Average Height, Average Build

"Average Height, Average Build" is not a visible character in Adam McKay's filmography, but rather an essential, implicit presence that anchors his most acclaimed and impactful works to reality. This concept represents the everyman, the unsuspecting citizen who serves as the ultimate recipient and victim of the grand, often absurd, systems McKay meticulously dissects. Whether it's the financial collapse in *The Big Short*, the political gridlock threatening the planet in *Don't Look Up*, or the historical machinations of power in *Vice*, McKay consistently centers his narratives on how these colossal, often abstract forces ultimately impact the vast majority of people—those who fit this very description. It's a placeholder for the millions whose lives are shaped by decisions made in boardrooms and backrooms, often without their knowledge or consent, making it a critical, though unseen, player in his dramatic narratives. McKay's genius lies in making the complex relatable, and "Average Height, Average Build" serves as the perfect human lens for this. Through his signature blend of direct address, fourth-wall breaks, and celebrity cameos explaining intricate financial or scientific concepts, his films implicitly ask: "How does this affect *you*?" This "average" figure is the intended recipient of the jargon, the one left bewildered by the double-speak, and ultimately, the one bearing the brunt of systemic failures. It’s the human cost, the demographic statistic, the silent majority whose stories are told through the devastating consequences of the powerful's actions. Without this foundational understanding of who is being affected, the biting satire and urgent warnings of films like *The Big Short* and *Don't Look Up* would lose much of their punch and emotional resonance, cementing "Average Height, Average Build" as an essential, if abstract, character in the McKay canon.