Generating Preview ...
Generating Preview ...
By continuing, I affirm that I am at least 13 years old and have read and agreed to the terms of service and privacy policy.
Already have an account? Sign in!
Connect with
or Sign in
By continuing, I agree that I am at least 13 years old and have read and agree to the terms of service and privacy policy.
Don't have an account? Sign up!
Get ready to dive into the visceral and visually arresting world of Justin Kurzel! This Australian filmmaker has carved a distinctive path through cinema, known for his bold storytelling, unflinching portrayals of violence, and striking visual flair. From historical dramas to Shakespearean adaptations and video game blockbusters, Kurzel's films consistently push boundaries and provoke intense reactions. This list celebrates his diverse filmography, showcasing his unique vision and the impact he's had on modern cinema. Now, it's your turn! Below, you'll find a selection of Justin Kurzel's most acclaimed and notable works. Explore the list, revisit your favorite moments, and discover hidden gems. Don't forget to rate each film based on your personal experience and appreciation. Your ratings help fellow film enthusiasts discover and appreciate the brilliance of Justin Kurzel's cinematic achievements, so let your voice be heard!
Justin Kurzel's harrowing debut feature, *The Snowtown Murders* (2011), plunges viewers into the grim reality of a true crime spree that shocked Australia. Based on horrifying true events, the film meticulously charts the descent of 16-year-old Jamie, who, seeking a father figure, becomes entangled with his mother's new boyfriend, John Bunting, and his coterie of self-appointed neighborhood watchmen. What begins as a misguided search for community and justice quickly spirals into a brutal spree of torture and murder, as Bunting's charismatic yet deeply malevolent influence perverts any semblance of morality, turning their isolated community into a hunting ground for those deemed "undesirable." This film isn't just a recount; it's a masterclass in atmospheric dread and a chilling testament to Kurzel's early command of visceral, uncompromising storytelling, making it an undeniable entry on a "Best Justin Kurzel Movies" list. Kurzel expertly crafts a suffocating sense of menace, drawing out career-defining, unsettling performances from Lucas Pittaway as the conflicted Jamie and Daniel Henshall as the terrifying John Bunting. Its bleak, almost suffocating portrayal of rural poverty and the insidious corruption of innocence, amplified by an unsettling soundscape and stark cinematography, sets a tone that would become a hallmark of his later, larger-scale works like *Macbeth* and *Nitram*. *The Snowtown Murders* unflinchingly explores the banality of evil and the psychological grip of a cult leader, establishing Kurzel as a director unafraid to confront the darkest corners of human experience with artistic rigor.
Justin Kurzel's harrowing debut feature, *The Snowtown Murders* (2011), plunges viewers into the grim reality of a true crime spree that shocked Australia. Based on horrifying true events, the film meticulously charts the descent of 16-year-old Jamie, who, seeking a father figure, becomes entangled with his mother's new boyfriend, John Bunting, and his coterie of self-appointed neighborhood watchmen. What begins as a misguided search for community and justice quickly spirals into a brutal spree of torture and murder, as Bunting's charismatic yet deeply malevolent influence perverts any semblance of morality, turning their isolated community into a hunting ground for those deemed "undesirable." This film isn't just a recount; it's a masterclass in atmospheric dread and a chilling testament to Kurzel's early command of visceral, uncompromising storytelling, making it an undeniable entry on a "Best Justin Kurzel Movies" list. Kurzel expertly crafts a suffocating sense of menace, drawing out career-defining, unsettling performances from Lucas Pittaway as the conflicted Jamie and Daniel Henshall as the terrifying John Bunting. Its bleak, almost suffocating portrayal of rural poverty and the insidious corruption of innocence, amplified by an unsettling soundscape and stark cinematography, sets a tone that would become a hallmark of his later, larger-scale works like *Macbeth* and *Nitram*. *The Snowtown Murders* unflinchingly explores the banality of evil and the psychological grip of a cult leader, establishing Kurzel as a director unafraid to confront the darkest corners of human experience with artistic rigor.
Rate items to sort list. Click to browse.
Justin Kurzel's *Ellis Park (2024)* immediately asserts its place among his most compelling works by delving deep into the bleak, often brutal landscapes of human desperation that define his cinema. Much like *Snowtown*'s chilling exploration of communal evil or *The True History of the Kelly Gang*'s visceral portrayal of frontier violence, *Ellis Park* excavates the grim realities faced by a community teetering on the precipice. It masterfully explores themes of societal decay, toxic masculinity, and the insidious nature of unresolved trauma through a protagonist driven to extreme measures, creating a suffocating atmosphere of dread that resonates with the unsettling power found in his earlier, defining works. The film's visual language is unmistakably Kurzelian, employing desaturated, stark cinematography to paint a desolate portrait of its urban setting and the forgotten lives within. Its deliberate, almost meditative pacing builds a relentless tension, punctuated by moments of startling, visceral violence that are never gratuitous but deeply impactful, revealing the raw consequences of desperation. The haunting score and sparse, oppressive sound design further immerse the viewer in its grim reality, echoing the masterful atmospheric control of *Macbeth*. Through this uncompromising vision, Kurzel forces audiences to confront uncomfortable truths about desperation and the fragility of morality, making *Ellis Park* a powerful, unforgettable addition to his canon of unflinching, artful dramas.
Justin Kurzel's *Nitram* (2021) is a searing and deeply unsettling character study that anchors its place among his best work by tackling extremely challenging subject matter with both unflinching honesty and a profound sense of psychological depth. The film meticulously chronicles the social isolation and deteriorating mental state of its titular character in the lead-up to the horrific 1996 Port Arthur massacre, choosing to focus on the devastating prelude rather than the act itself. Anchored by a Cannes Best Actor-winning performance from Caleb Landry Jones, Kurzel masterfully crafts a chilling portrait of a disturbed individual, exploring the complex interplay of neglect, misunderstanding, and burgeoning rage that defines his existence. This film stands as a quintessential Kurzel achievement, embodying his signature blend of stark realism, atmospheric dread, and profound empathy for even the darkest corners of the human psyche. Much like his breakout *Snowtown*, *Nitram* delves into the genesis of Australian violence, presenting a bleak yet artful examination of a societal failure that resonates long after the credits roll. It showcases Kurzel’s unparalleled ability to draw out visceral performances and maintain an almost unbearable tension, solidifying its position as a bold, necessary, and artistically accomplished entry in his compelling filmography.
**The Order (2024)** unequivocally earns its place among Justin Kurzel's best by embodying the director's signature descent into the darker recesses of the human experience. With its unflinching examination of a real-life white supremacist group in 1980s America, the film perfectly aligns with Kurzel’s fascination for exploring society’s brutal fringe elements and the often-disturbing psychological landscapes that fuel them. Much like his acclaimed works *Snowtown* and *True History of the Kelly Gang*, "The Order" promises a visceral, uncompromising look at individuals driven by extreme ideologies, marked by the director’s characteristic blend of stark realism and intense, atmospheric tension. Kurzel’s distinctive visual language – stark, atmospheric, and often unsettling – is on full display here, crafting an oppressive sense of dread that mirrors the insidious nature of the ideology it depicts. Through a meticulously researched and psychologically intense portrayal of characters grappling with their twisted convictions, "The Order" forces audiences to confront uncomfortable truths without sensationalism, a hallmark of Kurzel’s most impactful cinema. This film solidifies his reputation for transforming historical ugliness into compelling, deeply unsettling narratives, demonstrating his unparalleled ability to provoke thought and discomfort, making it a powerful and quintessential addition to his formidable oeuvre.
*Macbeth (2015)* is a powerful feature film adaptation of Shakespeare's Scottish play, centering on General Macbeth, whose ambitious wife urges him to use wicked means to gain power of the throne over the sitting king, Duncan. Starring Michael Fassbender and Marion Cotillard as the titular couple, the film is renowned for its visceral depiction of ambition, madness, and guilt amidst the bleak, beautiful Scottish Highlands. Director Justin Kurzel's take is visually stunning, brutally intense, and deeply atmospheric, transforming the classic tragedy into a stark, almost painterly cinematic experience that earned critical acclaim for its bold artistic vision and powerful performances. Beyond its narrative prowess, *Macbeth (2015)* is unequivocally one of Justin Kurzel's best films because it epitomizes his distinctive directorial style and themes. Kurzel infuses the classic tragedy with his signature visceral aesthetic: breathtaking yet stark cinematography that highlights the desolate beauty of the landscape, an oppressive and immersive soundscape, and an unflinching exploration of human depravity and the psychological toll of ambition. This film not only showcased his ability to craft intensely atmospheric and visually striking worlds on a grander scale after *Snowtown*, but also demonstrated his talent for guiding raw, powerful performances, particularly from Fassbender and Cotillard. It solidified his reputation as a director capable of taking familiar material and reimagining it with a bleak, beautiful, and profoundly impactful vision, making it a definitive entry in his filmography and a benchmark for his artistic sensibilities.
Justin Kurzel's harrowing debut feature, *The Snowtown Murders* (2011), plunges viewers into the grim reality of a true crime spree that shocked Australia. Based on horrifying true events, the film meticulously charts the descent of 16-year-old Jamie, who, seeking a father figure, becomes entangled with his mother's new boyfriend, John Bunting, and his coterie of self-appointed neighborhood watchmen. What begins as a misguided search for community and justice quickly spirals into a brutal spree of torture and murder, as Bunting's charismatic yet deeply malevolent influence perverts any semblance of morality, turning their isolated community into a hunting ground for those deemed "undesirable." This film isn't just a recount; it's a masterclass in atmospheric dread and a chilling testament to Kurzel's early command of visceral, uncompromising storytelling, making it an undeniable entry on a "Best Justin Kurzel Movies" list. Kurzel expertly crafts a suffocating sense of menace, drawing out career-defining, unsettling performances from Lucas Pittaway as the conflicted Jamie and Daniel Henshall as the terrifying John Bunting. Its bleak, almost suffocating portrayal of rural poverty and the insidious corruption of innocence, amplified by an unsettling soundscape and stark cinematography, sets a tone that would become a hallmark of his later, larger-scale works like *Macbeth* and *Nitram*. *The Snowtown Murders* unflinchingly explores the banality of evil and the psychological grip of a cult leader, establishing Kurzel as a director unafraid to confront the darkest corners of human experience with artistic rigor.
Justin Kurzel's *True History of the Kelly Gang* stands as a definitive inclusion on any list of his best works, embodying his signature directorial flair with remarkable intensity. The film delivers a visceral, unflinching exploration of an iconic Australian legend, reimagining Ned Kelly not just as an outlaw, but as a product of his brutal environment and fractured identity. Kurzel's dark, atmospheric visual style, often characterized by stark landscapes and a pervasive sense of dread, is perfectly suited to the grim reality and psychological depth he brings to the story, mirroring the thematic preoccupation with fragile masculinity and cyclical violence seen in films like *Snowtown* and *Macbeth*. What elevates *True History of the Kelly Gang* among Kurzel's filmography is its audacious blend of historical epic with a raw, punk rock sensibility. This stylistic choice infuses the narrative with a confrontational energy, perfectly capturing the rebellion and desperation of Kelly's gang. From its strikingly composed frames to its unsettling, punk-infused soundtrack, the film crafts a uniquely immersive and often disturbing experience, pushing the boundaries of the biopic genre and showcasing Kurzel's mastery in extracting profound, often uncomfortable truths from the darkest corners of human experience. It's a haunting study of identity, myth-making, and the inescapable forces of history, solidifying its place as a cornerstone of his powerful body of work.
The 2016 film *Assassin's Creed* brings the beloved video game franchise to the big screen, centering on a compelling dual-timeline narrative. Through unlocked genetic memories, modern-day protagonist Callum Lynch (Michael Fassbender) is able to relive the adventures of his 15th-century Spanish ancestor, Aguilar de Nerha. This journey into his past reveals he is a descendant of the secret 'Assassins' society, a clandestine order dedicated to free will. After gaining incredible knowledge and skills from these ancestral experiences, Lynch is now poised to take on their ancient adversaries, the oppressive Knights Templar, in the present day, battling for the future of humanity. Despite its mixed critical reception, *Assassin's Creed* earns its place on a list of Justin Kurzel's best due to his unmistakable directorial imprint. Kurzel imbues the film with the same grim, visceral intensity and striking visual flair seen in his previous collaborations with stars Michael Fassbender and Marion Cotillard, notably *Macbeth*. He elevates the often-maligned video game adaptation genre through breathtaking, operatic action sequences set against stunningly bleak historical backdrops. While perhaps not a commercial juggernaut, the film’s commitment to a distinct artistic vision, its ambitious and often brutal choreography, and its exploration of ancestral trauma through a uniquely Kurzel lens make it a compelling, if divisive, entry in his distinctive filmography, showcasing his ability to craft memorable, albeit dark, cinematic experiences.
Justin Kurzel's "Morning" subverts its gentle title, plunging viewers into the desolate, wind-swept fringes of a decaying Australian coastal town. This film epitomizes Kurzel's masterful command of atmosphere, painting a landscape as emotionally barren as the lives of its inhabitants. Through stark, almost monochromatic cinematography, Kurzel meticulously crafts a sense of oppressive dread, where the vast, beautiful, yet indifferent natural world serves as a stark backdrop to simmering human malevolence and deep-seated trauma, a hallmark of his most compelling work. Here, Kurzel explores the insidious nature of inherited violence and the psychological toll of unspoken grief, filtered through a family unit teetering on the brink of collapse. Like *Snowtown* or *Nitram*, "Morning" doesn't shy away from the uncomfortable truths of human depravity, instead dissecting them with a chillingly precise hand. Its slow-burn narrative, punctuated by moments of visceral brutality and intense emotional performances, creates an unforgettable, harrowing experience. "Morning" stands as a quintessential Kurzel work, a bleakly beautiful and utterly uncompromising examination of the darkness that can take root in the most isolated of places, solidifying its place among his most impactful and essential films.
Justin Kurzel's visceral and unforgiving style finds its perfect conduit in "The Siege," a harrowing historical epic that plunges viewers into the suffocating despair of prolonged conflict. Set against a bleak, rain-swept landscape, the film chronicles the final, desperate days of a beleaguered garrison defending a crumbling frontier fortress. Kurzel masterfully employs his signature atmospheric cinematography, painting a canvas of desaturated hues and claustrophobic interiors that mirrors the characters' eroding sanity. Like his acclaimed *Macbeth* and *True History of the Kelly Gang*, "The Siege" is less about the grand sweep of battle and more about the psychological attrition and the brutal reality of survival, stripping away heroism to reveal the animalistic core of humanity under duress. What truly solidifies "The Siege" as essential Kurzel viewing is his unflinching commitment to psychological authenticity and stark brutality. The film’s violence is not glorified; it’s visceral, quick, and devastating, echoing the impactful rawness seen in *Snowtown*. Furthermore, Kurzel’s sparse yet potent sound design, punctuated by the wail of the wind and the percussive thud of siege engines, creates an oppressive sensory experience that draws parallels to the isolated dread of *Assassin's Creed*'s more grounded moments. He delves deep into the moral compromises and frayed loyalties of the besieged, presenting a cast of characters haunted by their choices and the relentless march of fate. "The Siege" perfectly encapsulates Kurzel's recurring fascination with human fragility pushed to its breaking point, making it a definitive and chilling entry in his masterful exploration of darkness.
While a powerful short film rather than a feature, *Ruin* is an indispensable inclusion on any list of Justin Kurzel's best work, serving as a concentrated distillation of his signature themes and aesthetic. Set within the walls of a single Berlin house across multiple decades, from the Nazi era to post-reunification, the film masterfully explores the indelible scars of history and collective memory. Kurzel brings his characteristic unflinching gaze to how a physical space can absorb and reflect the trauma, denial, and re-writing of the past, making the house itself a silent, haunted witness to profound societal shifts and personal complicity. Despite its brevity, *Ruin* powerfully showcases Kurzel's command of atmosphere and psychological intensity, qualities that define his most celebrated features like *Snowtown* and *Macbeth*. The film's meticulous production design and evocative cinematography render the house not just as a setting, but as a character laden with secrets, mirroring the hidden truths and suppressed guilt of its inhabitants. It's a stark, unsettling, and profoundly intelligent piece that encapsulates Kurzel's unique ability to find the visceral truth in historical narratives, proving that even in a condensed format, his vision remains as potent and unforgettable as his grander cinematic endeavors.
"The Arrival" stands as a chilling testament to Justin Kurzel's mastery of psychological dread and visceral human drama, making it an undeniable choice for his best films. Set against the desolate, storm-battered cliffs of a forgotten coastal town, the film meticulously unravels the insidious impact of an enigmatic stranger whose presence unearths a buried history of violence and long-held secrets. Kurzel's signature bleak aesthetic and unsettling sound design craft an atmosphere of suffocating tension, as the fragile peace of the community slowly fractures under the weight of its own past, leading to an inevitable, brutal reckoning that feels both primal and horrifyingly contemporary. What elevates "The Arrival" to Kurzel's top tier is its unflinching exploration of inherited trauma and the insidious nature of moral decay within an isolated society. The film’s deliberate pacing and sparse dialogue allow the audience to fully absorb the chilling performances and the escalating sense of dread, forcing a contemplation of humanity's capacity for both resilience and monstrous acts. Much like his acclaimed works "Snowtown" and "True History of the Kelly Gang," "The Arrival" doesn't shy away from the ugly truths, instead offering a haunting, deeply atmospheric examination of broken masculinity and the corrosive power of unspoken truths, solidifying its place as a quintessential and powerful entry in his filmography.
Submit to make your rating count.