Slaves of New York (1989)

While *Slaves of New York (1989)* often stands out in the Merchant Ivory canon for its striking departure from their signature period dramas, its inclusion on a "Best James Ivory Movies" list is crucial for showcasing the breadth of his directorial vision. Set amidst the gritty, glamorous, and often absurd downtown New York art scene of the late 1980s, the film, an adaptation of Tama Janowitz's acclaimed short stories, nevertheless engages with themes deeply resonant with Ivory’s body of work. It demonstrates his sophisticated approach to character and social observation, proving his directorial acumen extended beyond the costume drama. Indeed, *Slaves of New York* exhibits Ivory's signature gift for incisive social commentary and character study, here applied to the specific milieu of artistic aspiration and urban ennui. His nuanced direction allows the eccentric ensemble cast, led by Bernadette Peters, to shine, revealing the vulnerabilities and pretenses beneath their fashionable exteriors. Even in its contemporary setting, the film's meticulous production design and observational style—from cramped loft apartments to bustling galleries—evoke a distinct sense of time and place, much like his period pieces. It stands as a testament to Ivory’s consistent ability to craft compelling narratives about human relationships and societal intricacies, proving his genius transcends any single genre or historical backdrop.