Richard Linklater, a name synonymous with independent cinema, has consistently delivered films that are both deeply personal and universally relatable. From his early, lo-fi explorations of Austin's counterculture to his ambitious, decades-spanning epics, Linklater's filmography is a testament to the power of observation, the beauty of mundane conversation, and the enduring allure of human connection. His distinctive style, marked by long takes, naturalistic dialogue, and a keen eye for capturing fleeting moments, has cemented his place as one of the most important and influential filmmakers of his generation. This list compiles what many consider to be his best works, each a unique and compelling reflection of life's complexities and joys. We encourage you to explore these cinematic gems and then, put on your critic's hat and share your own definitive ranking! Use the drag-and-drop feature to reorder the films below according to your personal preference. Let your voice be heard and contribute to the ongoing conversation about the enduring legacy of Richard Linklater.
"The Newton Boys" (1998) tells the true story of the Newton brothers, a family of impoverished farmers in 1920s Texas who turn to bank robbery to escape their bleak financial prospects. Led by the resourceful Willis Newton, they quickly develop a reputation for meticulous planning and daring heists, targeting banks across the Southwest. Their success culminates in what is considered the largest train robbery in American history, cementing their place in criminal lore. The film chronicles their rise to fame, their meticulous planning, and the ensuing consequences of their actions. This film fits perfectly within Richard Linklater's body of work due to his signature focus on character development, naturalistic dialogue, and the exploration of the American experience. Linklater expertly captures the specific atmosphere of the time and place, grounding the narrative in the details of their lives. While the film has action-packed robbery scenes, it is still, in true Linklater fashion, a character study about these men and their motivations, providing a window into their family dynamics and the socioeconomic realities that shaped their choices. Furthermore, the film displays his ability to bring to life a true-life story with an intimate, reflective approach, adding to his eclectic repertoire.
Drag and drop to sort list. Click to browse.
"Before Sunrise" is the perfect encapsulation of Richard Linklater's strengths as a filmmaker: a champion of naturalistic dialogue and the exploration of human connection. This fairytale love story unfolds over a single day and night in Vienna, as an American boy and a French girl, both strangers, find themselves drawn to each other. Their hearts collide in a dialogue marathon of a film, capturing the raw vulnerability and intoxicating charm of a fleeting, yet deeply felt, romance. The film eschews traditional plot devices, instead focusing on the intimate conversations, shared experiences, and the unspoken longing that blossoms between the two leads. "Before Sunrise" rightfully earns its place on any "Best Richard Linklater Movies" list because it exemplifies his signature style and thematic preoccupations. Linklater's talent for crafting authentic, unscripted-feeling dialogue is on full display, allowing the actors and the story to breathe. The film's focus on the present moment, on the beauty of everyday experiences, and the exploration of philosophical ideas through conversation, is a hallmark of Linklater's filmography. "Before Sunrise" isn't just a romantic film; it's a meditation on time, connection, and the power of shared vulnerability – all wrapped in the delicate beauty of a single, unforgettable day.
"Before Sunset" picks up nine years after the events of "Before Sunrise," reuniting Jesse and Céline, the two strangers who shared a magical night in Vienna. Now, Jesse is a successful author promoting a book about their encounter, and Céline is a Parisian working woman. Their paths cross again in Paris, giving them a single afternoon to reconnect and confront the unresolved feelings that lingered after their initial meeting. The film delicately explores the complexities of time, memory, and the enduring power of a past connection, forcing them to confront the realities of their lives and the possibility of a shared future. This film richly deserves its place among Richard Linklater's best. Building upon the brilliance of its predecessor, "Before Sunset" masterfully uses the confines of a single afternoon to delve into the emotional depth of its characters. Its real-time structure, featuring extended conversations and naturalistic performances, creates an unparalleled sense of intimacy and authenticity. Linklater's signature style of focusing on dialogue and the subtle shifts in human relationships is perfectly realized, offering a profound and thought-provoking exploration of love, regret, and the choices that shape our lives.
Richard Linklater's *Boyhood* (2014) is a groundbreaking cinematic achievement that perfectly embodies the provided description. The film chronicles the life of Mason, a young boy navigating the complexities of childhood and adolescence while his divorced parents struggle to provide stability. Filmed over twelve years with the same actors, it offers a unique and intimate look at the passage of time, capturing the subtle but profound transformations of growing up, from first grade to high school graduation. The story highlights the evolving dynamic between Mason and his parents, showcasing the joys and challenges of family life and the bittersweet nature of fleeting moments. This film's inclusion on a "Best Richard Linklater Movies" list is undeniable. Linklater's filmography consistently explores the human experience with a naturalistic and observational approach, and *Boyhood* is the ultimate expression of this style. His use of real time and the actual aging of his cast creates an unparalleled sense of authenticity and allows the audience to deeply connect with the characters. The film's ambition, emotional resonance, and innovative approach to storytelling solidify its place as a modern masterpiece and a quintessential example of Linklater's masterful filmmaking.
"Before Midnight" revisits Jesse and Celine in Greece, nine years after the events of "Before Sunset," and nearly two decades after their fateful first encounter on a train to Vienna. The film continues Linklater's intimate and observational style, focusing on the complexities of long-term relationships, the inevitable changes brought by time, and the enduring power of love amidst the challenges of a shared life. This installment, much like its predecessors, unfolds in real-time conversations and walks, showcasing the couple's evolving dynamic as they navigate the trials of family, careers, and the lingering sting of past choices. This film rightfully belongs on a list of the best Richard Linklater movies because it perfectly embodies his signature approach to filmmaking. "Before Midnight" exemplifies his dedication to exploring authentic human connections with raw honesty, capturing the nuances of dialogue and character development that have become his trademark. It showcases his ability to allow characters to age naturally, exploring themes of love, loss, and the passage of time with a rare grace and depth, solidifying its place as a pivotal work in his celebrated filmography.
"Dazed and Confused" perfectly encapsulates the laid-back spirit of youth in the mid-1970s. The film follows a group of Texas teenagers on their final day of school in 1976, as they navigate the rituals of hazing, cruising, and partying. Randall "Pink" Floyd, a popular student who effortlessly floats between various social circles, grapples with the expectations placed upon him, particularly the pressure to commit to his football career by signing a "no drugs" pledge. This central conflict underscores the film's exploration of identity and the choices facing young people on the cusp of adulthood. This film's inclusion on a "Best Richard Linklater Movies" list is a no-brainer. "Dazed and Confused" is a masterclass in naturalistic filmmaking, showcasing Linklater's signature style of capturing authentic dialogue and slice-of-life moments. The film's loose narrative structure, filled with memorable characters and iconic scenes, perfectly embodies Linklater's fascination with the passage of time and the complexities of human connection. The film's long takes and observational style offers an immersive viewing experience, and its depiction of the era's music and culture creates a powerful sense of nostalgia. "Dazed and Confused" remains a quintessential Linklater film, a vibrant and enduring portrait of youth.
"Waking Life" is a groundbreaking and visually stunning film centered on a young man adrift in a dreamlike state, a continuous flow of conscious thought and experience that feels both real and surreal. The film follows this protagonist as he navigates a series of encounters, observing and actively participating in insightful philosophical conversations. These discussions, the heart of the film, explore the nature of reality, the complexities of free will, the dynamics of human relationships, and the overarching question of life's meaning, creating a tapestry of ideas that encourages viewers to question their own existence. As a quintessential Richard Linklater film, "Waking Life" showcases his signature style and thematic preoccupations. Linklater's fascination with conversation, the ephemeral nature of time, and the exploration of profound ideas are all on full display. The film's experimental animation technique, rotoscoping, further elevates it, creating a dreamlike aesthetic that perfectly complements the film's subject matter. The innovative visuals and philosophical depth make "Waking Life" a unique and unforgettable cinematic experience, easily earning its place among Linklater's best works.
"School of Rock" (2003), though not directed by Richard Linklater, embodies the spirit of rebellious youth and the transformative power of art, themes frequently explored in his own filmography. The film tells the story of Dewey Finn, a struggling musician, who, after getting fired from his band and desperately needing money, poses as a substitute teacher at a prestigious private school. Instead of traditional academics, Dewey secretly introduces his fourth-grade class to the electrifying world of rock 'n' roll, inspiring them to embrace their creative potential and defy societal expectations. The school's strict principal becomes increasingly suspicious of Dewey's unconventional methods, adding a comedic tension to the narrative. Meanwhile, Dewey's oblivious roommate remains unaware of the chaos unfolding in the classroom. While Linklater didn't direct "School of Rock," the film's core themes of artistic passion, camaraderie, and a rejection of conformity resonate with his style. The film's focus on music as a form of self-expression and a catalyst for personal growth is akin to Linklater's exploration of creativity in films like "Dazed and Confused" and "Everybody Wants Some!!" Furthermore, the film's episodic structure, capturing fleeting moments of connection and the raw energy of youth, aligns with Linklater's observational filmmaking techniques. The film's success lies in its ability to celebrate the subversive power of art and its ability to empower individuals, echoing the kind of themes that Linklater so adeptly captures.
"Tape (2001)" perfectly embodies the raw intimacy and character-driven storytelling that defines Richard Linklater's cinematic vision. Confined to a single, seedy motel room in Lansing, Michigan, the film throws three compelling characters – a film school graduate, his high school friend, and the ex-girlfriend they share – into a crucible of unspoken tensions and long-held resentments. The dialogue, fueled by sharp wit and simmering animosity, is the driving force, forcing the characters to confront the unresolved drama of their past and reveal their hidden motivations. Linklater, ever the master of observational realism, crafts a taut and gripping drama where the camera becomes a fly on the wall, observing the slow, deliberate unraveling of truth. The film's inclusion on a list of Linklater's best is more than justified. It showcases his signature talent for exploring the complexities of human relationships through naturalistic performances and meticulously crafted dialogue. The film's limited setting and real-time narrative create a sense of claustrophobia and intensity that amplifies the emotional stakes. The performances from Ethan Hawke, Robert Sean Leonard, and Uma Thurman are consistently engaging, each actor expertly navigating the emotional minefield of the script. "Tape" is a powerful and introspective exploration of memory, betrayal, and the enduring impact of the past, a testament to Linklater's ability to distill profound themes into a simple, yet captivating, cinematic experience.
"Apollo 10½: A Space Age Childhood" perfectly embodies Richard Linklater's signature blend of nostalgia, philosophical musings, and a deep appreciation for the everyday. This animated film, set against the backdrop of the 1969 Apollo 10 mission, captures the wonder and mundane experiences of a young boy growing up in suburban Texas. The meticulous recreation of the era, coupled with Linklater's trademark conversational dialogue and observational storytelling, provides a captivating and deeply personal experience that resonates with audiences who remember that time and those who yearn for it. It’s a film that celebrates childhood imagination, the thrill of discovery, and the subtle beauty of the past, all hallmarks of a Linklater masterpiece. Ultimately, "Apollo 10½" offers a masterclass in filmmaking that showcases Linklater's unique ability to transform seemingly ordinary moments into something profound and memorable. The film's innovative animation style, seamlessly blending rotoscoping and traditional animation, mirrors the dreamlike quality of childhood memories, further enhancing the film's emotional impact. By focusing on the inner world of a child, while simultaneously capturing the zeitgeist of a transformative era, Linklater delivers a poignant and imaginative film that solidifies his place as one of the most significant and beloved filmmakers of our time.
Richard Linklater's "A Scanner Darkly" offers a disorienting, yet powerfully resonant exploration of identity and addiction. Utilizing rotoscoping animation, the film visually captures the protagonist's fractured reality as an undercover police officer infiltrating a drug-using community in a near-future California. The cop, Bob Arctor, struggles with a dangerous new substance called Substance D, simultaneously working to bust his friends and unraveling his own sense of self as the drug war takes hold. The blurred animation style effectively reflects the film's core themes, pulling the viewer into Arctor's increasingly fragmented and unreliable perspective. "A Scanner Darkly" perfectly embodies Linklater's strengths as a filmmaker. It's a conversation-driven drama, a hallmark of his work, but elevated by its innovative visual approach. The film's rotoscoping, although divisive, enhances the unsettling atmosphere and underscores the psychological turmoil of its characters. Furthermore, it touches upon recurring themes in Linklater's filmography, such as existentialism, the search for meaning, and the nature of reality. By adapting Philip K. Dick's complex and philosophical novel, Linklater crafts a unique and compelling viewing experience worthy of its place among his best works.
"Slacker" (1990) is a groundbreaking and quintessential Richard Linklater film that perfectly embodies the spirit of Austin, Texas in the early 90s. The film offers a day-in-the-life perspective, unfolding through a series of interconnected vignettes that showcase the lives of a diverse cast of misfits, slackers, and social outcasts. These twenty-somethings, who eschew conventional societal norms, drift in and out of each other's lives, creating a tapestry of conversations, observations, and experiences that capture the essence of a particular generation and counter-culture. Linklater's innovative filmmaking style, characterized by its loose narrative structure and improvisational feel, allows the film to meander through the day in a way that feels authentic and spontaneous. "Slacker" rightfully earns its place on a "Best Richard Linklater Movies" list due to its profound influence on independent cinema and its lasting impact on the filmmaker's career. This film established Linklater's unique approach to filmmaking, characterized by its focus on naturalistic dialogue, philosophical musings, and a keen observation of everyday life. It paved the way for his later successes, including the "Before" trilogy and "Dazed and Confused," and solidified his reputation as a master of capturing the nuances of human connection and the complexities of modern existence. "Slacker" remains a landmark film, offering a timeless portrait of a generation grappling with their place in the world.
Richard Linklater's "Everybody Wants Some!!" perfectly embodies the description provided: a joyous, freewheeling comedy that vividly depicts the experiences of a group of college baseball players during a long weekend before the start of classes. The film brilliantly captures the essence of unsupervised adulthood, portraying the characters' experimentation with new freedoms, their awkward attempts at forming relationships, and the anxieties and excitement that come with navigating newfound independence. It's a slice-of-life film, rich in dialogue and character development, allowing the audience to vicariously experience the highs and lows of youth, all while exploring themes of identity, masculinity, and the fleeting nature of time. This film's inclusion among the best Richard Linklater movies is wholly justified. Linklater's signature style, characterized by naturalistic dialogue, extended conversations, and a focus on the everyday moments that define life, is on full display. He deftly captures the period setting of 1980s Texas, and the film's episodic structure and focus on ensemble performances are reminiscent of his earlier successes like "Dazed and Confused." "Everybody Wants Some!!" feels like a spiritual successor to that earlier film, offering a nostalgic and insightful exploration of youth, friendship, and the transition into adulthood, cementing its place as a standout in Linklater's impressive filmography.
"Last Flag Flying" certainly deserves a spot amongst Richard Linklater's best, offering a poignant and understated exploration of loss, friendship, and the enduring bonds forged in the face of adversity. Linklater's signature style of capturing realistic dialogue and intimate human connection shines through, as the film follows three Vietnam War veterans on a bittersweet road trip to bury one of their sons, a soldier killed in the Iraq War. The movie masterfully blends moments of humor and reflection, allowing the characters' shared history and individual struggles to resonate deeply with the audience. Linklater's brilliance lies in his ability to create a sense of time and place, letting the story unfold naturally, allowing the emotions to settle in and linger. "Last Flag Flying" is a quiet masterpiece, less concerned with grand pronouncements and more with the subtle nuances of grief, the power of camaraderie, and the complicated legacy of war. Its themes of mortality, regret, and the search for meaning in the face of life's uncertainties align perfectly with Linklater's recurring thematic interests, making it a compelling and emotionally resonant entry into his impressive filmography.
"Hit Man" (2023) undoubtedly earns its place among the best Richard Linklater movies, showcasing the director's signature blend of sharp wit, observational storytelling, and exploration of the human condition. The film masterfully navigates the morally ambiguous landscape of a fake hitman, allowing Linklater to delve into themes of identity, performance, and the blurring lines between reality and fantasy. The charming dialogue, the improvisational feel, and the unexpected romantic core are all hallmarks of Linklater's filmmaking style, creating a unique and engaging experience that stays true to his established cinematic voice. Furthermore, "Hit Man" represents a compelling evolution within Linklater's filmography. It maintains the intimacy and character-driven focus that defines his best work, while embracing a more genre-bending approach. The film's ability to seamlessly transition between comedy, romance, and suspense, all while maintaining a sense of grounded realism, speaks to Linklater's masterful control of tone and his skill in crafting characters that are both flawed and relatable. In its exploration of transformation and self-discovery, "Hit Man" resonates with the core values that have made Linklater a beloved and critically acclaimed filmmaker.
"Bernie" is a darkly comedic, true-crime story set in the close-knit, gossipy community of Carthage, Texas. Directed by Richard Linklater, it centers on Bernie Tiede, the town's adored assistant funeral director, who unexpectedly befriends the notoriously cantankerous Marjorie Nugent, a wealthy widow. Their relationship, fueled by Bernie's unwavering kindness and Marjorie's desire for companionship, takes a shocking turn when Marjorie disappears, and Bernie is eventually charged with her murder. The film explores the quirky dynamics of small-town life, the complexities of human connection, and the surprising details that can hide beneath a seemingly perfect facade. "Bernie" rightfully earns a place among Richard Linklater's best works for several key reasons. It masterfully blends documentary-style interviews with fictional storytelling, providing a unique and insightful perspective on the events. The film’s focus on authentic Texan voices, delivered with Linklater's trademark relaxed pacing and attention to character, creates a rich and captivating portrait of both Bernie and the community that both loved and judged him. Furthermore, the film explores themes of loneliness, societal expectations, and the blurred lines between love and obligation, all delivered with Linklater's characteristic wit and understated brilliance.
"Me and Orson Welles" plunges us into the vibrant theater scene of New York City in 1937. Based on Robert Kaplow's novel, the film follows a young, ambitious teenager, cast in Orson Welles' legendary Mercury Theatre production of *Julius Caesar*. Thrust into the whirlwind of rehearsals and the charismatic presence of Welles himself, the boy navigates the complexities of the production while developing an attraction to a career-driven production assistant. The film captures the energy and creative chaos of early theatrical productions, offering a glimpse into the making of a theatrical masterpiece and the formative experiences of youth. This film firmly belongs on any list of "Best Richard Linklater Movies" for several reasons. Like many of Linklater's films, it embraces a nostalgic, coming-of-age story with a focus on character development and the exploration of interpersonal relationships. The film's historical setting and focus on theater, a form of artistic expression, aligns with Linklater's interest in the arts, as seen in works like *Dazed and Confused* and *School of Rock*. Furthermore, Linklater's signature conversational and naturalistic style is evident, offering a unique and intimate exploration of the film's characters and its environment.
"SubUrbia" perfectly encapsulates the anxieties and uncertainties of youth, offering a poignant look at a group of suburban teenagers navigating the turbulent waters of adulthood. Trapped in a stagnant small town, these friends grapple with unfulfilled ambitions, fractured relationships, and the looming threat of a future that feels both daunting and undefined. They cling to each other, sharing cigarettes, dreams, and frustrations, as they attempt to find meaning and identity amidst the ennui of their surroundings. The film explores the complexities of friendship, the pressures of societal expectations, and the search for belonging, all while capturing the authentic vernacular and restless energy of a generation on the cusp of something new. Richard Linklater's masterful direction elevates "SubUrbia" to a spot on any list of his best works. Known for his naturalistic dialogue and keenly observed character studies, Linklater creates an immersive and relatable experience. He deftly captures the subtle nuances of youthful angst, infusing the film with both humor and heartbreak. Furthermore, the film's exploration of themes like alienation, class, and the impact of pop culture on identity, alongside its strong ensemble cast, demonstrate Linklater's commitment to storytelling that resonates long after the credits roll, firmly establishing "SubUrbia" as a key piece in understanding his diverse and influential filmography.
While "Where'd You Go, Bernadette" isn't a typical Richard Linklater film, it certainly showcases his talent for character-driven storytelling and his distinct visual style. Though the narrative, based on Maria Semple's novel, has its moments of quirky, offbeat humor, Linklater masterfully utilizes a series of unconventional storytelling techniques. He leans into a fragmented narrative structure, much like the characters themselves, to build a portrait of a struggling artist and mother. This allows him to explore themes of creative burnout, social anxiety, and the importance of finding one's place in the world, all familiar threads in Linklater's broader body of work. The film’s charm lies in its focus on Bernadette Fox, a complex and eccentric protagonist, whose journey of self-discovery resonates with Linklater's trademark sensitivity. Linklater's ability to create realistic and relatable characters, even in unconventional scenarios, is evident. He elevates the often-absurdist aspects of the story with a grounded and empathetic approach. Though perhaps less explicitly philosophical than some of his more acclaimed works, "Where'd You Go, Bernadette" still demonstrates Linklater's knack for exploring the human condition with a unique blend of humor, heart, and thoughtful observation, solidifying its place among his best work.
Richard Linklater's "Fast Food Nation" is a gritty, multi-narrative drama that dissects the dark underbelly of the fast-food industry, inspired by Eric Schlosser's groundbreaking exposé. The film, featuring an all-star cast including Greg Kinnear, Ethan Hawke, and Patricia Arquette, doesn't shy away from exploring the detrimental health issues and social consequences that arise from America's obsession with cheap, convenient meals. It's a complex and unflinching look at the people involved in the industry, from the corporate executives to the overworked laborers, and the impact of a system built on efficiency and profit. "Fast Food Nation" earns its place among the best Richard Linklater movies due to its distinct Linklater-esque style, characterized by its observational storytelling, deep dives into human connections, and exploration of complex societal issues. Though not as lauded as some of his more celebrated works, the film displays his unique ability to weave together disparate storylines into a cohesive narrative. The film is an ambitious departure from his signature style of more intimate, character-driven narratives, and is an engaging and informative film that showcases his versatile filmmaking approach and unwavering commitment to addressing relevant social and cultural concerns.
"Inning by Inning: A Portrait of a Coach" undeniably embodies the spirit of Richard Linklater's filmmaking, making it a strong contender for his best works. The documentary, focusing on the life and career of baseball coach John Altobelli, captures the subtle beauty of everyday life and the intimate complexities of human relationships. Linklater's signature style of observational filmmaking is on full display, allowing the narrative to unfold naturally, revealing the coach's personality, philosophy, and the impact he has on the lives of his players and family. This focus on quiet moments, genuine conversations, and the slow burn of character development is a hallmark of Linklater's artistic approach. Furthermore, the film's intimate portrayal of Altobelli speaks directly to Linklater's recurring themes of time, mortality, and the significance of individual experiences. Just like in "Boyhood" or "Before Sunrise," "Inning by Inning" values the mundane details of life, extracting profound meaning from seemingly ordinary moments. It's a story about legacy, mentorship, and the lasting influence of a dedicated individual. This deeply human and authentic lens, coupled with the documentary's evocative visuals and its ability to connect with the audience on an emotional level, solidifies its place within the pantheon of Richard Linklater's most compelling and memorable cinematic contributions.
"The Newton Boys" (1998) tells the true story of the Newton brothers, a family of impoverished farmers in 1920s Texas who turn to bank robbery to escape their bleak financial prospects. Led by the resourceful Willis Newton, they quickly develop a reputation for meticulous planning and daring heists, targeting banks across the Southwest. Their success culminates in what is considered the largest train robbery in American history, cementing their place in criminal lore. The film chronicles their rise to fame, their meticulous planning, and the ensuing consequences of their actions. This film fits perfectly within Richard Linklater's body of work due to his signature focus on character development, naturalistic dialogue, and the exploration of the American experience. Linklater expertly captures the specific atmosphere of the time and place, grounding the narrative in the details of their lives. While the film has action-packed robbery scenes, it is still, in true Linklater fashion, a character study about these men and their motivations, providing a window into their family dynamics and the socioeconomic realities that shaped their choices. Furthermore, the film displays his ability to bring to life a true-life story with an intimate, reflective approach, adding to his eclectic repertoire.
Morris Buttermaker, a washed-up minor league pitcher, is unexpectedly tasked with coaching a Little League team in this 2005 remake. The film follows Buttermaker's journey as he reluctantly takes charge of a team of misfits, initially driven by a paycheck and a thirst for booze. As he navigates the challenges of parenting, mentoring, and a budding romantic interest, Buttermaker must face his own demons while attempting to mold the "Bad News Bears" into a competitive team. Through unconventional tactics and the inherent underdog spirit of the children, the movie becomes a heartwarming story of second chances and unlikely camaraderie. While not directed by Richard Linklater, the 2005 "Bad News Bears" remake showcases many themes and characteristics that align with his directorial style. Similar to films like "Dazed and Confused" and "Everybody Wants Some!!," it captures the spirit of adolescence and the struggles of the younger generation with an authentic, unfiltered perspective. It emphasizes the importance of community, the imperfections of adulthood, and the redemptive power of connection, all recurring elements in Linklater's work. The movie's focus on realism and character development, coupled with the humorous and heartwarming narrative, make it a strong thematic companion piece for a Linklater movie fan.
"It's Impossible to Learn to Plow by Reading Books" (1988) embodies Richard Linklater's signature style, even in its early days. As the title suggests, the film eschews conventional narrative structures, instead focusing on a slice-of-life portrayal of everyday experiences. Its plot, if it can even be called that, follows a character who wanders the country, interacting with friends and family while engaging in mundane activities. There's no grand arc or dramatic transformation; the film prioritizes capturing the subtle nuances of human interaction and the quiet beauty of the ordinary. This film's inclusion on a "Best Richard Linklater Movies" list is significant because it foreshadows the director's later masterpieces. It presents the core Linklater elements: a focus on dialogue, a rejection of traditional cinematic tropes, and an exploration of the philosophical ponderings and relationships that define our lives. The film offers the raw, independent spirit that would come to define Linklater's career. Though it may be less polished than his later work, it lays the groundwork for his unique brand of filmmaking and is an essential early example of his style.
"Merrily We Roll Along" perfectly embodies Richard Linklater's trademark exploration of time, memory, and the bittersweet nature of life. While technically not filmed across decades as some of his other works, the film's unconventional structure – told in reverse – serves as a powerful metaphor for the passage of time and how our choices ripple outward. We witness the characters' hopes and dreams fade, their friendships fracture, and their youthful idealism give way to the complexities of adulthood, a recurring theme Linklater masterfully captures. This intricate and character-driven narrative, combined with the film's unique structural conceit, showcases Linklater's innovative approach to storytelling. Furthermore, "Merrily We Roll Along" highlights Linklater's ability to cultivate genuine, relatable performances from his actors. The core trio's chemistry is palpable, allowing the audience to become deeply invested in their journey and emotional landscape. Through their evolving relationships, aspirations, and disappointments, Linklater crafts a poignant meditation on the compromises we make and the roads we take – themes that resonate throughout his filmography. The film's raw, honest depiction of friendship, ambition, and the slow erosion of dreams undeniably earns it a place among the best works of this auteur.
While "Larry's Kidney" might sound like a bizarre, offbeat medical drama, it's actually a masterclass in character-driven storytelling, a hallmark of Richard Linklater's best work. This early short film showcases Linklater's signature style: a casual, realistic dialogue that delves into the everyday lives of ordinary people. The focus on mundane conversations, the observational approach to life, and the way he uses minimal plot to explore deeper themes of identity and mortality are all quintessential Linklater elements. It's a raw, unpolished gem that reveals the roots of his later, more polished and widely recognized cinematic explorations. Beyond its stylistic similarities, "Larry's Kidney" exemplifies Linklater's commitment to finding profound meaning in the seemingly insignificant. The film, revolving around a simple premise, manages to unpack complex emotions and existential questions. It's a precursor to movies like "Slacker" and "Before Sunrise," offering the same quiet introspection, the same appreciation for authentic human interaction, and the same ability to find beauty in the ordinary. For fans wanting a glimpse into the early, unfiltered voice of a cinematic visionary, "Larry's Kidney" is an essential piece of the Linklater puzzle.
Submit to make your ranking count.