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Best Hal Needham Movies
11th Nov 2025
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Get ready to rev your engines and buckle up! This list celebrates the wild and unforgettable cinematic contributions of stuntman-turned-director Hal Needham, a true icon of action and comedy. From daring car chases and gravity-defying stunts to heartwarming friendships and side-splitting humor, Needham's films defined a generation and continue to entertain audiences today. Prepare to revisit classics and discover hidden gems as we explore the very best that this legendary filmmaker had to offer. Now, it's your turn to take the driver's seat! Below, you'll find a selection of Hal Needham's greatest hits, but the order is up to you. Use the drag-and-drop feature to reorder the films and create your ultimate Hal Needham movie ranking. Share your preferences and see how your choices compare to other fans. Let the voting begin!
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#10.
Megaforce (1982)
10/10
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Megaforce is an elite, privately funded military unit comprised of the world's best soldiers and equipped with advanced, heavily armed dune buggies and motorcycles. When the peaceful Republic of Sardun finds itself under threat from its warmongering neighbor, the beautiful Major Zara (Persis Khambatta) and General Byrne-White (Edward Mulhare) turn to Ace Hunter (Barry Bostwick), the charismatic leader of Megaforce, for assistance. Hunter and his team of international specialists, skilled in the art of futuristic warfare, must utilize their cutting-edge technology and unwavering dedication to defend Sardun and uphold peace against overwhelming odds. Expect high-octane chases, explosive action, and a heavy dose of 80s cheese as Megaforce rides into battle! While *Megaforce* might be considered a critical misfire, it absolutely earns its place on a list of Hal Needham's best movies, albeit perhaps for the wrong reasons. Needham, the king of practical stunts and good ol' boy action comedies, took on a science fiction premise with *Megaforce*, resulting in a spectacularly over-the-top and unintentionally hilarious spectacle. It's a showcase of his signature style – fast vehicles, explosions galore, and a complete disregard for realism – dialed up to eleven. It's a glorious trainwreck of ambition and execution, a testament to Needham's willingness to push boundaries, even if those boundaries end up collapsing in a heap of questionable special effects and even more questionable fashion choices. Its very failure is what makes it so memorable and a fascinating, if flawed, entry in his filmography.
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Smokey and the Bandit (1977)
#11.0"Smokey and the Bandit" is a quintessential car chase comedy that pits Bo "Bandit" Darville, a legendary race car driver, against the relentless Sheriff Buford T. Justice, known as "Smokey." Bandit takes on the audacious challenge of illegally transporting 400 cases of Coors beer from Texarkana, Texas, to Atlanta, Georgia, in a breakneck 28 hours. Along the way, he picks up Carrie, a runaway bride escaping her own wedding to Justice's son, adding further fuel to the already fiery pursuit. Packed with high-octane stunts, memorable one-liners, and a cast of iconic characters, the film is a pure celebration of Southern charm and rebellious spirit. "Smokey and the Bandit" is an absolute must-have on any list of Hal Needham's best films because it perfectly embodies his signature style. Needham, a former stuntman himself, brought an unparalleled level of practical stunt work and genuine excitement to the film's action sequences. Beyond the impressive car chases, the movie's success also lies in Needham's ability to blend action with humor and heartwarming character dynamics, creating a film that's both thrilling and deeply entertaining. It's a film that defined a genre and solidified Needham's legacy as a master of action-comedy cinema.
Rad (1986)
#22.0"Rad" (1986) tells the story of Cru Jones, a talented BMX racer living in a small town. Cru is faced with a pivotal choice: qualify for "Helltrack," an extreme and professionally lucrative BMX race coming to his town, or take his SATs, a prerequisite for attending college. Torn between his passion for BMX and the pressures of conventional success, Cru navigates the cutthroat world of professional racing, the allure of fame, and the expectations of his family. With vibrant visuals, a killer 80s soundtrack, and gravity-defying stunts, "Rad" captures the exhilarating spirit of BMX culture and the universal struggle to follow your dreams. While "Rad" might seem like an unconventional choice for a list of Hal Needham's best films, its inclusion is justified when considering Needham's track record. Known for his expertise in action choreography, stunt work, and capturing a rebellious spirit, Needham expertly translates these elements into the world of BMX. "Rad" is filled with daring stunts, energetic pacing, and a focus on underdog triumph—hallmarks of Needham's signature style. Though not a critical darling, its lasting cult appeal and energetic direction showcase Needham's ability to deliver visually engaging and entertaining films that resonate with audiences long after their release, solidifying its place among his most memorable works.
Hooper (1978)
#33.0"Hooper (1978)" is a quintessential Hal Needham action-comedy showcasing Burt Reynolds as Sonny Hooper, a legendary Hollywood stuntman pushing his body to its absolute limits. While still one of the best in the business, Hooper relies heavily on painkillers to cope with the constant punishment his body endures. He faces the looming prospect of permanent disability if he doesn't retire soon, creating a compelling tension between his love for the adrenaline rush and the undeniable toll it takes. The film perfectly captures the high-flying, death-defying world of stuntmen, with Reynolds' charismatic performance making Hooper a sympathetic and relatable figure despite his larger-than-life profession. "Hooper" earns its place on any "Best Hal Needham Movies" list for several reasons. First and foremost, it exemplifies Needham's signature blend of action, humor, and genuine affection for the stunt community. Needham himself was a renowned stuntman, and "Hooper" feels like a loving tribute to his peers and the sacrifices they make for the sake of entertainment. Beyond the thrilling stunts, the film boasts witty dialogue, memorable characters, and a feel-good atmosphere that solidifies its status as a classic of the genre and a cornerstone of Needham's filmography. The behind-the-scenes chemistry between Reynolds and Needham is palpable, resulting in a film that's not only entertaining but also deeply personal.
The Cannonball Run (1981)
#44.0"The Cannonball Run" (1981) throws a star-studded cast into a wild and chaotic cross-country road race inspired by the real-life Cannonball Baker Sea-to-Shining-Sea Memorial Trophy Dash. Organized by automotive journalist Brock Yates, the original Cannonball was a daring protest against the then-ubiquitous 55 mph speed limit. This cinematic adaptation embraces that rebellious spirit, featuring eccentric characters often based on the outlandish tactics employed by actual Cannonball racers, from disguises and technological trickery to simply outsmarting the law. Expect outrageous stunts, comedic mishaps, and a healthy dose of vehicular mayhem as the teams compete for glory and the coveted Cannonball title. "The Cannonball Run" earns its place on a list of Hal Needham's best films not just for its box office success and enduring popularity, but for epitomizing Needham's signature style of action-comedy. Needham, a former stuntman himself, masterfully orchestrates the film's numerous car chases and spectacular stunts, showcasing his expertise in practical effects and stunt coordination. The film's lighthearted tone, coupled with its ensemble cast of comedic heavyweights like Burt Reynolds, Dom DeLuise, and Farrah Fawcett, perfectly captures Needham's penchant for delivering escapist entertainment. While arguably less focused on high-octane stunt work than some of his other films like "Smokey and the Bandit," "The Cannonball Run" demonstrates Needham's ability to blend thrilling action with broad comedy, resulting in a truly memorable and enjoyable cinematic experience.
Smokey and the Bandit II (1980)
#55.0"Smokey and the Bandit II" (1980) reunites the legendary Bandit (Burt Reynolds) and his sidekick Snowman (Jerry Reed) for another high-octane, cross-country adventure. This time, the stakes are even higher – and the cargo significantly larger. They're tasked with transporting a pregnant elephant from Florida to Texas, a feat fraught with logistical nightmares and, of course, the relentless pursuit of Sheriff Buford T. Justice (Jackie Gleason), who's more determined than ever to bring the Bandit to justice. Expect plenty of car chases, CB radio chatter, and over-the-top stunts as the Bandit once again tests the limits of the law. "Smokey and the Bandit II" rightfully earns its place on a list of Hal Needham's best films, not simply because it's a sequel to his iconic original, but because it doubles down on the elements that made that film a success. Needham masterfully blends action, comedy, and Southern charm, showcasing his talent for directing thrilling car chases that are as entertaining as they are outrageous. While the plot may be absurd, the film's lighthearted spirit and the undeniable chemistry between Reynolds, Reed, and Gleason make it a quintessential example of Needham's crowd-pleasing filmmaking style, cementing his legacy as a master of the action-comedy genre.
The Villain (1979)
#66.0"The Villain" (1979) stars Kirk Douglas as Cactus Jack, a hapless outlaw tasked with stopping the beautiful Charming Jones (Ann-Margret) from reaching her inheritance. Avery Simpson, Charming's scheming stepfather, hires Cactus Jack to eliminate her, but Cactus Jack's ineptitude turns every ambush into a slapstick disaster. Along for the ride is Handsome Stranger (Arnold Schwarzenegger), who offers his protection to Charming. What follows is a hilarious series of pratfalls, explosions, and near-misses, heavily inspired by classic Looney Tunes cartoons, as Cactus Jack's comical attempts to thwart Charming are consistently foiled by his own incompetence and Handsome Stranger's heroic interventions. "The Villain" earns its place among the best of Hal Needham's filmography not just for its comedic bent, but for embodying the director's signature style: fast-paced action, practical stunts, and a lighthearted, almost self-aware tone. Needham's background in stunt work is evident in the elaborate and often absurd action sequences, which are executed with impressive precision and humor. The film's star power, combined with Needham's mastery of cinematic mayhem and a good old-fashioned western setting, makes "The Villain" a quintessential example of his ability to deliver crowd-pleasing entertainment.
Body Slam (1986)
#77.0"Body Slam" (1986) is a quintessential fish-out-of-water comedy that sees struggling music manager M. Harry Smilac, portrayed with comedic desperation by Dirk Benedict, accidentally stumbling into the world of professional wrestling. After booking the unlikely "talent" of Rick Roberts, a wrestler he mistakes for a musician, Smilac finds himself managing Roberts and his tag-team partner, Tonga Tom. He quickly capitalizes on this surprising success, blending his musical ambitions with the wrestling world to create a "Rock n' Wrestling" tour. This unlikely pairing proves a hit, giving Smilac a much-needed shot at redemption and a taste of the winning life he's been missing. While not as widely celebrated as some of Hal Needham's other action-comedy romps, "Body Slam" earns its place on a list of his best films for its undeniable charm and signature Needham trademarks. The movie is filled with goofy humor, a feel-good spirit, and a lighthearted embrace of over-the-top scenarios. Needham masterfully blends the worlds of music and wrestling, creating a fun and energetic spectacle. Though lacking the star power or elaborate stunts of his more iconic films like "Smokey and the Bandit", "Body Slam" showcases Needham's talent for crafting enjoyable, crowd-pleasing entertainment.
Cannonball Run II (1984)
#88.0"Cannonball Run II" sees the return of familiar faces from the original "Cannonball Run," embarking on another chaotic and cross-country illegal race. This time, Sheik Abdul ben Falafel, still obsessed with winning, bankrolls the race, attracting a motley crew of racers in an even more bizarre array of vehicles, including ambulances, motorcycles, and souped-up sports cars. Expect the same blend of slapstick comedy, celebrity cameos, and over-the-top stunts as the racers attempt to outsmart law enforcement and each other to reach the finish line first. "Cannonball Run II" earns its place on a list of "Best Hal Needham Movies" due to his signature style of broad, action-packed comedy. While it may not surpass the original in terms of critical acclaim, it doubles down on the formula that made the first film a hit: outrageous car chases, physical humor, and a lighthearted, anything-goes attitude. Needham's ability to orchestrate large-scale vehicular mayhem while maintaining a sense of fun is on full display, cementing his reputation as a master of the stunt-driven action-comedy. Though considered less polished than some of his other work, it's a quintessential Needham experience filled with the charm and absurdity that define his best films.
Stroker Ace (1983)
#99.0"Stroker Ace" (1983) stars Burt Reynolds as the titular NASCAR champion, a driver at the peak of his career but increasingly disgruntled by the demands of his sponsor, Fried Chicken Heaven. The film follows Stroker as he navigates ridiculous promotional stunts, most notably being forced to wear a giant chicken suit, while simultaneously pursuing a romantic relationship with the alluring Pembrook Feeney, played by Loni Anderson. This slapstick comedy embraces the over-the-top humor that became a hallmark of the era, delivering a lighthearted and often absurd take on the world of professional racing. "Stroker Ace" earns its place on a list of Hal Needham's best films primarily due to its adherence to the director's signature style. Needham, a former stuntman himself, consistently delivered action-packed comedies with a focus on practical stunts, car chases, and a healthy dose of irreverent humor. While "Stroker Ace" might not be as critically acclaimed as some of his other works like "Smokey and the Bandit," it perfectly encapsulates Needham's penchant for light, escapist entertainment, showcasing Reynolds' comedic charm and delivering the kind of good-natured mayhem audiences came to expect from his collaborations with the director. Its enduring appeal lies in its nostalgic value and its embrace of a simpler, more cartoonish approach to filmmaking.
Megaforce (1982)
#1010.0Megaforce is an elite, privately funded military unit comprised of the world's best soldiers and equipped with advanced, heavily armed dune buggies and motorcycles. When the peaceful Republic of Sardun finds itself under threat from its warmongering neighbor, the beautiful Major Zara (Persis Khambatta) and General Byrne-White (Edward Mulhare) turn to Ace Hunter (Barry Bostwick), the charismatic leader of Megaforce, for assistance. Hunter and his team of international specialists, skilled in the art of futuristic warfare, must utilize their cutting-edge technology and unwavering dedication to defend Sardun and uphold peace against overwhelming odds. Expect high-octane chases, explosive action, and a heavy dose of 80s cheese as Megaforce rides into battle! While *Megaforce* might be considered a critical misfire, it absolutely earns its place on a list of Hal Needham's best movies, albeit perhaps for the wrong reasons. Needham, the king of practical stunts and good ol' boy action comedies, took on a science fiction premise with *Megaforce*, resulting in a spectacularly over-the-top and unintentionally hilarious spectacle. It's a showcase of his signature style – fast vehicles, explosions galore, and a complete disregard for realism – dialed up to eleven. It's a glorious trainwreck of ambition and execution, a testament to Needham's willingness to push boundaries, even if those boundaries end up collapsing in a heap of questionable special effects and even more questionable fashion choices. Its very failure is what makes it so memorable and a fascinating, if flawed, entry in his filmography.
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