part of the Franco-Belgian comics tradition. In 1945, Tintin in America was re-drawn and coloured in Hergé's ligne-claire style for republication by Casterman, with further alterations made at the request of his American publisher for a 1973 edition. The story was adapted for a 1991 episode of the Ellipse/Nelvana animated series The Adventures of Tintin. Critical reception of the work has been mixed, with commentators on The Adventures of Tintin arguing that although it represents an improvement on the preceding two instalments, it still reflects many of the problems that were visible in them.
Tintin in the Congo
#2222.2Tintin in the Congo (French: Tintin au Congo; French pronunciation: [tɛ̃tɛn o kɔ̃go]) is the second volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from May 1930 to June 1931 before being published in a collected volume by Éditions de Petit Vingtième in 1931. The story tells of young Belgian reporter Tintin and his dog Snowy, who are sent to the Belgian Congo to report on events in the country. Amid various encounters with the native Congolese people and wild animals, Tintin unearths a criminal diamond smuggling operation run by the American gangster Al Capone. Following on from Tintin in the Land of the Soviets and bolstered by publicity stunts, Tintin in the Congo was a commercial success within Belgium and was also serialised in France. Hergé continued The Adventures of Tintin with Tintin in America in 1932, and the series subsequently became a defining part of the Franco-Belgian comics tradition. In 1946, Hergé re-drew and coloured Tintin in the Congo in his distinctive ligne-claire style for republication by Casterman, with further alterations made at the request of his Scandinavian publisher for a 1975 edition. In the late 20th century, Tintin in the Congo came under criticism for both its perceived racist colonial attitude toward the Congolese and for its glorification of big-game hunting. Accordingly, attempts were made in Belgium, Sweden, the United Kingdom, and the United States to either ban the work or restrict its availability to children. Critical reception of the work has been largely negative, with commentators on The Adventures of Tintin describing it as one of Hergé's weakest works.
Tintin and the Lake of Sharks
#2323.1Tintin and the Lake of Sharks (French: Tintin et le lac aux requins) is an animated film based on The Adventures of Tintin, directed by Raymond Leblanc (1972). It was not written by Hergé (who merely supervised), but by the Belgian comics creator Greg (Michel Regnier), a friend of Hergé. It was later adapted into a comic book with still images from the film used as illustrations.
Tintin in the Land of the Soviets
#2423.6Tintin in the Land of the Soviets (French: Tintin au pays des Soviets) is the first volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle as anti-communist satire for its children's supplement Le Petit Vingtième, it was serialised weekly from January 1929 to May 1930 before being published in a collected volume by Éditions du Petit Vingtième in 1930. The story tells of young Belgian reporter Tintin and his dog Snowy, who are sent to the Soviet Union to report on the policies of Joseph Stalin's Bolshevik government. Tintin's intent to expose the regime's secrets prompts agents from the Soviet secret police, the OGPU, to hunt him down with the intent to kill. Bolstered by publicity stunts, Land of the Soviets was a commercial success in Belgium, and also witnessed serialisation in France and Switzerland. Hergé continued The Adventures of Tintin with Tintin in the Congo, and the series became a defining part of the Franco-Belgian comics tradition. Damage to the original plates prevented republication of the book for several decades, while Hergé later expressed embarrassment at the crudeness of the work. As he began to redraw his earlier Adventures in second, colour versions from 1942 onward, he decided against doing so for Land of the Soviets; it was the only completed Tintin story that Hergé did not reproduce in colour. Growing demand among fans of the series resulted in the production of unauthorised copies of the book in the 1960s, with the first officially sanctioned republication appearing in 1969, after which it was translated into several other languages, including English. Critical reception of the work has been largely negative, with commentators on The Adventures of Tintin describing it as one of Hergé's weakest works.
Tintin and Alph-Art
#2524.7Tintin and Alph-Art (French: Tintin et l'alph-art) is the unfinished twenty-fourth and final volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story revolves around Brussels' modern art scene, where the young reporter Tintin discovers that a local art dealer has been murdered. Investigating further, he encounters a conspiracy of art forgery, masterminded by a religious guru named Endaddine Akass. Reflecting his own fascination for modern art, Hergé began work on Tintin and Alph-Art in 1978, however it was left unfinished at the time of his death in March 1983. At this point it consisted of around 150 pages of pencil-drawn notes, outlines and sketches – not yet rendered in Hergé's trademark ligne claire drawing style – with no ending having been devised for the story. Hergé's colleague Bob de Moor offered to complete the story for publication, and while Hergé's widow Fanny Vlamyck initially agreed, she changed her decision, citing the fact that her late husband had not wanted anyone else to continue The Adventures of Tintin. A selection of the original notes were collected together and published in book form by Casterman in 1986. Since that point, a number of other cartoonists, such as Yves Rodier, have produced their own finished, unauthorized versions of the story. Critical reception of the work has been mixed; some commentators on The Adventures of Tintin have believed that Tintin and Alph-Art would have been an improvement over much of Hergé's later work, while others have characterised this as wishful thinking.
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