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Best Paul Thomas Anderson Movies
11th Nov 2025
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Paul Thomas Anderson is a cinematic titan, renowned for his distinctive style, masterful storytelling, and unforgettable characters. His films explore complex themes with depth and nuance, leaving audiences captivated and pondering long after the credits roll. From the darkly comedic brilliance of *Boogie Nights* to the sprawling epic of *There Will Be Blood*, Anderson's filmography boasts a remarkable range of styles and subjects, making choosing a "best" a nearly impossible task. But that's where you come in! Which PTA film reigns supreme in your heart? Do you gravitate towards the intoxicating energy of *Magnolia* or the haunting romance of *Phantom Thread*? Cast your vote in our poll and let your voice be heard! It's time to settle the age-old debate once and for all: which Paul Thomas Anderson masterpiece deserves the ultimate title? Share your pick and help us determine the definitive champion of his incredible body of work.
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#4.
Phantom Thread (2017)
4/10
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*Phantom Thread* is a quintessential Paul Thomas Anderson film, even as it delves into the seemingly genteel world of 1950s London haute couture. It masterfully presents Reynolds Woodcock, a character as meticulously crafted and deeply flawed as any in Anderson's oeuvre – driven, obsessive, and ultimately vulnerable. The film explores signature PTA themes of control, obsession, and the intricate power dynamics within relationships, all filtered through the darkly romantic and strangely co-dependent bond between Reynolds and his muse, Alma. Visually stunning, with Anderson's characteristic long takes, deliberate pacing, and Jonny Greenwood's haunting score, it immerses the viewer in its exquisitely detailed, yet psychologically unsettling, world. What elevates *Phantom Thread* to the echelon of Anderson's finest work is its remarkable intimacy and the towering performances, particularly Daniel Day-Lewis's final, unforgettable turn and Vicky Krieps's revelatory counterpoint. It represents a refined evolution of his craft, blending the grandeur of his period epics with a sharp, piercing psychological drama that challenges conventional notions of love and partnership. A darkly humorous and exquisitely unsettling examination of creation, devotion, and the peculiar ways people need to dominate and be dominated, it stands as a testament to Anderson's unparalleled ability to craft films that are as beautiful as they are profoundly disquieting, solidifying its place among his most critically acclaimed and enduring masterpieces.
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There Will Be Blood (2007)
Paul Thomas Anderson's epic *There Will Be Blood* plunges viewers into the turn-of-the-century oil boom, charting the relentless ambition of Daniel Plainview (Daniel Day-Lewis). Plainview, a ruthless oil prospector, discovers oil-rich land in California and shrewdly begins manipulating local landowners into selling their property. Leveraging his young adopted son to project a façade of a caring family man, he woos the community with grand promises of schools and a flourishing future, gradually gaining control of their land and their trust. However, as Plainview's wealth and power inexorably grow, his true, avaricious nature begins to surface, slowly isolating him from everyone and everything in his life as he descends into paranoia and unbridled greed. This film is quintessential Paul Thomas Anderson for its profound exploration of American ambition and the corrupting influence of power, themes he consistently revisits with unparalleled depth. Anderson’s masterful direction is evident in every frame, from the stark, sprawling landscapes of the oil fields to the claustrophobic interiors that mirror Plainview's psychological descent. Daniel Day-Lewis delivers an iconic, Oscar-winning performance as Plainview, a character study in pathological greed that anchors the film's profound impact. Complemented by Jonny Greenwood's unsettling, avant-garde score, *There Will Be Blood* is a sprawling epic that dissects the dark heart of the American dream, solidifying its place as one of Paul Thomas Anderson's most acclaimed and enduring masterpieces.
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Magnolia (1999)
Magnolia (1999) stands as one of Paul Thomas Anderson's most ambitious and emotionally raw works, an sprawling epic mosaic of many interrelated characters in search of happiness, forgiveness, and meaning in the San Fernando Valley. Over the course of a single, fateful day, the film weaves together the disparate yet ultimately connected lives of a dying television producer, a charismatic self-help guru, a former child prodigy, a deeply troubled drug addict, and a host of others. It’s a powerful exploration of regret, longing, and the profound, often unexpected ways our lives intersect. Its inclusion on a list of the Best Paul Thomas Anderson Movies is undeniable, as *Magnolia* is a quintessential demonstration of his audacious artistic vision and directorial prowess. Anderson masterfully orchestrates a vast ensemble, employing his signature long takes and intricate camerawork to connect these disparate lives. The film showcases his unparalleled ability to craft deeply flawed yet profoundly human characters, often grappling with themes of redemption, paternal legacy, and the search for love in a broken world. With its stunning performances – including an Oscar-nominated turn from Tom Cruise – its ambitious narrative structure, and its raw emotional intensity, *Magnolia* cements Anderson's reputation as one of contemporary cinema's most fearless and distinctive auteurs, making it a foundational piece in his celebrated filmography.
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Boogie Nights (1997)
Set in the vibrant, uninhibited world of 1977, *Boogie Nights* delves into an era when the adult film industry was booming, and idealistic producer Jack Horner harbored dreams of elevating his craft to an art form. His vision finds its muse in Eddie Adams, a charismatic young busboy discovered in a nightclub, who is quickly welcomed into Horner's unconventional, extended family of filmmakers and misfits. Adams' transformation into the celebrated adult entertainer "Dirk Diggler" is nothing short of meteoric, chronicling his spectacular rise from obscurity to stardom amidst the intoxicating backdrop of disco, drugs, and an ever-shifting cultural landscape where the party truly never seemed to stop. However, as the film progresses, Adams' dazzling dreams of turning sex into stardom are destined to collide with the cold, hard reality of an industry on the brink of change. *Boogie Nights* stands as a monumental achievement in Paul Thomas Anderson's illustrious career, solidifying his reputation as a singular cinematic voice with only his second feature film. It masterfully showcases Anderson's signature blend of sprawling ensemble narratives, deep character empathy, and audacious technical prowess, featuring virtuosic long takes and an evocative period soundtrack. The film expertly explores complex themes of found family, ambition, the pursuit of art, and the intoxicating yet ultimately destructive nature of the American dream, all set against the backdrop of a controversial industry. With career-defining performances from a remarkable cast, including Mark Wahlberg, Julianne Moore, and an Oscar-nominated Burt Reynolds, *Boogie Nights* is celebrated for its empathetic humanity, its audacious scope, and its profound emotional depth, undeniably earning its place among Paul Thomas Anderson's very best movies.
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Phantom Thread (2017)
*Phantom Thread* is a quintessential Paul Thomas Anderson film, even as it delves into the seemingly genteel world of 1950s London haute couture. It masterfully presents Reynolds Woodcock, a character as meticulously crafted and deeply flawed as any in Anderson's oeuvre – driven, obsessive, and ultimately vulnerable. The film explores signature PTA themes of control, obsession, and the intricate power dynamics within relationships, all filtered through the darkly romantic and strangely co-dependent bond between Reynolds and his muse, Alma. Visually stunning, with Anderson's characteristic long takes, deliberate pacing, and Jonny Greenwood's haunting score, it immerses the viewer in its exquisitely detailed, yet psychologically unsettling, world. What elevates *Phantom Thread* to the echelon of Anderson's finest work is its remarkable intimacy and the towering performances, particularly Daniel Day-Lewis's final, unforgettable turn and Vicky Krieps's revelatory counterpoint. It represents a refined evolution of his craft, blending the grandeur of his period epics with a sharp, piercing psychological drama that challenges conventional notions of love and partnership. A darkly humorous and exquisitely unsettling examination of creation, devotion, and the peculiar ways people need to dominate and be dominated, it stands as a testament to Anderson's unparalleled ability to craft films that are as beautiful as they are profoundly disquieting, solidifying its place among his most critically acclaimed and enduring masterpieces.
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Punch-Drunk Love (2002)
In Paul Thomas Anderson's unique romantic comedy *Punch-Drunk Love* (2002), a beleaguered small-business owner named Barry Egan (Adam Sandler) gets a harmonium and embarks on a romantic journey with a mysterious woman. Barry, an emotionally stunted and intensely lonely individual prone to explosive outbursts, finds his meticulously ordered yet miserable life upended by the sudden arrival of both the strange instrument and the enigmatic Lena Leonard (Emily Watson). What begins as an unlikely connection quickly blossoms into an unconventional and deeply resonant love story, forcing Barry to confront his inner demons and navigate external threats as he desperately tries to hold onto the first true happiness he's ever known. Despite being a notable departure in both length and genre from his sprawling epics like *Magnolia* or *Boogie Nights*, *Punch-Drunk Love* stands as a brilliant and essential entry in Paul Thomas Anderson's filmography. It showcases his remarkable ability to find profound depth in unconventional narratives, transforming Adam Sandler's signature comedic rage into a raw, vulnerable performance that earned critical acclaim. Anderson's precise direction, the film's stunning, dreamlike cinematography by Robert Elswit, and Jon Brion's evocative score create a singular emotional landscape where love feels both fragile and utterly transcendent. It's a masterclass in tone, blending surreal humor, anxiety, and genuine romance, proving Anderson's unparalleled skill in crafting stories that explore the complexities of human connection and the often-unpredictable paths to happiness, making it undeniably one of his finest and most distinct achievements.
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Junun (2015)
**Junun (2015)** In 2015, Paul Thomas Anderson embarked on a unique cinematic journey, accompanying his close friend and frequent collaborator Jonny Greenwood to Rajasthan in northwest India. Hosted by the Maharaja of Jodhpur, Anderson brought his camera to the magnificent 15th-century Mehrangarh Fort. There, Greenwood was collaborating with Israeli composer Shye Ben Tzur and an extraordinary ensemble of Indian musicians, creating the album that would become *Junun*, and Anderson intimately captured their creative process as the music came to life. While a departure from his narrative features, *Junun* undeniably earns its place among Paul Thomas Anderson's best films due to its sheer immersive beauty and the director's unmistakable touch. Filmed largely by Anderson himself on a small digital camera, it's a testament to his observational prowess and his ability to find profound beauty in the creative process and human connection. The film is a hypnotic immersion into the recording sessions, capturing the intricate artistry, the joy of cross-cultural collaboration, and the vibrant atmosphere of India through Anderson's characteristically patient, visually rich, and deeply empathetic lens, showcasing his versatile genius and enduring artistic partnership with Jonny Greenwood.
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The Master (2012)
*The Master* delves into the tumultuous post-war life of Freddie Quell (Joaquin Phoenix), a volatile, heavy-drinking veteran wrestling with severe post-traumatic stress disorder. His aimless existence takes a dramatic turn when he stumbles upon the charismatic Lancaster Dodd (Philip Seymour Hoffman), the enigmatic leader of a burgeoning philosophical movement, "The Cause," which he has established in the aftermath of World War II. Freddie finds an unlikely, if dangerous, home within Dodd's increasingly influential circle, drawn into the captivating orbit of a man who promises order and purpose to a generation adrift, setting the stage for a complex and unsettling relationship between master and protégé. This film rightfully earns its place among Paul Thomas Anderson's best due to its profound exploration of deeply flawed characters and their intense, symbiotic relationship. Anderson's signature command over narrative and performance is on full display, drawing career-defining turns from Joaquin Phoenix and the late Philip Seymour Hoffman, whose electrifying chemistry forms the film's volatile core. It delves fearlessly into themes of post-war trauma, the human yearning for belief and belonging, and the dangerous allure of charismatic leadership, all rendered with Anderson's characteristic visual poetry—shot on sumptuous 65mm film—and an unsettling psychological intensity. The film’s ambiguity and its refusal to offer easy answers solidify it as a challenging yet endlessly rewarding entry in a master filmmaker's canon, showcasing his ability to craft complex, often uncomfortable, character studies that linger long after viewing.
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Licorice Pizza (2021)
Paul Thomas Anderson's "Licorice Pizza" earns its place among his best by being an utterly charming and profoundly personal slice-of-life dramedy, brimming with his signature directorial flair. Set against his beloved 1970s San Fernando Valley backdrop, the film masterfully weaves a coming-of-age story around the unlikely, captivating bond between ambitious teenager Gary Valentine and the aimless but spirited Alana Kane. PTA's fluid, long takes, evocative period detail, and naturalistic dialogue create an immersive world, allowing the audience to luxuriate in the characters' often awkward, always endearing pursuit of identity, entrepreneurial dreams, and an indefinable connection, all hallmarks of his character-driven storytelling. What elevates "Licorice Pizza" to PTA's upper echelon is its singular blend of wistful nostalgia and vibrant, effervescent charm, showcasing a lighter, yet no less insightful, side of the director. While distinctly less dark than some of his other masterpieces, it maintains his keen observation of human nature and the complexities of relationships, anchored by astonishing performances from newcomers Alana Haim and Cooper Hoffman. This film feels like a warm embrace, a tenderly crafted love letter to youth, first loves, and the very specific time and place that shaped him, solidifying its status as a unique and deeply resonant entry in his celebrated filmography.
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Hard Eight (1996)
Paul Thomas Anderson's debut feature, *Hard Eight (1996)* (originally titled *Sydney*), masterfully sets a tone of understated tension and character-driven drama. The film introduces a quiet, almost melancholic world where a mysterious stranger mentors a young Reno gambler, whose life quickly spirals into complication when he weds a hooker, bringing her into their insular dynamic. The precarious arrangement is further tested when the duo later befriends a vulgar yet charismatic casino regular, pulling them deeper into a web of past regrets and uncertain futures, boasting early, memorable performances from Philip Baker Hall as the enigmatic 'Sydney' and John C. Reilly as his wayward charge, alongside Gwyneth Paltrow and Samuel L. Jackson. *Hard Eight* earns its place on a "Best Paul Thomas Anderson Movies" list because, even in this nascent work, Anderson's unmistakable directorial voice is profoundly evident. It showcases his burgeoning mastery of complex human relationships, moral ambiguity, and a knack for drawing nuanced, often melancholic performances from his ensemble cast – hallmarks that would define his celebrated career. While perhaps less overtly ambitious than later epics like *Boogie Nights* or *There Will Be Blood*, this film is a crucial foundational piece, laying the groundwork for many of the thematic concerns (paternal figures, found families, the weight of the past) and stylistic choices that would become synonymous with his work. Its quiet intensity, tightly constructed narrative, and profound character studies make it a compelling and essential entry, proving from the outset that Anderson was a formidable new voice in American cinema.
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Inherent Vice (2014)
In Paul Thomas Anderson's *Inherent Vice (2014)*, the sun-drenched, perpetually hazy streets of Los Angeles at the turn of the 1970s become a labyrinthine backdrop for drug-fueled detective Larry "Doc" Sportello (Joaquin Phoenix) as he investigates the disappearance of an ex-girlfriend. Adapted from Thomas Pynchon's notoriously unfilmable novel, the film is a gloriously disorienting "stoner noir" that plunges viewers into a world teetering on the edge of the counterculture's collapse. Doc, a shaggy, perpetually high figure, navigates a surreal cast of surfers, parolees, dentists, and corrupt cops, all while trying to make sense of a sprawling conspiracy that feels less like a solvable mystery and more like a symptom of an era's lost idealism. *Inherent Vice* firmly belongs on a list of Paul Thomas Anderson's best because it showcases his daring as an auteur and his unparalleled ability to craft immersive, complex worlds. Anderson takes Pynchon's dense prose and translates its unique tone – a blend of absurd humor, profound melancholia, and paranoid delusion – into a distinct cinematic language. The film is a masterclass in atmosphere and character, with its dreamlike cinematography and evocative soundtrack perfectly capturing the lingering hangover of the 1960s. Beyond its stylistic brilliance, it's a deeply thematic film, exploring the elusive nature of truth, memory, and the inevitable disillusionment that follows a period of radical hope. It’s an ambitious, challenging, and ultimately profoundly rewarding film that cements Anderson's reputation as a filmmaker unafraid to push boundaries and explore the darker, more ambiguous corners of the American experience.
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