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Best Paul Mazursky Movies

13th Nov 2025
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Paul Mazursky, the master of witty, insightful, and often bittersweet character studies, left behind a remarkable filmography. From the bohemian explorations of *Bob & Carol & Ted & Alice* to the poignant reflections on aging and mortality in *Harry and Walter Go to New York*, his films offer a complex and consistently engaging look at American life. This poll celebrates his unique vision and invites you to share your personal favorites, revisiting the humor, pathos, and sharp social commentary that defined his career. Which Mazursky film resonates most deeply with you? Did the playful satire of *An Unmarried Woman* capture your attention, or did the melancholic charm of *Enemies, A Love Story* leave a lasting impression? Cast your vote now and let us know which of his cinematic gems you consider the best! We're eager to see which film emerges victorious and to discover the collective favorites of Mazursky's devoted fans.

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Best Paul Mazursky Movies

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#6.

Enemies, A Love Story (1989)

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Paul Mazursky's 1989 film, *Enemies, A Love Story*, plunges into the chaotic post-Holocaust life of Herman Broder (Ron Silver) in New York, a ghostwriter who finds himself romantically entangled in a truly labyrinthine manner: simultaneously involved with his loyal current wife, Yadwiga (Lena Olin); his passionate, volatile mistress-turned-wife, Masha (Anjelica Huston), who is also a married woman; and his long-vanished first wife, Tamara (Margaret Sophie Stein), who miraculously reappears, believed dead in the war. Based on Isaac Bashevis Singer's acclaimed novel, the film is a poignant, often darkly comedic, exploration of survival, guilt, lust, and the human heart's bewildering capacity for love and self-deception in the shadow of immense trauma. *Enemies, A Love Story* unequivocally belongs on a list of "Best Paul Mazursky Movies" because it embodies his signature blend of incisive social commentary, character-driven narrative, and a unique ability to find both humor and profound pathos in the complexities of human relationships. While often set in the more familiar suburban or urban American landscapes of films like *An Unmarried Woman* or *Bob & Carol & Ted & Alice*, Mazursky's direction of *Enemies* transports his thematic concerns – infidelity, the search for identity, and the struggle for genuine connection – to a darker, more emotionally charged canvas. He masterfully guides an exceptional ensemble cast (with Oscar-nominated performances from Huston and Olin), crafting an unforgettable, darkly comedic, and deeply moving film that stands as one of his most ambitious and critically celebrated achievements.

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