Michael (1996)

Michael (1996) follows a group of tabloid reporters, dispatched by their editor after receiving a letter from a woman claiming an angel is living with her. This frantic, comedic pursuit of a seemingly impossible story is a perfect example of Ephron's knack for capturing the absurdity and underbelly of the media world. The film isn't just about the story; it's a sharp look at the desperation and cynicism of the press, the characters' personal struggles masked by their professional lives, and the absurd lengths people will go to for a good story. The performances, particularly from the cast portraying the reporters, are superb, highlighting the comedic timing and observational humor that characterizes Ephron's style. While certainly a film about the media, "Michael" transcends the specifics of tabloid journalism to explore universal themes of faith, family, and the human desire to find meaning in a chaotic world. The movie's unconventional premise, coupled with its witty dialogue and relatable characters, solidifies its place amongst Ephron's best work. The film's exploration of the reporters' personal struggles, the awkward comedic moments, and the ultimately touching conclusion make it a worthwhile addition to the list of Nora Ephron's best films. It exemplifies her ability to weave together sharp social commentary with heartfelt emotional resonance, a hallmark of her acclaimed filmography.