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Best Peter Jackson Movies
13th Nov 2025
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Peter Jackson has etched his name into cinematic history with a visionary style and an unparalleled ability to transport audiences to epic new worlds. From the sprawling landscapes of Middle-earth to intense, intimate dramas, his filmography boasts a remarkable breadth of storytelling, often blending groundbreaking visual effects with profound emotional depth. Deciding which of his masterpieces stands above the rest is a challenge for any film enthusiast. Below, we've curated a selection of his most acclaimed works, but we know every fan has their own definitive favorites. We invite you to share your unique perspective: simply drag and drop the titles to reorder them according to your personal ranking. Once you've perfected your list, submit it to contribute to our collective look at Peter Jackson's finest achievements.
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#8.
Dead Alive (1992)
8/16
...
In what is often hailed as one of the goriest and most outrageously funny films ever made, *Dead Alive* (or *Braindead*) centers on the timid Lionel Cosgrove. When a vicious Sumatran rat-monkey bites his overbearing mother, she's transformed into a ravenous zombie and begins killing (and transforming) the entire town. What follows is a spectacular descent into madness as Lionel races to keep things under control, hiding a growing horde of the undead in his basement, battling a zombie baby in the park, and trying to win the heart of a local shopgirl. The film is a masterwork of slapstick horror, a nonstop geyser of blood, guts, and inventive carnage that pushes the boundaries of bad taste into the realm of high art. *Dead Alive* is a crucial entry on any list of Peter Jackson's best films because it's the purest distillation of his raw, untamed directorial talent. Long before the polished digital armies of Middle-earth, this film showcased his genius for practical effects and his ability to orchestrate gleeful, large-scale chaos with an infectious energy. The film's legendary climax, featuring Lionel and a lawnmower, is a landmark of splatter cinema and a testament to his boundless imagination. This early masterpiece proves that Jackson's command of tone—perfectly blending horror, comedy, and even pathos—was present from the beginning, establishing the creative DNA and love for grotesque creature design that would later define his world-famous epics.
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The Lord of the Rings: The Return of the King (2003)
#11.0**The Lord of the Rings: The Return of the King (2003)** culminates Peter Jackson's epic trilogy with a breathtaking clash between good and evil. The narrative masterfully juggles multiple urgent storylines: **Aragorn is revealed as the heir to the ancient kings as he, Gandalf and the other members of the broken fellowship struggle to save Gondor from Sauron's forces.** This grand war for Middle-earth sees iconic battles unfold, from the siege of Minas Tirith to the desperate stand at the Black Gate, showcasing incredible scale and emotional intensity. **Meanwhile, Frodo and Sam bring the ring closer to the heart of Mordor, the dark lord's realm.** Their arduous journey through the treacherous lands of Mordor, fraught with peril and temptation, forms the harrowing emotional core of the film, leading to the ultimate confrontation with the One Ring's destructive power. This monumental achievement unequivocally earns its place on any "Best Peter Jackson Movies" list, not just as the triumphant conclusion to a beloved saga, but as a masterclass in epic filmmaking. Jackson's unparalleled vision brought Tolkien's sprawling world to life with an astonishing blend of practical effects and groundbreaking CGI, culminating in battles of unprecedented scale and emotional weight. He meticulously crafted a narrative that honored the source material while delivering a cinematic experience that resonated deeply with audiences worldwide. The film's record-breaking 11 Academy Awards, including Best Picture and Best Director, stand as a testament to its technical brilliance, narrative power, and profound cultural impact, solidifying its status as a pinnacle of cinematic achievement and Jackson's defining work.
The Lord of the Rings: The Fellowship of the Ring (2001)
#22.0Young hobbit Frodo Baggins, after inheriting a mysterious ring from his uncle Bilbo, must leave his home in order to keep it from falling into the hands of its evil creator. Along the way, a fellowship is formed to protect the ringbearer and make sure that the ring arrives at its final destination: Mt. Doom, the only place where it can be destroyed. This journey introduces a sprawling cast of characters and the breathtaking world of Middle-earth, as the small band of heroes is hunted by the forces of the Dark Lord Sauron, testing their courage and their bonds of friendship. *The Fellowship of the Ring* is a landmark achievement that solidified Peter Jackson's status as a master filmmaker and remains one of his absolute best works. Jackson's genius lies in his ability to translate the epic scale of Tolkien's world without losing the intimate, character-driven heart of the story. He pioneered a seamless blend of groundbreaking digital effects with stunning practical craftsmanship, using the dramatic landscapes of his native New Zealand to create a Middle-earth that felt utterly real and lived-in. More than just a technical marvel, the film is a masterclass in tone, perfectly capturing the cozy comfort of the Shire, the creeping terror of the Nazgûl, and the awe-inspiring grandeur of Rivendell. It set a new gold standard for fantasy cinema and proved that epic storytelling, when handled with such passion and reverence, could be both a critical and commercial phenomenon.
The Beatles: Get Back - The Rooftop Concert (2022)
#33.0While Peter Jackson is renowned for his epic fantasy sagas, *The Beatles: Get Back - The Rooftop Concert* showcases his profound talent as a historical storyteller and technical virtuoso. Building on the groundbreaking restoration techniques he perfected in *They Shall Not Grow Old*, Jackson transforms grainy, 50-year-old footage into a breathtakingly immediate and vibrant cinematic experience. He doesn't just present the legendary final public performance of The Beatles; he places the audience directly on that London rooftop in 1969. The stunning visual clarity and the revolutionary audio mixing, which isolates instruments and vocals with pristine quality, create an unparalleled sense of presence, allowing us to witness the raw energy, subtle glances, and sheer musical genius of the band as if for the first time. What truly elevates this into the pantheon of Jackson's best work is his masterful command of narrative. This isn't simply a concert film; it's a complete, character-driven story with a beginning, middle, and end. Jackson expertly weaves in the context—the band's playful anxiety before they begin, the astonished reactions of Londoners on the street below, and the escalating tension as the police methodically make their way to the roof. He finds the human drama within the historical moment, capturing the joyous, near-telepathic connection between the four musicians as they reclaim their love for performing. It's a poignant, funny, and electrifying piece of filmmaking that distills the entire eight-hour *Get Back* saga into its perfect, celebratory climax, proving Jackson's ability to find profound heart and humanity in even the most mythic of events.
The Lord of the Rings: The Two Towers (2002)
#44.0The second chapter of Peter Jackson's trilogy begins with the Fellowship fractured but not broken. This installment masterfully juggles three distinct storylines, each with immense stakes. As the provided description aptly summarizes, **Frodo and Sam are trekking to Mordor to destroy the One Ring of Power**, now guided by the treacherous creature Gollum. In their pursuit, **Gimli, Legolas and Aragorn search for the orc-captured Merry and Pippin**, a quest that leads them into the kingdom of Rohan and a looming war. **All along, nefarious wizard Saruman awaits the Fellowship members at the Orthanc Tower in Isengard,** having amassed a terrifying army of Uruk-hai to wipe out the world of Men. *The Two Towers* earns its place among the best Peter Jackson movies by being a masterclass in sequel filmmaking, expanding the world and raising the stakes exponentially. The film is a landmark of technical and narrative achievement, most famous for the Battle of Helm's Deep, a breathtaking and visceral siege sequence that set a new standard for epic fantasy combat on screen. Beyond the spectacle, this is the film that truly brought Gollum to life through Andy Serkis's revolutionary motion-capture performance, creating a complex, sympathetic, and terrifying character that remains a benchmark in digital effects. By perfectly balancing the intimate, psychological struggle of Frodo's journey with the sweeping scale of Aragorn's rise as a leader, Jackson proved he could craft a middle chapter that was not just a bridge, but a powerful and unforgettable epic in its own right.
They Shall Not Grow Old (2018)
#55.0A profound departure from the fantasy realms of Middle-earth, *They Shall Not Grow Old* is a monumental achievement that showcases Peter Jackson's filmmaking prowess in its purest and most impactful form. Using state-of-the-art technology from his own Weta Digital, Jackson and his team meticulously restored, colorized, and added sound to over 100 hours of original World War I footage from the Imperial War Museums. The result is nothing short of revolutionary; grainy, sped-up, silent film is transformed into a visceral, immediate, and breathtakingly human experience. This film belongs on any list of his best work because it demonstrates his unparalleled ability to use cutting-edge tools not to create fantasy, but to resurrect reality, bridging a century-long gap to connect the audience directly with the soldiers on screen. Beyond the technical wizardry, the film is a masterclass in storytelling, proving Jackson's genius extends far beyond scripted narratives. Forsaking traditional narration, he constructs the entire film using only the voices of the veterans themselves, drawn from hours of archival interviews. This decision creates a deeply personal and poignant account, as the men who lived through the horror and camaraderie tell their own stories in their own words. By structuring their accounts into a cohesive journey—from naive enlistment to the brutal realities of the trenches and the uneasy return home—Jackson crafts one of the most powerful and empathetic war documentaries ever made. It is a testament to his passion as a historian and his skill as a director, proving he can create an unforgettable emotional epic from history itself.
The Hobbit: An Unexpected Journey (2012)
#66.0Returning to the beloved world of Middle-earth, Peter Jackson's *The Hobbit: An Unexpected Journey* begins the saga of an earlier, yet no less pivotal, age. The film centers on Bilbo Baggins, a hobbit enjoying his quiet life, who is swept into an epic quest by Gandalf the Grey and thirteen dwarves who seek to reclaim their mountain home from Smaug, the dragon. Led by the proud and determined Thorin Oakenshield, this unlikely company ventures through treacherous landscapes, facing goblins, trolls, and orcs. It is on this adventure that the unassuming hobbit discovers a courage he never knew he possessed and has a fateful encounter in a dark cave with a creature named Gollum, setting in motion events that will shape the future of all Middle-earth. *An Unexpected Journey* earns its place among Peter Jackson's best films by perfectly blending his signature epic scale with the charming, storybook tone of its source material. While returning to the stunning New Zealand landscapes and grand-scale battles he is known for, Jackson also demonstrates a masterful touch in the film's more intimate moments. The chaotic, song-filled dinner party at Bag End and the tense, brilliantly acted "Riddles in the Dark" sequence are standout scenes that showcase his directorial range. Anchored by Martin Freeman's flawless performance as the flustered but resolute Bilbo, the film successfully expands the lore of Middle-earth while re-immersing audiences in its unparalleled magic, proving Jackson's profound and unmatched connection to Tolkien's world.
The Hobbit: The Desolation of Smaug (2013)
#77.0Picking up immediately after the events of the first film, *The Desolation of Smaug* follows the company of Dwarves, along with Bilbo and Gandalf, who have successfully escaped the Misty Mountains, with Bilbo now in secret possession of the One Ring. They continue their perilous journey to reclaim their homeland and get their gold back from the dragon, Smaug. Their path leads them through the treacherous Mirkwood forest, where they encounter giant spiders and the hostile Wood-elves led by King Thranduil. After a daring escape, they reach Lake-town, a settlement of men living in the shadow of the Lonely Mountain, where they must convince the populace to help them face the unimaginable terror that sleeps within. *The Desolation of Smaug* earns its place among Peter Jackson's best films by perfectly balancing high-fantasy adventure with some of the most spectacular and inventive action sequences of his career. The breathtaking barrel-escape sequence down the Forest River is a masterclass in kinetic filmmaking, a thrilling and joyous ride that is pure cinematic spectacle. The film's crowning achievement, however, is the definitive screen portrayal of Smaug himself. Brought to life by Weta Digital's groundbreaking effects and a commanding vocal performance by Benedict Cumberbatch, the dragon is not just a monster but a character—vain, intelligent, and utterly terrifying. The tense confrontation between Bilbo and Smaug within the treasure-filled halls of Erebor is a triumph of suspense and scale, representing Jackson at the height of his blockbuster powers.
Dead Alive (1992)
#88.0In what is often hailed as one of the goriest and most outrageously funny films ever made, *Dead Alive* (or *Braindead*) centers on the timid Lionel Cosgrove. When a vicious Sumatran rat-monkey bites his overbearing mother, she's transformed into a ravenous zombie and begins killing (and transforming) the entire town. What follows is a spectacular descent into madness as Lionel races to keep things under control, hiding a growing horde of the undead in his basement, battling a zombie baby in the park, and trying to win the heart of a local shopgirl. The film is a masterwork of slapstick horror, a nonstop geyser of blood, guts, and inventive carnage that pushes the boundaries of bad taste into the realm of high art. *Dead Alive* is a crucial entry on any list of Peter Jackson's best films because it's the purest distillation of his raw, untamed directorial talent. Long before the polished digital armies of Middle-earth, this film showcased his genius for practical effects and his ability to orchestrate gleeful, large-scale chaos with an infectious energy. The film's legendary climax, featuring Lionel and a lawnmower, is a landmark of splatter cinema and a testament to his boundless imagination. This early masterpiece proves that Jackson's command of tone—perfectly blending horror, comedy, and even pathos—was present from the beginning, establishing the creative DNA and love for grotesque creature design that would later define his world-famous epics.
The Hobbit: The Battle of the Five Armies (2014)
#99.0Picking up immediately after the events of *The Desolation of Smaug*, the final chapter of the trilogy finds Bilbo and the dwarves trying to defend Erebor's mountain of treasure from others who claim it: the men of the ruined Laketown and the elves of Mirkwood. As these former allies stand on the brink of war, a far greater threat emerges. An army of Orcs led by Azog the Defiler is marching on Erebor, fueled by the rise of the dark lord Sauron. With an unimaginable conflict looming, the divided races of Dwarves, elves and men must unite, and the hope for Middle-earth falls squarely into Bilbo's hands. As the epic culmination of the prequel trilogy, *The Battle of the Five Armies* earns its place among Peter Jackson's best films by showcasing his unparalleled mastery of large-scale spectacle and action. The titular battle itself is a monumental achievement in blockbuster filmmaking, a sprawling and visceral conflict that Jackson directs with breathtaking clarity and kinetic energy. Beyond the stunning visual effects, the film delivers a powerful emotional conclusion to the tragic arc of Thorin Oakenshield and a poignant, heartfelt farewell to Bilbo's grand adventure. It functions as a vital and thrilling bridge to *The Lord of the Rings*, cementing Jackson's ambitious six-film saga as a singular and masterful cinematic vision.
King Kong (2005)
#1010.0In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with the leading lady, Ann Darrow. This journey into a lost world, filled with prehistoric creatures and breathtaking dangers, culminates in the great ape's tragic capture and exhibition in Manhattan. What begins as a high-stakes adventure evolves into a heartbreaking tale of beauty and the beast, exploring themes of exploitation, nature versus civilization, and a profound, unspoken connection between two seemingly disparate beings. *King Kong* is a quintessential Peter Jackson film and a clear demonstration of his directorial prowess at its peak, immediately following his success with *The Lord of the Rings*. A lifelong passion project, the film showcases Jackson's unparalleled ability to blend jaw-dropping spectacle with genuine, character-driven emotion. The groundbreaking motion-capture performance by Andy Serkis brings Kong to life not as a monster, but as a soulful, empathetic protagonist, a technical and emotional achievement that remains staggering. By applying the same epic world-building, meticulous attention to detail, and masterful balance of action and heart that defined his Middle-earth saga, Jackson crafted a remake that honors its source material while solidifying its own place as a visually stunning and deeply moving masterpiece.
Heavenly Creatures (1994)
#1111.0Based on the true story of Juliet Hulme and Pauline Parker, *Heavenly Creatures* is a feverish and haunting psychological drama set in 1950s New Zealand. The film follows two imaginative teenage girls, brilliantly portrayed in debut performances by Kate Winslet and Melanie Lynskey, whose close friendship blossoms into an all-consuming, obsessive bond. Together they escape into a vibrant, self-created fantasy world of literature, art, and royalty, a shared hallucination that blurs the lines between reality and their elaborate fiction. When Pauline's mother threatens to separate the inseparable pair, their fantastical world turns dark, and they conspire to commit a shocking act of violence to preserve their union. *Heavenly Creatures* is a pivotal masterpiece in Peter Jackson's filmography, proving he was far more than the director of low-budget splatter films and foreshadowing the epic storyteller he would become. This is where Jackson masterfully fused his audacious visual style with profound emotional depth, using then-nascent digital effects not for spectacle, but to bring the girls' rich, disturbing inner world to life. The film earned him and his partner Fran Walsh an Academy Award nomination for Best Original Screenplay, showcasing a command of character and narrative that would be essential for adapting *The Lord of the Rings*. It’s a stunningly directed, deeply unsettling film that demonstrates Jackson's incredible versatility and his ability to elicit career-defining performances, securing its place as not just one of his best, but one of the finest films of the 1990s.
The Frighteners (1996)
#1212.0After a tragic car accident kills his wife, former architect Frank Bannister (Michael J. Fox) discovers he can see and communicate with ghosts. He uses this newfound ability to run a paranormal investigation business, teaming up with a trio of friendly spirits to "haunt" houses so he can then be paid to "exorcise" them. However, his lucrative con takes a deadly serious turn when a malevolent, Grim Reaper-like entity begins a killing spree, and Frank is the only one who can see the real culprit. Forced to become a genuine hero, Frank must unravel the town's dark secret, protect a grieving widow (Trini Alvarado) he's falling for, and evade a bizarre, obsessive FBI agent (Jeffrey Combs) who is convinced Frank is the killer. *The Frighteners* stands as a crucial and brilliant entry on the list of Peter Jackson's best films, serving as the perfect bridge between his early splatstick horror comedies and the epic-scale filmmaking of *The Lord of the Rings*. It was a major proving ground for Weta Digital, showcasing revolutionary special effects that seamlessly integrated ghostly characters into the real world, a technical feat that directly paved the way for the groundbreaking work on Gollum. More than just a technical showcase, the film is a masterclass in tonal balance, effortlessly weaving together slapstick humor, genuine scares, and heartfelt emotion. Featuring a fantastic final leading-man performance from Michael J. Fox, the movie is a wildly inventive and rewatchable classic that captures the audacious creative energy that would soon make Jackson a household name.
The Lovely Bones (2009)
#1313.0After being brutally murdered, 14-year-old Susie Salmon watches from heaven over her grief-stricken family -- and her killer. As she observes their daily lives, she must balance her thirst for revenge with her desire for her family to heal. Based on the acclaimed novel by Alice Sebold, the film follows Susie's journey in the "in-between," a personalized heaven, while on Earth, her father becomes obsessed with finding her murderer, and her family struggles to cope with their devastating loss. This film earns its place among Peter Jackson's best work by showcasing his singular ability to merge heartbreaking human drama with breathtaking, effects-driven fantasy. Trading the expansive landscapes of Middle-earth for the surreal and personal afterlife, Jackson uses his masterful visual storytelling to create a world that is both beautiful and terrifying, reflecting Susie's emotional state. The movie is a challenging tightrope walk between a grim suburban thriller and a hopeful, supernatural meditation on grief, a tonal complexity Jackson navigates with confidence. This blend of intimate character focus with grand, imaginative spectacle is a hallmark of his directing style, making *The Lovely Bones* a powerful and distinctly Peter Jackson cinematic experience.
Meet the Feebles (1989)
#1414.0In this pitch-black musical comedy, Heidi, the star of the "Meet The Feebles Variety Hour," discovers her lover Bletch, The Walrus, is cheating on her. And with all the world waiting for the show, the assorted co-stars must contend with drug addiction, extortion, robbery, disease, drug dealing, and murder. Meanwhile, the love between two of the stars is threatened by Trevor the Rat, who wishes to exploit the young starlet for use in his porno movie. While it is a universe away from the epic grandeur of Middle-earth, *Meet the Feebles* is a crucial and brilliant entry on any list of Peter Jackson's best films. It represents the pinnacle of his early, anarchic period, a demented parody of Jim Henson's Muppets that savagely satirizes the corruption and hypocrisy of show business. The film is a masterclass in audacious practical effects and ambitious puppetry, showcasing the raw, go-for-broke ingenuity that would later evolve into the world-class wizardry of Weta Workshop. It’s a testament to Jackson's unfiltered creative vision, blending grotesque humor, shocking violence, and surprisingly catchy musical numbers into an unforgettable cult classic that proves his genius was just as potent in grimy, low-budget chaos as it is in sweeping Hollywood blockbusters.
Bad Taste (1987)
#1515.0A team from the intergalactic fast food chain Crumb's Crunchy Delights descends on Earth, planning to make human flesh the newest taste sensation. After they wipe out the New Zealand town of Kaihoro, the country's Astro-Investigation and Defense Service (AIaDS) is called in to deal with the problem. Things are complicated due to Giles, a hapless aid worker who comes to Kaihoro the same day to collect change from the residents. When Giles is captured by the aliens, the AIaDS team stages a rescue mission that quickly becomes an all-out, gore-soaked assault on the aliens' headquarters. While it lacks the polish of his later epics, *Bad Taste* is essential to any list of Peter Jackson's best films because it's the brilliant, unfiltered genesis of his entire career. Famously filmed on weekends over four years with a group of friends, this debut feature is a masterclass in DIY filmmaking and boundless passion. It establishes the signature "splatstick" style that would define his early work, blending grotesque, over-the-top gore with a wickedly dark and absurd sense of humor. From the handmade alien masks to Jackson himself playing two different characters, the film is a testament to the raw, kinetic creativity that would eventually conquer Hollywood, making it the hilarious, bloody, and foundational blueprint for everything that followed.
The Adventures of Tintin: Red Rackham's Treasure
#1616.0While Peter Jackson is most famous for his live-action epics, his role as producer on *The Adventures of Tintin* makes it a quintessential and brilliant entry in his filmography. The film serves as a masterclass in his pioneering work with performance-capture technology, taking the lessons learned from Gollum and King Kong to an entirely new level. Under the direction of Steven Spielberg, Jackson's Weta Digital workshop created a breathtaking visual world that perfectly translates the iconic art style of Hergé's comics into a dynamic, three-dimensional reality. The result is a unique hybrid, possessing the expressive character work of animation but with the kinetic energy and impossible, sweeping camera movements that define Jackson's blockbuster sensibilities, creating a visual feast of action and adventure that could not have been achieved in any other medium. Beyond the technical wizardry, the film’s spirit is pure Peter Jackson. It is a story fueled by a profound love for its source material, a grand sense of historical mystery, and a heartfelt focus on the camaraderie between its heroes. The burgeoning, cantankerous friendship between the earnest Tintin and the boisterous Captain Haddock forms the emotional core of the movie, echoing the powerful bonds of fellowship seen in *The Lord of the Rings*. This blend of spectacular, high-stakes set pieces with genuine character-driven charm and humor is a hallmark of Jackson’s best work. As a producer, he championed a project that perfectly aligns with his passions, resulting in a thrilling, joyful adventure that is both a loving tribute and a stunning piece of innovative filmmaking.
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