The Only Son (1914)

While often overlooked in discussions of Cecil B. DeMille's vast filmography, "The Only Son" (1914) deserves a place on any list of his best movies for its compelling narrative and insightful exploration of themes that would become central to his later, grander productions. The film presents a powerful story of familial conflict, religious conviction, and societal pressures, centered around a father who dedicates his newborn son to the church, only to grapple with his decision as the boy grows and desires a life beyond the priesthood. DeMille masterfully uses visual storytelling and emotional performances to delve into the complexities of faith, duty, and personal freedom, laying the groundwork for his later explorations of similar themes on a much larger scale. Beyond its narrative strength, "The Only Son" showcases DeMille's burgeoning filmmaking talent, demonstrating his ability to craft a visually engaging and emotionally resonant film even within the limitations of the era. The film's use of lighting, composition, and editing foreshadows his later mastery of cinematic techniques that would become his trademark. Furthermore, "The Only Son" provides a valuable glimpse into the early stages of DeMille's artistic development, offering insight into the evolution of his directorial style and thematic preoccupations. For these reasons, it stands as a significant, if often underrated, achievement in his impressive body of work and a must-see for anyone interested in tracing the trajectory of one of cinema's most influential figures.