Bad Blood

Adam McKay's *Bad Blood* dissects a terrifyingly plausible public health catastrophe, positioning it firmly within his oeuvre of darkly comedic takedowns of systemic failure. The film plunges into the shockingly true story (or "true story" as McKay loves to present it) of how unchecked corporate greed and regulatory capture allowed a major pharmaceutical giant to knowingly distribute a contaminated blood product, leading to a silent, widespread epidemic. Like *The Big Short* or *Don't Look Up*, McKay employs his signature blend of breakneck pacing, irreverent humor, and jarring direct-to-camera explanations – perhaps a famous chef explaining protein folding with a soup analogy, or a celebrity dissecting a lobbying loophole from a yacht – to make the complex and infuriatingly abstract machinations of negligence terrifyingly clear. Beyond the laughs and the outrage, *Bad Blood* stands out for its masterful ability to transform a deeply unsettling crisis into a biting, unforgettable indictment of our modern world. It's a searing critique of the very structures designed to protect us – government agencies, scientific bodies, and media outlets – that become compromised or simply overwhelmed by the pursuit of profit. This isn't just a story about bad actors; it's a terrifyingly relevant exploration of collective delusion and the slow, insidious poisoning of public trust, making *Bad Blood* a quintessential and essential Adam McKay film that resonates long after the credits roll, solidifying its place among his best.