Skyman (2019)

*Skyman (2019)* is a compelling testament to Daniel Myrick's distinctive directorial voice, firmly establishing its place among his best works. Employing the chilling found footage and mockumentary style he helped pioneer, the film delves into the story of Carl Merryweather, a man convinced he was abducted by aliens as a child and now awaits their prophesied return on his 30th birthday. Myrick expertly crafts a slow-burn narrative that explores the delicate balance between belief and delusion, immersing the audience in Carl's isolated world and meticulously building a sense of unease that mirrors the psychological dread found in his most iconic productions. What elevates *Skyman* to Myrick's 'best' tier is its masterful command of psychological tension and ambiguity. The film expertly walks a tightrope, never fully committing to whether Carl is a prophet or a paranoiac, leaving viewers to grapple with the uncomfortable questions of belief, isolation, and the nature of truth. This creates a pervasive sense of existential dread rather than cheap scares, making *Skyman* a thought-provoking and deeply unsettling experience that echoes the thematic depth and unique narrative style found in Myrick's most celebrated films.