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Best Henry Selick Movies
11th Nov 2025
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Step into the whimsical world of stop-motion animation and dark fantasy! Henry Selick, the visionary director behind some of cinema's most beloved and visually stunning films, has captivated audiences for decades. From the hauntingly beautiful to the wonderfully bizarre, Selick's unique storytelling and character designs have left an indelible mark on the animation landscape. Now, it's time to celebrate his incredible filmography and determine which of his creations reigns supreme. So, which Selick movie has captured your heart and imagination the most? Was it the gothic charm of *The Nightmare Before Christmas*, the adventurous spirit of *James and the Giant Peach*, or the quirky brilliance of *Coraline*? Cast your vote below and let your voice be heard! Let us know which of Henry Selick's unforgettable films deserves the title of "Best Henry Selick Movie."
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#5.
Monkeybone (2001)
5/7
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*Monkeybone (2001)* is a wildly imaginative and visually striking film that plunges into the subconscious with a blend of live-action and stop-motion animation. After a near-fatal car crash lands Stu Miley, a cartoonist grappling with his inner demons, in a coma, he finds himself in Down Town, a surreal purgatory populated by lost souls and governed by the mischievous Monkeybone, Stu's id made flesh. This chaotic realm, brought to life with Selick's signature flair for the grotesque and the fantastical, sets the stage for a battle of wills as Monkeybone escapes into the real world, forcing Stu to fight for his very existence. While *Monkeybone* may not be entirely a "Henry Selick movie" in the same way as *The Nightmare Before Christmas* or *Coraline*, it undeniably bears his artistic imprint. Selick served as the director, bringing his masterful eye for stop-motion animation and his affinity for dark, quirky storytelling to the forefront. The film showcases Selick's signature style, including his use of inventive creature designs and his knack for building immersive, often unsettling worlds. Even though the film mixes live-action with animation more heavily than his other projects, the overall visual aesthetic and the underlying thematic explorations of the subconscious still firmly place *Monkeybone* in the canon of Selick's best works, solidifying his unique perspective in filmmaking.
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The Nightmare Before Christmas (1993)
"The Nightmare Before Christmas" (1993) sees the melancholic Jack Skellington, the Pumpkin King of Halloween Town, yearning for something more than the same spooky routine. Bored with the annual scares, he stumbles upon the magic of Christmas and decides to take over, replacing Santa Claus and bringing his own twisted holiday cheer to the human world. His ambition to spread this new form of Christmas lands him in a series of chaotic events and a race against time to salvage the holiday, especially when his rag-doll girlfriend, Sally, foresees the dangers of his well-intentioned but ultimately misguided plans. This animated masterpiece is an essential entry on the list of "Best Henry Selick Movies," primarily because it stands as one of his most iconic works. While often attributed to Tim Burton, the film's unique stop-motion animation style and visually stunning environments are the direct product of Selick's direction and masterful execution. His attention to detail, creative use of textures, and ability to create such compelling characters through animation, make it a testament to his distinct artistic vision. "The Nightmare Before Christmas" perfectly showcases Selick's skill in crafting unforgettable stories and visual experiences.
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Coraline (2009)
"Coraline (2009)" follows a young girl's unsettling adventure after relocating to a new home and feeling overlooked. In a quest for excitement, she discovers a hidden door that leads to a fantastical yet deceptive parallel world. This world, strikingly similar to her own, features versions of her parents who are attentive and accommodating, and where all her desires are immediately fulfilled. However, this idyllic reality hides a sinister secret; the Other Mother, who runs this world, desires Coraline to remain there forever, revealing the world to be a manipulative trap designed to ensnare her. This visually stunning and emotionally resonant film firmly belongs on a list of the "Best Henry Selick Movies". Selick, known for his masterful stop-motion animation, infuses "Coraline" with a unique and captivating aesthetic. His direction skillfully balances the film's whimsical and eerie elements, building suspense and creating a genuinely unsettling atmosphere. The film is a prime example of his creative artistry and craftsmanship, showcasing his ability to craft a dark fairytale that appeals to both children and adults, making it a standout in his celebrated filmography and a perfect demonstration of his talent within the stop-motion animation medium.
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James and the Giant Peach (1996)
Based on Roald Dahl's beloved children's book, *James and the Giant Peach* (1996) tells the fantastical story of young James, an orphan who escapes a bleak life with cruel aunts when he stumbles upon a magical adventure. When the young orphan boy James spills a magic bag of crocodile tongues, he finds himself in possession of a giant peach that flies him away to strange lands. Within the peach, he befriends a cast of eccentric, oversized insect characters, embarking on a thrilling journey across the ocean. The film’s blend of live-action and innovative stop-motion animation captures the wonder and whimsical spirit of Dahl's original tale. This movie unequivocally belongs on the list of Best Henry Selick Movies because of its groundbreaking stop-motion animation. Selick, known for his distinctive style, masterfully brought the giant peach and its insect inhabitants to life, crafting a visually stunning and emotionally resonant film. While featuring live-action elements, the core of the adventure, the peach itself and its inhabitants, is brought to life through Selick's painstaking and imaginative stop-motion techniques. This distinctive style perfectly complements the fantastical narrative, cementing *James and the Giant Peach* as a highlight of Selick's impressive career.
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Wendell & Wild (2022)
"Wendell & Wild" (2022), directed by Henry Selick, masterfully embodies the stop-motion animation style that defines Selick's iconic career. While offering a fresh, contemporary story about two demon brothers (voiced by Keegan-Michael Key and Jordan Peele) seeking to escape the Underworld and build their amusement park, the film remains deeply rooted in the hauntingly beautiful visuals and darkly comedic sensibilities that audiences have come to expect. From the meticulous detailing of Kat's world to the grotesque yet strangely charming design of the demons, "Wendell & Wild" showcases Selick's unparalleled talent for crafting visually arresting and thematically rich worlds. Beyond its technical brilliance, "Wendell & Wild" continues Selick's exploration of complex themes such as grief, trauma, and the power of personal agency, similar to his earlier works. The film's narrative, brimming with both humor and pathos, resonates with the heart of Selick's storytelling, delivering a moving tale of redemption and self-discovery. Through its vivid imagery, memorable characters, and thought-provoking themes, "Wendell & Wild" undeniably aligns with the hallmarks that have solidified Henry Selick's status as a visionary animation auteur, firmly securing its place among his best films.
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Monkeybone (2001)
*Monkeybone (2001)* is a wildly imaginative and visually striking film that plunges into the subconscious with a blend of live-action and stop-motion animation. After a near-fatal car crash lands Stu Miley, a cartoonist grappling with his inner demons, in a coma, he finds himself in Down Town, a surreal purgatory populated by lost souls and governed by the mischievous Monkeybone, Stu's id made flesh. This chaotic realm, brought to life with Selick's signature flair for the grotesque and the fantastical, sets the stage for a battle of wills as Monkeybone escapes into the real world, forcing Stu to fight for his very existence. While *Monkeybone* may not be entirely a "Henry Selick movie" in the same way as *The Nightmare Before Christmas* or *Coraline*, it undeniably bears his artistic imprint. Selick served as the director, bringing his masterful eye for stop-motion animation and his affinity for dark, quirky storytelling to the forefront. The film showcases Selick's signature style, including his use of inventive creature designs and his knack for building immersive, often unsettling worlds. Even though the film mixes live-action with animation more heavily than his other projects, the overall visual aesthetic and the underlying thematic explorations of the subconscious still firmly place *Monkeybone* in the canon of Selick's best works, solidifying his unique perspective in filmmaking.
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The Shadow King
While technically an unproduced project, "The Shadow King" perfectly encapsulates the key elements that make Henry Selick a master of stop-motion animation. The script, co-written by Selick, showcases his signature blend of dark fantasy, quirky characters, and visually stunning environments. The story, involving a girl forced to confront a sinister shadow creature, explores themes of childhood trauma and overcoming inner demons, echoing the emotional depth present in his other works. Selick's distinct artistic vision, focusing on handcrafted puppets and meticulously designed sets, would have undoubtedly brought the world of "The Shadow King" to life in a way only he could. Despite its lack of completion, "The Shadow King" remains a crucial part of the Selick legacy. It stands as a testament to his unfulfilled potential, offering a glimpse into what could have been another groundbreaking cinematic achievement. Based on available concept art, character designs, and the intricate plot, it's easy to envision "The Shadow King" sharing the same imaginative brilliance and technical virtuosity that characterize "Coraline," "James and the Giant Peach," and "The Nightmare Before Christmas." Its inclusion on any list of the best Henry Selick movies is warranted simply for its promise of further innovation within his already iconic artistic style.
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The Ocean at the End of the Lane
While "The Ocean at the End of the Lane" isn't a *film* directed by Henry Selick, it is a novel that shares a kinship with his iconic stop-motion aesthetic and storytelling sensibilities. Neil Gaiman's evocative prose paints vivid, dreamlike landscapes and explores themes of childhood wonder, fear, and loss – all recurring elements in Selick's masterpieces. The story's focus on a young boy navigating a mystical world, grappling with both the mundane and the monstrous, mirrors the narrative complexities found in "Coraline" and "James and the Giant Peach." Furthermore, the novel's inherent visual richness, filled with strange creatures, fantastical locations, and a palpable sense of the uncanny, practically begs for a Selick-esque adaptation. The characters, from the otherworldly Hempstock women to the terrifying Hunger Birds, are ripe for the kind of unique character design and meticulously crafted stop-motion animation that defines Selick's body of work. While an adaptation never came to be, the novel's spirit of imaginative and haunting storytelling resonates strongly with the essence of what makes Henry Selick a master of animation and a champion of strange, beautiful worlds.
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