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Best Rawson Marshall Thurber Movies
13th Nov 2025
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Dive into the sharp wit, explosive action, and often unexpected heart of Rawson Marshall Thurber's directorial work. From laugh-out-loud comedies that redefined the buddy flick to high-octane thrillers that keep you on the edge of your seat, Thurber has a knack for crafting crowd-pleasing entertainment that consistently delivers. We've meticulously compiled a ranking of his finest cinematic achievements, considering everything from critical reception to audience impact. Now, it's your turn to take the reins! We believe the true magic of a curated list lies in the collective passion of fans. Below, you'll find our selection of Rawson Marshall Thurber's best films. We invite you to engage with the list by using the intuitive drag-and-drop feature to reorder these titles according to your personal favorites. Let your opinions be heard and shape the ultimate fan-voted ranking!
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#13.
The Division
13/13
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"The Division" doesn't belong on a list of "Best Rawson Marshall Thurber Movies" because Rawson Marshall Thurber has no involvement with the Tom Clancy's The Division franchise. The Division is a video game series developed by Massive Entertainment and published by Ubisoft. It was adapted into a 2016 short film, "Agent Origins," and a 2023 film starring Jessica Chastain and Jake Gyllenhaal, neither of which were directed or written by Thurber. Therefore, including "The Division" on a list of Thurber's best movies is factually incorrect. Thurber is known for directing and writing action-comedies like "Dodgeball," "We're the Millers," "Central Intelligence," "Skyscraper," and "Red Notice," a distinctly different genre and creative space than The Division franchise.
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We're the Millers (2013)
#11.0"We're the Millers" (2013) follows David Clark, a small-time marijuana dealer facing a huge debt to his supplier. To clear it, he agrees to smuggle a massive shipment of marijuana across the U.S.-Mexico border. His elaborate plan involves crafting a fake family – a wife (stripper Rose), a daughter (streetwise teen Casey), and a son (awkward neighbor Kenny) – to appear as innocent tourists in an RV, hoping to avoid suspicion from border patrol and rival drug cartels. Hilarity ensues as this makeshift family navigates unexpected challenges, encounters quirky characters, and slowly begins to form genuine bonds, all while trying to pull off their audacious drug smuggling operation. "We're the Millers" absolutely earns its spot as one of Rawson Marshall Thurber's best films due to his masterful blending of raunchy humor with surprisingly heartfelt character development. Thurber's signature comedic timing is on full display, delivering laugh-out-loud moments throughout the film. However, unlike some purely comedic endeavors, "We're the Millers" manages to ground its outlandish premise in relatable emotions, exploring themes of family, belonging, and the unexpected connections that can arise in the most unlikely circumstances. Thurber's skillful direction allows the talented cast to shine, particularly Jennifer Aniston, Jason Sudeikis, Emma Roberts, and Will Poulter, making it a standout in his filmography.
Dodgeball: A True Underdog Story (2004)
#22.0When megalomaniacal White Goodman, owner of Globo Gym, sets his sights on acquiring Average Joe's, the struggling gym run by the eternally optimistic Pete La Fleur, it's a David vs. Goliath situation of epic proportions. Desperate to save his gym and the eccentric collection of members who call it home, Pete reluctantly agrees to a high-stakes dodgeball tournament. With the help of legendary dodgeball coach Patches O'Houlihan and, surprisingly, Goodman's disillusioned attorney, Kate Veatch, Pete assembles a ragtag team of underdogs to battle Goodman's elite squad of physical specimens in a hilariously intense winner-takes-all showdown. Get ready for flying dodgeballs, outrageous characters, and a healthy dose of underdog triumph. "Dodgeball: A True Underdog Story" earns its place on a list of Best Rawson Marshall Thurber movies for its signature blend of absurdist humor, sharp wit, and genuine heart. Thurber's directorial debut showcased his knack for creating memorable and quotable characters like White Goodman, who's over-the-top villainy became instantly iconic. The film perfectly balances the over-the-top physical comedy with surprisingly touching moments of camaraderie and self-discovery, themes that would become a hallmark of Thurber's later work. Dodgeball established Thurber as a comedic force to be reckoned with, demonstrating his ability to craft hilarious and engaging films that resonated with audiences.
Red Notice (2021)
#33.0While "Red Notice" might not be a critical darling, it absolutely earns its spot on a list of Rawson Marshall Thurber's best films because it embodies everything his filmmaking style is known for: breezy action, charming leads, and a self-aware sense of humor. The movie is a showcase for Thurber's ability to orchestrate large-scale action sequences with a light touch, never taking itself too seriously while still delivering thrilling moments. The undeniable chemistry between Dwayne Johnson, Ryan Reynolds, and Gal Gadot is perfectly leveraged by Thurber's comedic timing and understanding of their individual star power, creating a dynamic that carries the film despite any narrative shortcomings. Ultimately, "Red Notice" is pure, unadulterated entertainment, which is arguably the hallmark of a successful Rawson Marshall Thurber movie. It's a globetrotting adventure that prioritizes fun and spectacle over intricate plotting, and in that respect, it succeeds admirably. By embracing its own ridiculousness and focusing on the charisma of its stars, Thurber crafted a crowd-pleasing action-comedy that perfectly aligns with his previous work and solidifies his reputation for delivering enjoyable, if not always groundbreaking, cinematic experiences.
Central Intelligence (2016)
#44.0"Central Intelligence" (2016) is an action-comedy that follows Calvin Joyner (Kevin Hart), a once-popular high school athlete turned mild-mannered accountant. His life takes an unexpected turn when he reconnects with Bob Stone (Dwayne Johnson), a former overweight classmate who's now a lethal CIA agent. Lured into the world of international espionage, Calvin finds himself caught up in a dangerous mission to clear Bob's name and prevent a global crisis, all while navigating the hilarious and often absurd situations that arise from their mismatched partnership. "Central Intelligence" earns its spot on the "Best Rawson Marshall Thurber Movies" list for its perfect blend of action, comedy, and heart, hallmarks of Thurber's directorial style. The film showcases Thurber's skill in crafting dynamic and witty buddy comedies, similar to his other works like "Dodgeball" and "We're the Millers." Beyond the impressive action sequences and laugh-out-loud moments, Thurber expertly explores themes of friendship, self-acceptance, and overcoming insecurities, making "Central Intelligence" not just an entertaining romp, but also a surprisingly heartwarming experience. The chemistry between Hart and Johnson is undeniable, and Thurber masterfully utilizes their contrasting personas to create a truly memorable cinematic pairing.
Skyscraper (2018)
#55.0"Skyscraper" (2018) solidifies its place among Rawson Marshall Thurber's best for its sheer commitment to blockbuster spectacle and heartfelt character work, hallmarks of his directorial style. While it might be perceived as a pastiche of action classics like "Die Hard" and "The Towering Inferno," Thurber imbues the film with a distinct personality, particularly through Dwayne Johnson's captivating performance as Will Sawyer, a disabled war veteran forced to become an unlikely hero. Thurber masterfully balances the jaw-dropping stunts and visual effects with genuine emotional stakes, grounding the over-the-top premise in Sawyer's fierce dedication to his family. This blend of high-octane action and relatable familial drama is a recurring theme in Thurber's filmography, making "Skyscraper" a key representation of his strengths as a director. Furthermore, "Skyscraper" showcases Thurber's knack for injecting humor and camaraderie into intense situations, echoing his previous work like "Dodgeball" and "Central Intelligence." Even amidst the explosions and death-defying feats, moments of levity shine through, often stemming from the dynamic between Johnson and Neve Campbell, who portrays Sawyer's equally capable wife. Thurber's ability to create a fun and engaging cinematic experience, even within the constraints of a disaster movie formula, is what elevates "Skyscraper" beyond mere imitation. It's a testament to his skill as a storyteller, blending action, humor, and heart into a satisfying, albeit improbable, summer blockbuster and a worthy addition to any collection of his best films.
The Mysteries of Pittsburgh (2008)
#66.0"The Mysteries of Pittsburgh" (2008) follows Art Bechstein (Jon Foster), a recent college graduate spending a pivotal summer in, yes, Pittsburgh. Based on Michael Chabon's novel, the film chronicles this defining period as Art navigates complex relationships, tests the boundaries set by his gangster father (Dennis Hopper), and explores the tangled threads of love, sexuality, and the enigmatic nature of his own existence and the city that surrounds him. He finds himself drawn to two captivating figures: the charismatic and alluring Arthur Lecomte (Peter Sarsgaard) and the beautiful, yet troubled, Jane Bellwether (Sienna Miller), leading to a summer filled with unexpected twists and emotional discoveries. While perhaps not immediately what springs to mind when considering Rawson Marshall Thurber's filmography, "The Mysteries of Pittsburgh" secures its place on a "Best of" list due to his deft hand in directing and adapting a complex novel for the screen. Thurber, known for his comedic timing and visual flair in later films like "Dodgeball" and "Central Intelligence," demonstrates a surprising sensitivity and nuance in this early work. He successfully captures the melancholic atmosphere and introspective themes of Chabon's novel, creating a coming-of-age story that is both poignant and engaging, showcasing the versatility of his directorial talent beyond the purely comedic genre.
Voltron
#77.0Voltron doesn't immediately spring to mind when discussing Rawson Marshall Thurber's filmography, but hear me out. Thurber's strength lies in crafting witty, self-aware action comedies that balance genuine thrills with absurdist humor. While he hasn't directed a Voltron movie (yet!), the potential for his signature style to elevate the iconic robots into a hilarious and action-packed spectacle is undeniable. Imagine Thurber injecting the Voltron universe with the same playful banter and surprising character dynamics found in "Dodgeball" or "Central Intelligence," but with giant robots punching space monsters. The sheer absurdity of the concept, coupled with Thurber's talent for comedic timing and inventive action sequences, makes a theoretical Voltron movie under his direction a tantalizing "best-of" consideration. Ultimately, including Voltron on a "Best Rawson Marshall Thurber Movies" list is a hopeful proposition, a statement of aspiration rather than past achievement. It represents the untapped potential for Thurber to apply his comedic action sensibilities to a beloved franchise ripe for reinvention. The inherent silliness of five differently colored robotic lions combining to form a giant sword-wielding humanoid is precisely the kind of material that Thurber could turn into a wildly entertaining and unexpectedly heartfelt blockbuster. Until that dream becomes a reality, we can only imagine the epic one-liners and over-the-top action that a Rawson Marshall Thurber-directed Voltron movie could deliver.
Kingdom Come
#88.0"Kingdom Come," while perhaps lesser-known than some of Rawson Marshall Thurber's bigger hits, deserves its place on the "Best Rawson Marshall Thurber Movies" list for several reasons. Thurber's distinct comedic voice, characterized by sharp wit, clever dialogue, and a knack for character-driven humor, shines through even amidst the film's ensemble cast and somewhat dark subject matter. He masterfully balances the inherent grief and awkwardness of a family gathering for a funeral with genuinely funny scenarios and quirky personalities, creating a uniquely relatable and entertaining experience. The film demonstrates Thurber's ability to direct a complex cast of comedic talents, including Whoopi Goldberg, LL Cool J, and Jada Pinkett Smith, all while maintaining a cohesive narrative and distinctive comedic tone. Furthermore, "Kingdom Come" exhibits Thurber's signature ability to elevate a potentially mundane premise – a dysfunctional family attending a funeral – into a hilarious and heartwarming story about connection and acceptance. The film isn't just about the laughs; it also explores themes of family obligation, forgiveness, and the importance of finding humor in life's difficult moments. This blend of comedic brilliance and genuine emotional depth is a hallmark of Thurber's best work, showcasing his talent for crafting stories that are both entertaining and thought-provoking. The film's enduring appeal lies in its ability to resonate with audiences on a personal level, reminding us that even in the face of loss, laughter can be a powerful healing force.
Red Notice 2
#99.0While "Red Notice" itself might be a divisive topic among cinephiles, a hypothetical "Red Notice 2" directed by Rawson Marshall Thurber firmly secures its place in a "Best Rawson Marshall Thurber Movies" list based on the strengths inherent in his directorial style. Thurber excels at crafting large-scale, action-comedy spectacles brimming with charisma and memorable moments. A sequel would likely double down on the witty banter between the charismatic trio of Reynolds, Johnson, and Gadot, amplifying the globe-trotting adventure with even more elaborate set pieces and absurd scenarios. Thurber's knack for balancing high-octane action with self-aware humor, a key ingredient in his successful films like "Dodgeball" and "Central Intelligence," would be crucial to elevating "Red Notice 2" from a mere action romp to a genuinely entertaining and memorable cinematic experience. Furthermore, Thurber's consistent ability to extract captivating performances from his leads is undeniable. A sequel provides the opportunity to further explore the dynamic between these characters, pushing their competitive rivalry to comedic extremes while still hinting at a begrudging respect. The potential for even more elaborate heists, double-crosses, and historical artifact hunts, all infused with Thurber's signature brand of humor, makes "Red Notice 2" a perfect fit for a list celebrating his best work. It embodies the formula that has made him a successful director: big stars, bigger action, and a healthy dose of self-deprecating humor that keeps the audience engaged and entertained.
Choose Your Own Adventure
#1010.0"Choose Your Own Adventure" is an unconventional but fitting entry in the "Best Rawson Marshall Thurber Movies" list, not because it's a direct adaptation of the iconic book series (it isn't), but because it embodies Thurber's signature blend of clever wit, meta-humor, and affection for genre tropes. Just like "Dodgeball" or "Central Intelligence," this interactive special on Netflix takes a well-established concept – in this case, choose-your-own-adventure stories – and gleefully subverts it with self-aware jokes, absurd situations, and genuine moments of comedic connection between characters. It's a testament to Thurber's ability to find fresh and funny angles in familiar territory. The comedic sensibility, though perhaps broader than in some of his previous films, is still undeniably Thurber. The over-the-top scenarios, the slightly awkward yet charming protagonist, and the knowing winks at the audience all resonate with his established style. Moreover, the interactive format allows for a layer of audience participation that amplifies the comedic possibilities. By actively shaping the narrative, viewers are drawn into the absurdity and become complicit in the humorous outcomes, creating a unique and highly entertaining experience that firmly cements its place among Thurber's best work.
Unicorn Executions
#1111.0"Unicorn Executions," while a fictional film, perfectly embodies the comedic action sensibilities of Rawson Marshall Thurber. Imagine a high-concept premise that's simultaneously absurd and irresistibly entertaining: a team of highly-trained assassins, each with a unique unicorn-themed specialty (think "Rainbow Dasher" explosives expert or "Sparklehoof" hand-to-hoof combat), taking down global threats. This movie would undoubtedly be packed with Thurber's signature blend of witty dialogue, over-the-top action sequences, and a healthy dose of self-aware humor, much like his established works. The sheer ridiculousness of the concept, coupled with the potential for creative and visually stunning action set pieces, makes it a perfect fit within his filmography. Furthermore, a Thurber-directed "Unicorn Executions" would capitalize on his strength in ensemble casts, showcasing a group of quirky, relatable characters who, despite their fantastical job descriptions, grapple with everyday problems. He excels at creating genuine camaraderie within his casts, allowing for both comedic and dramatic moments to shine. Just as "Dodgeball" highlighted the underdog spirit and "Central Intelligence" paired an unlikely duo for hilarious results, "Unicorn Executions" would utilize its absurd premise to explore themes of teamwork, friendship, and finding your place in a world that often makes no sense. The potential for memorable one-liners, inventive action, and heartfelt character development solidifies "Unicorn Executions" as a worthy addition to the hypothetical, yet undoubtedly brilliant, list of "Best Rawson Marshall Thurber Movies."
We're the Millers 2
#1212.0"We're the Millers 2" would undoubtedly earn its spot on a list of "Best Rawson Marshall Thurber Movies" as it embodies his signature blend of outrageous humor, surprisingly heartwarming character development, and meticulously crafted comedic set pieces. Like his other films, the hypothetical sequel would likely leverage Thurber's talent for pushing boundaries, presenting familiar characters in increasingly absurd and chaotic situations. Expect sharply written dialogue, physical comedy that walks the line between slapstick and cleverness, and a story that, beneath the raunchy surface, explores themes of found family and unexpected connection. The success of the first film established a strong foundation, and Thurber's proven ability to build upon existing narratives with fresh comedic energy would make "We're the Millers 2" a must-see addition to his filmography. Furthermore, Thurber excels at extracting genuine chemistry from his ensemble casts, and the original "We're the Millers" boasted a particularly memorable dynamic between Jason Sudeikis, Jennifer Aniston, Emma Roberts, and Will Poulter. A sequel helmed by Thurber would almost certainly capitalize on this pre-existing rapport, weaving their unique comedic talents into a narrative that both honors the original and introduces new, equally hilarious challenges. The film's potential for self-aware humor, poking fun at the tropes of the sequel and the "fake family" dynamic, would also align perfectly with Thurber's directorial style, making it a worthy contender for inclusion among his best works, even in its purely hypothetical form.
The Division
#1313.0"The Division" doesn't belong on a list of "Best Rawson Marshall Thurber Movies" because Rawson Marshall Thurber has no involvement with the Tom Clancy's The Division franchise. The Division is a video game series developed by Massive Entertainment and published by Ubisoft. It was adapted into a 2016 short film, "Agent Origins," and a 2023 film starring Jessica Chastain and Jake Gyllenhaal, neither of which were directed or written by Thurber. Therefore, including "The Division" on a list of Thurber's best movies is factually incorrect. Thurber is known for directing and writing action-comedies like "Dodgeball," "We're the Millers," "Central Intelligence," "Skyscraper," and "Red Notice," a distinctly different genre and creative space than The Division franchise.
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