The First Wives Club (1996)

"The First Wives Club" (1996), a sharp and hilarious comedy, showcases the talents of director Hugh Wilson in a way distinct from his earlier work. After years of helping their hubbies climb the ladder of success, three mid-life Manhattanites – Diane Keaton, Goldie Hawn, and Bette Midler – have been unceremoniously dumped for younger women. Instead of wallowing in self-pity, they forge an unlikely alliance, channeling their shared pain into a cleverly devious plan to financially cripple their ex-husbands. Their witty banter, combined with the film's satisfyingly sharp satire of wealth and marital betrayal, creates a truly unforgettable comedic experience. While not as overtly comedic as his "WKRP in Cincinnati" or as overtly dark as "Police Academy," "The First Wives Club" demonstrates Hugh Wilson's mastery of character-driven storytelling and his knack for crafting darkly comedic scenarios with heart. The film's sharp dialogue, relatable characters grappling with mid-life crises, and satisfyingly potent revenge plot perfectly showcase Wilson's ability to blend humor and social commentary, earning it a place among his best directorial achievements. The film’s enduring popularity is a testament to the director’s skill in creating a comedic narrative that is both entertaining and surprisingly insightful.