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Best Stanley Tong Movies
13th Nov 2025
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Get ready to dive into the action-packed world of Stanley Tong, the Hong Kong film director renowned for his thrilling martial arts films and collaborations with global superstars. This list showcases some of his most iconic works, blending breathtaking stunts, humor, and captivating narratives that have entertained audiences worldwide. From groundbreaking action sequences to memorable characters, Tong's films have consistently pushed the boundaries of the genre, leaving a lasting impact on cinema. Now it's your turn! Experience the cinematic power of Stanley Tong and create your personal ranking of his greatest films using our interactive drag-and-drop feature. Rearrange the titles to reflect your own preferences, placing your absolute favorites at the top and working your way down. Share your unique list and discover what other fans think of these beloved classics.
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#6.
Supercop 2 (1993)
6/14
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"Supercop 2" (also known as "Project S") is a high-octane action spectacle starring Michelle Yeoh as Jessica Yang, a dedicated Hong Kong police officer tasked with dismantling a dangerous criminal organization terrorizing the city. Little does Jessica know, her former police officer boyfriend is actually the mastermind behind the ruthless gang, creating a complex web of personal and professional conflict as she struggles to uphold the law while battling the man she loves. Prepare for breathtaking stunts, inventive fight choreography, and plenty of explosive set pieces as Jessica navigates a world of deception and betrayal in her pursuit of justice. "Supercop 2" earns its place on a list of the best Stanley Tong movies due to its expertly crafted action sequences and focus on character-driven drama. Tong's signature blend of comedic elements and heart-stopping stunts shines through, particularly in the film's elaborate fight choreography and impressive set pieces that highlight Michelle Yeoh's incredible physical prowess. While not a direct sequel to "Police Story 3: Supercop", "Supercop 2" shares the same kinetic energy and commitment to practical effects that made the original a classic, solidifying Tong's reputation as a master of action cinema and further cementing Michelle Yeoh's status as a global action icon.
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Supercop (1992)
#11.0"Supercop" (1992), also known as "Police Story 3: Supercop," explodes onto the screen with Jackie Chan as Ka-Kui, a Hong Kong detective who goes undercover to infiltrate a powerful drug cartel. In a groundbreaking and action-packed collaboration, he's partnered with Interpol officer Jessica Yang, played by Michelle Yeoh, a skilled and resourceful Red Chinese counterpart. Together, they must navigate treacherous landscapes, evade relentless pursuers, and confront the ruthless drug czar, Panther, in a bid to dismantle his operation and bring him to justice. The film is a high-octane blend of martial arts mastery, breathtaking stunts, and comedic timing, delivering a quintessential Jackie Chan experience. "Supercop" earns its place on the "Best Stanley Tong Movies" list for its mastery of the director's signature style. Tong expertly amplifies Chan's already impressive physical comedy and action choreography, creating set pieces that are both thrilling and inventive. From the iconic motorcycle jump onto a moving train to the explosive finale involving a helicopter, the film showcases Tong's ability to craft visually stunning and technically demanding action sequences. Furthermore, the chemistry between Chan and Yeoh is electric, adding a layer of depth and excitement to the narrative, setting "Supercop" apart as a cornerstone of both their careers and a defining work in Tong's filmography.
Rumble in the Bronx (1995)
#22.0"Rumble in the Bronx" (1995) explodes onto the screen with Jackie Chan's signature blend of breathtaking stunts, comedic timing, and martial arts mastery. Keong, a Hong Kong native arriving in the Bronx for his uncle's wedding, finds himself embroiled in a local conflict. He steps up to help run his uncle's market and quickly befriends a neighborhood kid, but peace is disrupted by a gang of troublesome thugs. Keong's righteous fury unleashes a whirlwind of action as he defends the market and his new friends, inadvertently drawing him into a much larger criminal conspiracy when one of the petty thugs gets caught up in something dangerous. This film earns its place on a "Best Stanley Tong Movies" list for good reason. "Rumble in the Bronx" represents Tong's mastery of action choreography and his understanding of how to best utilize Chan's unique talents. The film's over-the-top stunts, including the iconic hovercraft scene, are a testament to Tong's innovative approach to action filmmaking. Beyond the action, Tong's direction infuses the film with a lighthearted, almost cartoonish energy that perfectly complements Chan's comedic style, making it an endlessly rewatchable and beloved entry in both their filmographies.
First Strike (1996)
#33.0"First Strike" (1996) sees Jackie Chan returning as the iconic Hong Kong cop, Chan Ka-Kui (also known as Jackie in some versions), this time partnering with Interpol to dismantle an illegal weapons operation. What begins as a straightforward mission quickly spirals into a complex web of deceit, with Jackie finding himself caught in a dangerous game as he uncovers a shadow organization masquerading as Russian intelligence. This installment of the Police Story franchise delivers the signature blend of breathtaking stunts, inventive fight choreography, and lighthearted humor that audiences have come to expect from Jackie Chan. "First Strike" rightfully earns its place among Stanley Tong's best films because it showcases the director's mastery of action filmmaking on a grand scale. Tong's creative camerawork amplifies the impact of Chan's death-defying stunts, most memorably in the iconic underwater fight sequence and the use of a ladder during an attack at an aquatic park; both set pieces remain standouts in action cinema. Furthermore, Tong's ability to blend humor with high-stakes action creates a balanced and immensely entertaining film that solidifies his position as one of Jackie Chan's most effective and successful collaborators. The film's global scope, featuring locations like Ukraine and Australia, elevates the production value and contributes to its lasting appeal.
The Stone Age Warriors (1991)
#44.0"The Stone Age Warriors (1991)" earns its place among the best of Stanley Tong's filmography for its innovative blend of time travel fantasy and martial arts action, a signature hallmark of his directorial style. The film showcases Tong's mastery of crafting exciting fight sequences that utilize the environment to their full potential, with elaborate choreography that seamlessly integrates the Stone Age setting. The film's unique premise, pitting modern-day Hong Kong warriors against prehistoric tribes, provides ample opportunity for inventive comedic moments and showcases Tong's ability to create lighthearted entertainment without sacrificing high-octane action. This film, while not as widely recognized as some of his other works, demonstrates Tong's creative range and his talent for pushing the boundaries of the action-comedy genre. Beyond the action, "The Stone Age Warriors" also exemplifies Tong's knack for creating memorable and likable characters. The dynamic between the modern-day heroes and the primitive villagers is filled with humorous misunderstandings and eventual camaraderie, highlighting Tong's ability to infuse heart and warmth into his action-packed narratives. While the story may be fantastical, the underlying themes of adaptation, understanding, and cooperation resonate with audiences, solidifying the film's place as more than just a simple action flick. This blend of imaginative storytelling, impressive fight choreography, and engaging characters firmly establishes "The Stone Age Warriors" as a worthy inclusion in any list celebrating the best of Stanley Tong's cinematic contributions.
The Myth (2005)
#55.0"The Myth (2005)" follows Jack, an archeologist plagued by vivid dreams of a past life as a warrior. When his colleague seeks his expertise in locating the mausoleum of Qin Shi Huang, China's first emperor, Jack's visions begin to blur with reality. He soon discovers that these dreams are not mere fantasies but echoes of a powerful past, leading him on a perilous quest filled with ancient secrets, sword fights, and a desperate struggle for survival as he unravels the mysteries surrounding the legendary emperor's tomb. "The Myth" rightfully earns its place among Stanley Tong's best works due to its signature blend of action, adventure, and humor, all hallmarks of his successful collaborations with Jackie Chan. The film showcases Tong's mastery of large-scale set pieces, seamlessly integrating elaborate fight choreography with breathtaking historical settings. Beyond the thrilling action sequences, "The Myth" distinguishes itself with its ambitious scope, weaving together elements of fantasy, history, and romance to create a visually stunning and emotionally resonant experience. Tong's direction effectively captures the epic scale of the story while maintaining a sense of personal connection, making it a memorable and entertaining film for audiences.
Supercop 2 (1993)
#66.0"Supercop 2" (also known as "Project S") is a high-octane action spectacle starring Michelle Yeoh as Jessica Yang, a dedicated Hong Kong police officer tasked with dismantling a dangerous criminal organization terrorizing the city. Little does Jessica know, her former police officer boyfriend is actually the mastermind behind the ruthless gang, creating a complex web of personal and professional conflict as she struggles to uphold the law while battling the man she loves. Prepare for breathtaking stunts, inventive fight choreography, and plenty of explosive set pieces as Jessica navigates a world of deception and betrayal in her pursuit of justice. "Supercop 2" earns its place on a list of the best Stanley Tong movies due to its expertly crafted action sequences and focus on character-driven drama. Tong's signature blend of comedic elements and heart-stopping stunts shines through, particularly in the film's elaborate fight choreography and impressive set pieces that highlight Michelle Yeoh's incredible physical prowess. While not a direct sequel to "Police Story 3: Supercop", "Supercop 2" shares the same kinetic energy and commitment to practical effects that made the original a classic, solidifying Tong's reputation as a master of action cinema and further cementing Michelle Yeoh's status as a global action icon.
Tin si hang dung III: Moh lui mut yat (1989)
#77.0"Tin si hang dung III: Moh lui mut yat" (1989), known internationally as "The Inspector Wears Skirts II", earns its place among Stanley Tong's best for its signature blend of high-octane action and lighthearted comedy. The film showcases Tong's early talent for crafting elaborate and inventive stunt sequences, a hallmark of his later Hollywood successes. The plot, revolving around a team of female police recruits battling both criminals and societal expectations, is more than just comedic fluff. It explores themes of gender equality and empowerment, albeit through a lens of Hong Kong cinema's unique sensibility. The memorable performances of its ensemble cast, particularly Kara Hui and Sandra Ng, further solidify its appeal and enduring popularity within the action-comedy genre. More than just a sequel, "The Inspector Wears Skirts II" demonstrates Tong's knack for taking familiar formulas and injecting them with fresh energy and inventive action choreography. The film's pacing is relentless, keeping audiences engaged from start to finish with a mix of slapstick humor, thrilling chases, and genuinely impressive martial arts displays. While perhaps not as widely recognized as some of his later works, this film offers a glimpse into the development of Tong's directorial style and his ability to seamlessly blend different genres. It's a vital piece in understanding the evolution of one of Hong Kong cinema's most successful action directors and deserves its place within his best films.
China Strike Force (2000)
#88.0"China Strike Force," released in 2000, is a high-octane action thriller directed by Stanley Tong, showcasing his signature blend of thrilling stunts, martial arts, and international intrigue. The film stars Aaron Kwok as Darren, a skilled but inexperienced Chinese Security Officer recruited into Team 808, a specialized unit dedicated to combating drug smuggling and corruption. Darren partners with Noriko, a determined Japanese Interpol officer portrayed by Norika Fujiwara, to dismantle a powerful international drug cartel. The stakes are further complicated by a potential corruption scandal involving the daughter of a high-ranking government official, adding a layer of political suspense to the explosive action. "China Strike Force" earns its place among the best of Stanley Tong's filmography due to its masterful execution of large-scale action sequences and engaging storyline. Tong's expertise in choreographing dynamic fight scenes, often incorporating inventive stunts and practical effects, is on full display. While the plot incorporates familiar crime thriller elements, the film stands out for its glossy production values, charismatic performances from Kwok and Fujiwara, and the director's ability to blend action with elements of suspense and social commentary regarding corruption. Though perhaps not as groundbreaking as some of his earlier work, "China Strike Force" represents a solid entry in Tong's action filmography, demonstrating his consistent skill in delivering exciting and visually appealing entertainment.
Rising Shaolin: The Protector (2021)
#99.0"Rising Shaolin: The Protector (2021)" may not immediately jump to mind as a quintessential Stanley Tong film, but its inclusion amongst his best works is justified by its strong adherence to the director's signature style and action-packed formula. The film showcases Tong's mastery of blending breathtaking martial arts choreography with compelling narrative, featuring gravity-defying stunts and inventive fight sequences that are a hallmark of his filmmaking. While leaning into the contemporary setting of modern security and corporate espionage, the film retains the classic Hong Kong action cinema sensibilities Tong is known for, with a strong emphasis on heroism, loyalty, and the underdog overcoming incredible odds. The energetic pacing, coupled with a likeable protagonist, makes for an engaging and entertaining experience reminiscent of Tong's earlier, more celebrated works. Beyond the action, "Rising Shaolin: The Protector" subtly incorporates themes of cultural preservation and the enduring relevance of traditional Shaolin values in the modern world, a recurring thread in Tong's filmography. The film doesn't shy away from showcasing the dedication and discipline required to master the martial arts, echoing the respect for tradition seen in movies like "Rumble in the Bronx." While the film might be perceived as a modern adaptation, it is a worthy addition to the list of Stanley Tong's best films because it captures his vision of intense martial arts sequences, showcasing heroism, and bringing traditional values to the screen. In doing so, it successfully delivers the high-octane excitement and heart-warming spirit that have made Stanley Tong a household name in action cinema.
Kung Fu Yoga (2017)
#1010.0"Kung Fu Yoga" (2017) is a high-octane action-comedy adventure that follows Jack, a renowned Chinese archeology professor, as he embarks on a thrilling quest for lost Magadha treasure. Teaming up with the captivating Indian professor Ashmita and her sharp assistant Kyra, Jack's journey takes him from the icy depths of a Tibetan cave, where they unearth the frozen remains of a lost army, to the opulent heights of Dubai, where a crucial diamond is set to be auctioned. Facing betrayal, revelations about their interconnected pasts, and the relentless pursuit of a vengeful descendant, the trio ultimately journeys to a mountain temple in India, where the diamond serves as the key to unlocking the legendary treasure. Expect a whirlwind of martial arts, breathtaking stunts, and cultural exploration. This film earns its place on a "Best Stanley Tong Movies" list due to its seamless blend of action, humor, and exotic locales, a trademark of Tong's directorial style and a proven formula for success in his collaborations with Jackie Chan. While not reaching the heights of their earlier masterpieces, "Kung Fu Yoga" still showcases Tong's knack for crafting visually stunning and thoroughly entertaining adventures. The elaborate fight choreography, the integration of diverse cultural elements, and the over-the-top action sequences are classic Tong, making it a worthy addition to his filmography and a memorable experience for fans of the genre.
Vanguard (2020)
#1111.0"Vanguard (2020)" rightfully earns its place on a list of Stanley Tong's best films due to its signature blend of high-octane action, exotic locales, and lighthearted humor, all of which have become hallmarks of his directing style. The film showcases Tong's ability to craft elaborate and thrilling set pieces involving vehicles, weapons, and hand-to-hand combat, utilizing the globetrotting narrative to maximize visual spectacle. Furthermore, the inclusion of Jackie Chan, despite a smaller role, reinforces the familiar collaborative dynamic that has delivered some of Tong's most beloved and successful projects, solidifying its association with his established cinematic brand. While "Vanguard" might not reach the heights of some of Tong's earlier classics, it still demonstrates his commitment to delivering crowd-pleasing entertainment. The film's narrative, though perhaps straightforward, serves as a vehicle for showcasing impressive stunts, showcasing cutting-edge technology, and injecting a sense of adventure that's characteristic of Tong's action-adventure formula. Moreover, the film’s positive message of international cooperation and fighting against terrorism adds a layer of contemporary relevance, aligning with the director’s tendency to infuse his films with themes of justice and heroism. For these reasons, "Vanguard" remains a representative work within Stanley Tong's filmography and earns its place among his best.
A Legend (2024)
#1212.0"A Legend (2024)" earns its rightful place among Stanley Tong's best films due to its triumphant return to the large-scale action-adventure spectacles that defined his earlier work. Like "Rumble in the Bronx" and "Police Story 3: Supercop," "A Legend" showcases Tong's masterful ability to blend breathtaking stunt work with humor and heart, creating a crowd-pleasing cinematic experience. The film features dazzling practical effects, inventive fight choreography, and visually stunning locations, all trademarks of a classic Stanley Tong production. Beyond the spectacle, the movie delves into themes of cultural preservation and the complexities of historical narratives, demonstrating a maturation in Tong's storytelling approach while retaining the core elements that made him a global action cinema icon. Furthermore, "A Legend (2024)" proves Tong's enduring talent for casting and directing charismatic leads, drawing compelling performances that elevate the action sequences. The chemistry between the central characters is palpable, lending an emotional weight to the film that goes beyond mere entertainment. The film is not just a rehash of his past successes; it builds upon them, incorporating modern filmmaking techniques while staying true to the spirit of classic Hong Kong action cinema. By delivering a film that is both a nostalgic throwback and a forward-looking evolution, "A Legend (2024)" solidifies Stanley Tong's legacy and cements its place as a standout entry in his celebrated filmography.
Mr. Magoo (1997)
#1313.0"Mr. Magoo (1997)" throws the near-sighted cartoon character into a live-action adventure where his extreme vision impairment leads to hilarious mishaps and unexpected involvement in a high-stakes museum robbery. Leslie Nielsen embodies the iconic Mr. Magoo, blithely stumbling his way through the criminal underworld while remaining completely oblivious to the chaos he creates. Expect slapstick comedy galore as Magoo's inability to see anything clearly results in mistaken identities, accidental heroics, and a whole lot of property damage in this family-friendly romp. While "Mr. Magoo" may seem like an odd fit amongst Stanley Tong's filmography, known primarily for action-packed collaborations with Jackie Chan, it undeniably showcases his versatility as a director. Tong brings his signature style of energetic pacing and visually engaging set pieces to the comedic genre. Though leaning more into broad humor than martial arts prowess, the film retains Tong's knack for crafting inventive action sequences, albeit played for laughs, and features a vibrant, global setting that echoes the hallmarks of his other works. While not his most critically acclaimed effort, "Mr. Magoo" demonstrates Tong's ability to adapt his filmmaking skills to different genres, making it a notable, if atypical, entry in his filmography.
City Hunter
#1414.0"City Hunter," released in 1993, undeniably earns its place amongst Stanley Tong's best films, showcasing the director's signature blend of action-comedy spectacle. Starring Jackie Chan as the carefree private investigator Ryo Saeba, the film is a masterclass in comedic timing and inventive fight choreography. Tong perfectly balances slapstick humor with impressive martial arts sequences, often utilizing the environment in creative and unexpected ways. From the iconic "Street Fighter" video game parody scene to the thrilling cruise ship set-pieces, "City Hunter" is a visual feast that never takes itself too seriously, highlighting Tong's ability to craft entertaining and memorable action experiences. Beyond the surface-level entertainment, "City Hunter" exemplifies several hallmarks of Tong's directorial style. The film features a strong ensemble cast, with memorable performances from Joey Wong and Chingmy Yau, and utilizes a fast-paced narrative to keep the audience engaged from start to finish. More importantly, it demonstrates Tong's penchant for incorporating international elements and appealing to a broad audience. While rooted in the Japanese manga of the same name, the film successfully translates the source material into a Hong Kong action film, capturing its essence while injecting Tong's signature brand of humor and high-octane action. It's a prime example of Tong's ability to elevate a pre-existing concept into a blockbuster spectacle, cementing its position as a must-watch in his filmography.
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