The Good Fairy (1935)

"The Good Fairy" (1935) introduces us to Luisa Ginglebusher (Margaret Sullavan), fresh from the confines of an orphanage and thrust into the bustling world as a movie theater usherette. Naive and inexperienced, Luisa navigates the complexities of adult relationships and the unwanted attention of men with a series of increasingly elaborate lies, hoping to find her footing in this new environment. Her attempts to control the situation and find happiness ultimately ensnare her in a web of deceit, leading to a comical yet touching exploration of innocence, social dynamics, and the challenges of growing up. This charming adaptation of Ferenc Molnár's play showcases the early brilliance of William Wyler, whose distinctive touch can be seen in the film's expert pacing and nuanced character development. Wyler expertly guides the performances, particularly Sullavan's, allowing her natural charisma to shine while simultaneously capturing the comedic and dramatic beats of the story. While perhaps not as overtly "Wyleresque" as some of his later masterpieces, "The Good Fairy" reveals the meticulous attention to detail and directorial finesse that would become hallmarks of his acclaimed body of work, making it a valuable early glimpse into the career of a legendary filmmaker.