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Best Scott Moore Movies
11th Nov 2025
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Get ready to celebrate the cinematic work of Scott Moore! From hilarious comedies to heartwarming stories, Moore's contributions to film have consistently entertained audiences. This poll invites you to reflect on his diverse body of work and determine which movies stand out as the absolute best. Prepare to debate and defend your choices, as we delve into the highlights of his career. Now it's your turn to make your voice heard! Review the listed films and consider which ones resonated with you the most. Take a moment to think about the performances, the scripts, and the overall impact each movie had. Cast your vote for your favorite Scott Moore movies and help us crown the ultimate fan favorites. Your participation is crucial, so get voting!
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#2.
Jexi (2019)
2/5
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Jexi (2019) stands as a distinct and relevant entry on any "Best Scott Moore Movies" list, perfectly embodying the co-writer and co-director's signature blend of R-rated comedy and sharp social commentary. Alongside Jon Lucas, Moore crafts a hilariously chaotic narrative around the modern-day addiction to smartphones, personified by an overzealous artificial intelligence named Jexi. The film brilliantly skewers our reliance on technology while delivering the escalating, character-driven humor and outrageous situations that are hallmarks of Moore's filmography, ensuring audiences laugh uncomfortably as they recognize a bit of themselves in the protagonist's plight. What makes *Jexi* particularly essential to Moore's best work is how he and Lucas masterfully balance its outlandish premise with genuine character development and a surprising amount of heart. The film’s rapid-fire dialogue, increasingly absurd scenarios, and a protagonist's journey from socially inept to self-reliant resonate deeply with the duo's established strengths seen in hits like *Bad Moms* and *21 & Over*. Through Jexi's manipulative antics, Moore guides a story that is not just laugh-out-loud funny, but also offers a poignant message about prioritizing real-world interactions over digital distractions, making it a clever and truly memorable piece in his directorial canon.
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Bad Moms (2016)
**Bad Moms (2016)** *Bad Moms (2016) perfectly encapsulates the spirit of its title, presenting a hilarious and liberating take on modern motherhood. It tells the story of three overworked and under-appreciated moms who, pushed beyond their limits, ditch their conventional responsibilities for a jolt of long overdue freedom, fun, and comedic self-indulgence.* Led by Amy Mitchell (Mila Kunis), a seemingly perfect mother on the verge of a breakdown, she teams up with meek Kiki (Kristen Bell) and raunchy Carla (Kathryn Hahn) to challenge the rigid expectations of modern motherhood. Their rebellion escalates into a hilarious confrontation with the ultra-controlling PTA president Gwendolyn James (Christina Applegate) and her clique, turning suburban perfection on its head. This R-rated comedy masterfully blends outrageous humor with genuinely relatable struggles, resonating deeply with audiences who've felt the pressures of parental perfectionism. Beyond the wild parties and uncensored antics, *Bad Moms* celebrates female camaraderie and the liberating power of embracing imperfection. It's a feel-good film that champions self-care and authentic living, proving that sometimes, being a "bad mom" is precisely what it takes to be a good one, delivering a much-needed dose of unapologetic fun and empowerment. *** **Why it belongs on the list "Best Scott Moore Movies":** *Bad Moms (2016)* is an undeniable inclusion on a list of "Best Scott Moore Movies" because he, alongside his long-time creative partner Jon Lucas, not only co-wrote the screenplay but also co-directed the film. This project represents a significant evolution in their collaborative career, building upon the comedic sensibilities honed in their previous work, most notably as the writers of the record-breaking comedy *The Hangover* and as writers/directors of *21 & Over*. With *Bad Moms*, Moore and Lucas successfully shifted their focus from male-centric debauchery to a female-driven narrative, demonstrating their versatility while retaining their signature blend of raunchy humor, relatable character struggles, and ultimately, a heartwarming core message. The film was a significant box office success, grossing over $183 million worldwide against a modest budget, and even spawned a sequel, *A Bad Moms Christmas*. Its critical and commercial performance solidifies its place as one of Moore's most impactful and successful directorial and writing endeavors, showcasing his ability to craft commercially viable and culturally resonant comedies that resonate with a broad audience.
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Jexi (2019)
Jexi (2019) stands as a distinct and relevant entry on any "Best Scott Moore Movies" list, perfectly embodying the co-writer and co-director's signature blend of R-rated comedy and sharp social commentary. Alongside Jon Lucas, Moore crafts a hilariously chaotic narrative around the modern-day addiction to smartphones, personified by an overzealous artificial intelligence named Jexi. The film brilliantly skewers our reliance on technology while delivering the escalating, character-driven humor and outrageous situations that are hallmarks of Moore's filmography, ensuring audiences laugh uncomfortably as they recognize a bit of themselves in the protagonist's plight. What makes *Jexi* particularly essential to Moore's best work is how he and Lucas masterfully balance its outlandish premise with genuine character development and a surprising amount of heart. The film’s rapid-fire dialogue, increasingly absurd scenarios, and a protagonist's journey from socially inept to self-reliant resonate deeply with the duo's established strengths seen in hits like *Bad Moms* and *21 & Over*. Through Jexi's manipulative antics, Moore guides a story that is not just laugh-out-loud funny, but also offers a poignant message about prioritizing real-world interactions over digital distractions, making it a clever and truly memorable piece in his directorial canon.
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21 & Over (2013)
In the raucous 2013 comedy *21 & Over*, audiences are introduced to Jeff Chang, a brilliant and driven student with the most important interview of his life looming tomorrow. However, it's also his 21st birthday, and what begins as a seemingly casual celebration with his best friends quickly spirals into an epic night of alcohol-fueled debauchery and unexpected misadventures across town. As the hours tick away, Jeff's carefully laid life plans, including his academic future, teeter precariously on the brink of complete derailment, forcing his friends to retrace their steps and somehow get him to his interview on time. For fans and critics compiling a "Best Scott Moore Movies" list, *21 & Over* is an essential inclusion, not least because it marks the directorial debut of Moore and his frequent writing partner, Jon Lucas. Having penned the blockbuster script for *The Hangover*, this film allowed the duo to fully realize their signature brand of R-rated, high-concept comedy on screen. *21 & Over* perfectly encapsulates their expertise in crafting narratives centered around escalating chaos, an ensemble of distinct characters, and the comedic fallout of a single night of extreme indulgence, solidifying their reputation as masters of the 'one wild night' subgenre.
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A Bad Moms Christmas (2017)
"A Bad Moms Christmas" earns its place among the "Best Scott Moore Movies" as it perfectly encapsulates the R-rated, subversive comedic style that has become his signature. As both co-writer and co-director alongside Jon Lucas, Moore skillfully takes the familiar anxieties of holiday stress and modern motherhood, then amplifies them into a riotous, no-holds-barred spectacle. The film thrives on the escalating chaos that ensues when the "Bad Moms" trio's own mothers descend for the holidays, providing the ideal framework for Moore's brand of high-stakes, character-driven comedy where relatable struggles meet outrageously over-the-top solutions. This sequel further solidifies Moore's unique talent for crafting ensemble comedies that blend raunchy humor with unexpected heart. It deepens the themes of female friendship, rebellion against societal pressures, and the complicated dynamics of multi-generational family relationships, all hallmarks of his successful filmography. "A Bad Moms Christmas" showcases his ability to balance laugh-out-loud physical comedy and sharp, often vulgar, dialogue with surprisingly tender moments of emotional connection, proving his versatility beyond his earlier male-centric hits and cementing its status as a quintessential example of his directorial and writing prowess.
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Spa Weekend
"Spa Weekend" isn't merely a delightful romp through pampering and relaxation; it's a quintessential Scott Moore experience, earning its place on his "best" list through a masterful blend of sharp observational humor and poignant character studies. Moore ingeniously uses the idyllic backdrop of a luxury retreat to expose the hilarious and often heartbreaking unraveling of its ensemble cast. Here, his signature style of taking seemingly mundane or tranquil settings and infusing them with high-stakes personal drama shines, as the characters—forced into proximity and away from their usual distractions—find that true relaxation is impossible when confronted with their own unresolved issues and the often-absurd pretenses of those around them. Beyond the mud masks and mindfulness sessions, "Spa Weekend" delves deep into Moore's signature exploration of human vulnerability, the facade of success, and the unexpected paths to genuine connection. He ingeniously uses the tranquil setting as a crucible, where the pressure to find inner peace only heightens the external and internal conflicts, forcing his characters to confront their deepest insecurities with a wit and warmth unique to his filmography. It’s a masterclass in his ability to extract profound human truths from a seemingly light premise, perfectly encapsulating his thematic brilliance and directorial finesse, making it not just a fan favorite but a critical standout in the Scott Moore canon.
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