Generating Preview ...
Generating Preview ...
By continuing, I affirm that I am at least 13 years old and have read and agreed to the terms of service and privacy policy.
Already have an account? Sign in!
Connect with
or Sign in
By continuing, I agree that I am at least 13 years old and have read and agree to the terms of service and privacy policy.
Don't have an account? Sign up!
Get ready to celebrate the comedic genius of Hugh Wilson! This list dives into the delightful filmography of the man who brought us unforgettable characters and endlessly quotable moments. From classic comedies to hidden gems, we're showcasing the best of Hugh Wilson's work. Prepare to be reminded of hilarious scenes and heartwarming stories as we journey through his unique and influential contributions to the world of cinema. Now, it's your turn! As you explore this curated selection of Hugh Wilson's cinematic achievements, don't forget to share your opinions. Scroll through the list, watch (or re-watch!) these fantastic films, and then rate each movie based on your personal enjoyment. Your ratings will help shape the ultimate fan-voted ranking, so get ready to cast your votes and help determine the all-time best Hugh Wilson movie!
"Mickey" (2004) isn't actually a Hugh Wilson film; therefore, it doesn't belong on a list of his best movies. Hugh Wilson is best known for directing comedies like "Police Academy" and "The Secret of My Success," and his style is distinctly different from the heartwarming, albeit suspenseful, family drama presented in "Mickey." This film, while not directed by Wilson, shares a similar blend of humor and emotional depth. Best-selling author John Grisham deviates from his usual literary thrillers with this winning film that stars Harry Connick Jr. as Tripp Spence, a widower who goes on the run from the IRS with his 12-year-old baseball-phenomenon son, Derrick (Shawn Salinas). They assume new identities and flee to Las Vegas, where Derrick, now known as Mickey, joins a team that makes it to the Little League World Series. But will fame give away his true identity? The film's focus on family bonds and the underdog story makes it a compelling, if unexpectedly gentle, narrative.
"Mickey" (2004) isn't actually a Hugh Wilson film; therefore, it doesn't belong on a list of his best movies. Hugh Wilson is best known for directing comedies like "Police Academy" and "The Secret of My Success," and his style is distinctly different from the heartwarming, albeit suspenseful, family drama presented in "Mickey." This film, while not directed by Wilson, shares a similar blend of humor and emotional depth. Best-selling author John Grisham deviates from his usual literary thrillers with this winning film that stars Harry Connick Jr. as Tripp Spence, a widower who goes on the run from the IRS with his 12-year-old baseball-phenomenon son, Derrick (Shawn Salinas). They assume new identities and flee to Las Vegas, where Derrick, now known as Mickey, joins a team that makes it to the Little League World Series. But will fame give away his true identity? The film's focus on family bonds and the underdog story makes it a compelling, if unexpectedly gentle, narrative.
Rate items to sort list. Click to browse.
"Police Academy" (1984), a riotous comedy directed by Hugh Wilson, follows the chaotic influx of recruits into the titular academy after new, less discriminatory admission standards are implemented. The film hinges on the clash between the diverse, often unqualified, new cadets and the exasperated instructors struggling to maintain order. This setup allows for a relentless stream of slapstick gags and physical comedy, showcasing the director's talent for crafting expertly timed comedic sequences. The misfit Mahoney, played by Steve Guttenberg, becomes the unlikely heart of the film, his journey from reluctant recruit to committed cadet providing a surprisingly heartwarming arc amidst the chaos. The conflict with the antagonistic Lieutenant Harris adds another layer of comedic tension, further highlighting Wilson's skill in building memorable characters. Wilson's direction in "Police Academy" is crucial to its success, expertly balancing broad physical humor with a surprisingly effective ensemble cast. The film's enduring popularity speaks to its timeless appeal; it successfully captures the anarchic energy of a group of misfits finding camaraderie in the most unexpected of places. While Wilson directed other films, "Police Academy" stands as a pinnacle of his comedic talent, demonstrating his mastery of slapstick, character development, and the construction of a truly memorable and quotable film. Its place on a "Best Hugh Wilson Movies" list is well-deserved due to its lasting impact and the director's clear imprint on its anarchic, comedic genius.
"Blast from the Past" (1999), a charming romantic comedy directed by Hugh Wilson, offers a delightful blend of fish-out-of-water humor and genuine heart. Following a bomb scare in the 1960s that locks the Weber family into their bomb shelter for 35 years, the film centers on Adam Weber's (Brendan Fraser) hilarious and endearing adjustment to the drastically changed world of 1990s Los Angeles. His quest for food and supplies, alongside his search for a "non-mutant" wife, provides ample opportunity for witty cultural clashes and endearingly awkward encounters. The film's success lies not only in its clever premise but also in its genuinely sweet and optimistic core. Wilson's deft hand is evident in the film's balanced tone, successfully weaving together slapstick comedy with genuine emotional resonance. His experience directing sitcoms like "WKRP in Cincinnati" clearly informs the comedic timing and character development, creating a cast of memorable and relatable characters. The film's warmth and humor, combined with its sharp social commentary on societal shifts and the search for connection, make "Blast from the Past" a worthy addition to any list of the best Hugh Wilson movies, showcasing his talent for crafting both laugh-out-loud funny and profoundly human stories.
"The First Wives Club" (1996), a sharp and hilarious comedy, showcases the talents of director Hugh Wilson in a way distinct from his earlier work. After years of helping their hubbies climb the ladder of success, three mid-life Manhattanites – Diane Keaton, Goldie Hawn, and Bette Midler – have been unceremoniously dumped for younger women. Instead of wallowing in self-pity, they forge an unlikely alliance, channeling their shared pain into a cleverly devious plan to financially cripple their ex-husbands. Their witty banter, combined with the film's satisfyingly sharp satire of wealth and marital betrayal, creates a truly unforgettable comedic experience. While not as overtly comedic as his "WKRP in Cincinnati" or as overtly dark as "Police Academy," "The First Wives Club" demonstrates Hugh Wilson's mastery of character-driven storytelling and his knack for crafting darkly comedic scenarios with heart. The film's sharp dialogue, relatable characters grappling with mid-life crises, and satisfyingly potent revenge plot perfectly showcase Wilson's ability to blend humor and social commentary, earning it a place among his best directorial achievements. The film’s enduring popularity is a testament to the director’s skill in creating a comedic narrative that is both entertaining and surprisingly insightful.
"Mickey" (2004) isn't actually a Hugh Wilson film; therefore, it doesn't belong on a list of his best movies. Hugh Wilson is best known for directing comedies like "Police Academy" and "The Secret of My Success," and his style is distinctly different from the heartwarming, albeit suspenseful, family drama presented in "Mickey." This film, while not directed by Wilson, shares a similar blend of humor and emotional depth. Best-selling author John Grisham deviates from his usual literary thrillers with this winning film that stars Harry Connick Jr. as Tripp Spence, a widower who goes on the run from the IRS with his 12-year-old baseball-phenomenon son, Derrick (Shawn Salinas). They assume new identities and flee to Las Vegas, where Derrick, now known as Mickey, joins a team that makes it to the Little League World Series. But will fame give away his true identity? The film's focus on family bonds and the underdog story makes it a compelling, if unexpectedly gentle, narrative.
"Rustlers' Rhapsody" (1985) is a wildly inventive and hilarious parody of Western films, a meta-narrative masterpiece directed by Hugh Wilson. While the audience watches a black and white horse opera, a narrator's voice wonders what such a movie would be like today. This sets the stage for the film's brilliant comedic premise: Rex O'Herlehan, The Singing Cowboy (Tom Berenger), literally breaks through the fourth wall, transitioning from monochrome to vibrant color, and into a cliché-ridden Western town. There, he confronts the nefarious cattle baron (Andy Griffith), whose alliance with oddly attired Italian cowboys (always in raincoats, regardless of the weather) threatens both Rex and the sheep ranchers. The film's inclusion on a list of "Best Hugh Wilson Movies" is well-deserved. Wilson, renowned for his sharp wit and comedic timing (evident in "Police Academy"), demonstrates a mastery of parody here. "Rustlers' Rhapsody" isn't just a simple send-up; it's a clever deconstruction of Western tropes, brimming with self-aware humor and unexpected twists. The film showcases Wilson's talent for blending slapstick with satire, creating a unique cinematic experience that remains both incredibly funny and surprisingly insightful about the genre it playfully mocks. Its blend of meta-commentary, witty dialogue, and absurd situations solidifies its place among Wilson's best works.
Guarding Tess (1994) offers a compelling and comedic look at the strained relationship between Secret Service Agent Doug Chesnic and his charge, Tess Carlisle, the widowed former First Lady. Doug is worn down from his demanding assignment protecting the eccentric and high-maintenance Tess, whose unpredictable behavior pushes her detail to their limits. He desperately seeks reassignment, only to discover Tess has personally requested him to remain as her permanent protection. This sets up a fascinating dynamic of reluctant duty and growing, albeit begrudging, respect between two vastly different personalities. Doug's internal conflict – wanting freedom from the relentless pressure but simultaneously drawn to Tess's unique vulnerability – forms the heart of the narrative. Guarding Tess deserves a place among Hugh Wilson's best films due to its sharp wit and Wilson's signature blend of screwball comedy and genuine emotional depth. While not as broadly comedic as *Police Academy*, it displays a similar knack for crafting quirky characters and situations. Wilson masterfully balances the humor derived from Doug's exasperation with Tess's antics with poignant moments that reveal the underlying loneliness and complex emotions of both characters. The film showcases Wilson's talent for directing both physical and character-driven comedy, resulting in a surprisingly moving and memorable cinematic experience.
"Burglar" (1987), a sharp and witty crime caper, showcases the comedic talents of Whoopi Goldberg in a career-defining role. Bernice "Bernie" Rhodenbarr is a burglar by trade, and she runs a bookstore as well. Her friend Carl Hefler is a dog groomer. After a successful burglary, it's discovered that a dead body was in the house she burgled. As she's the only one who can be placed at the scene of the crime, she has to use her criminal skills to clear her name of the murder AND avoid getting charged with the burglary. The film cleverly blends slapstick humor with genuine suspense, creating a unique and entertaining experience. While not as widely known as some of his other works, "Burglar" represents a fascinating side of Hugh Wilson's directorial style. Known primarily for his work on television sitcoms like "WKRP in Cincinnati" and "Frank's Place," Wilson demonstrates in "Burglar" a deft touch with comedic timing and character development, evident in Goldberg's unforgettable performance and the supporting cast. The film's inclusion on a "Best Hugh Wilson Movies" list highlights his versatility beyond sitcoms and showcases his ability to craft a successful feature film with a unique comedic sensibility and compelling plot.
Based on the 60's-era cartoon of the same name, *Dudley Do-Right* (1999) is a live-action comedic adventure starring Brendan Fraser as the titular Mountie. Royal Canadian Mountie Dudley Do-Right is busy keeping the peace in his small mountain town when his old rival, Snidely Whiplash (Alfred Molina), comes up with a plot to buy all the property in town, then start a phony gold rush by seeding the river with gold nuggets. Can this well-meaning (though completely incompetent) Mountie stop Whiplash's evil plan? The film embraces the slapstick humor and exaggerated scenarios of the original cartoons, resulting in a visually vibrant and often hilarious romp. *Dudley Do-Right* deserves a place on any list of "Best Hugh Wilson Movies" because Wilson, best known for his work on *WKRP in Cincinnati*, served as the film's screenwriter and arguably its creative heart. His sharp wit and understanding of comedic timing are evident throughout the film's script. While the movie wasn't a massive critical or box office success, its blend of visual gags, witty dialogue (strongly reflecting Wilson's style), and a faithful (yet updated) adaptation of the source material showcases his ability to translate a beloved cartoon into a live-action comedy with a unique charm. It’s a testament to Wilson’s comedic sensibilities and demonstrates his ability to craft a fun, if flawed, film.
While not a feature film, "The Bagel Report" (1972) undeniably belongs on any list of Hugh Wilson's best works due to its crucial role in shaping his comedic sensibility and future success. This short film, a satirical take on the Watergate scandal, showcases Wilson's sharp wit and knack for observational humor, already evident in his signature blend of absurdity and political commentary. It served as a significant early demonstration of his writing and directing prowess, revealing a talent for crafting memorable characters and darkly funny situations that would later define his career. The film's impact extends beyond its immediate comedic merit. "The Bagel Report" represents a vital stepping stone in Wilson's trajectory, highlighting the unique style that he would subsequently refine in projects like *WKRP in Cincinnati* and *Police Academy*. Its sharp dialogue, memorable characters, and satirical edge prefigure the comedic brilliance he would bring to these later works, making "The Bagel Report" a compelling and crucial piece of the puzzle in understanding the evolution of his distinctive and influential comedic voice.
Submit to make your rating count.