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Best Paul Mazursky Movies

13th Nov 2025
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Paul Mazursky, the master of witty, insightful, and often bittersweet character studies, left behind a remarkable filmography. From the bohemian explorations of *Bob & Carol & Ted & Alice* to the poignant reflections on aging and mortality in *Harry and Walter Go to New York*, his films offer a complex and consistently engaging look at American life. This poll celebrates his unique vision and invites you to share your personal favorites, revisiting the humor, pathos, and sharp social commentary that defined his career. Which Mazursky film resonates most deeply with you? Did the playful satire of *An Unmarried Woman* capture your attention, or did the melancholic charm of *Enemies, A Love Story* leave a lasting impression? Cast your vote now and let us know which of his cinematic gems you consider the best! We're eager to see which film emerges victorious and to discover the collective favorites of Mazursky's devoted fans.

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Best Paul Mazursky Movies

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#13.

Faithful (1996)

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Paul Mazursky's 1996 black comedy, *Faithful*, starring Cher, Ryan O'Neal, and Chazz Palminteri, centers on a depressed housewife whose husband is having an affair and who contemplates suicide. Her plans take an unexpected turn, however, when she finds herself facing death at the hands of a killer hired by her husband to do her in, forcing her to re-evaluate her life and her will to survive. The film unfolds largely as an extended, tense, yet often darkly humorous conversation between the wife and her would-be assassin, creating an intimate and unexpected exploration of desperation, betrayal, and the fundamental human instinct for survival. While often overlooked in his celebrated filmography, *Faithful* is a quintessential Paul Mazursky picture that encapsulates many of his signature themes and stylistic choices, making it a deserving entry on a "Best Of" list. It masterfully blends dark comedy with genuine human drama, a hallmark of Mazursky's approach to examining the complexities of modern relationships and existential angst. The film's extended, witty dialogue between Cher's beleaguered wife and Palminteri's conflicted hitman is classic Mazursky – sharp, observational, and rich in the kind of psychological interplay that defines his best work, reminiscent of the verbal sparring in films like *An Unmarried Woman* or *Bob & Carol & Ted & Alice*. It's a compelling exploration of infidelity, survival, and rediscovering one's will to live, filtered through Mazursky’s unique lens of sophisticated cynicism and unexpected warmth, solidifying its place among his most representative and underrated works.

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