1-900-Killer (as Joseph Locke)

Okay, here's a two-paragraph description of Ray Garton's *1-900-KILLER* as Joseph Locke, arguing for its inclusion on a list of his best works: "While *Live Girls* often steals the spotlight, and rightfully so, *1-900-KILLER* deserves just as much recognition and a definite place among Garton's best. This isn't just another lurid crime novel; it's a visceral and psychologically unsettling exploration of obsession, the dark underbelly of desire, and the pervasive influence of media. Garton expertly weaves a tapestry of depravity, taking us inside the minds of both the predator and the prey, forcing us to confront the uncomfortable truths about human nature. The phone sex hotline becomes a conduit for something far more sinister, and the way Garton ratchets up the tension, leaving breadcrumbs of dread throughout, is masterful. It's a disturbing ride, yes, but also a captivating one, showcasing his ability to shock while simultaneously crafting a narrative that lingers long after the final page." "Beyond the shock value, *1-900-KILLER* highlights Garton's sharp understanding of character development and his unflinching gaze into the darker corners of the human psyche. The characters, however flawed, are believable, their motivations unsettlingly relatable at times. The way the media sensationalizes and amplifies the horror is also sharply observed, a theme that remains relevant today. Some dismiss it as merely exploitative, but to do so is to miss the deeper commentary on society's fascination with violence and the insidious ways in which it can warp our perceptions. *1-900-KILLER* is a powerful, disturbing, and ultimately unforgettable novel, solidifying its position as a cornerstone of Garton's impressive body of work."