A Man, a Woman, and a Killer (1975)

While Wayne Wang is often celebrated for his intimate portraits of Chinese-American life, "A Man, a Woman, and a Killer (1975)" offers a fascinating glimpse into his early filmmaking, showcasing a raw, experimental style that hints at the artistry to come. This low-budget, independent film, co-directed with Rick Schmidt, stands out for its bold and unconventional approach to the thriller genre. Its grainy visuals, minimalist dialogue, and reliance on evocative imagery create a palpable sense of tension and unease, demonstrating Wang's early mastery of visual storytelling and his willingness to subvert traditional narrative structures. Despite its gritty and somewhat obscure nature, "A Man, a Woman, and a Killer" earns its place among Wang's best for its unique artistic vision and its glimpse into the nascent talent that would later define his career. It reveals Wang's interest in exploring complex relationships within a framework of genre, a theme that would continue to resonate throughout his filmography. It's a testament to his willingness to take risks and experiment with form, ultimately solidifying its position as a crucial early work showcasing the seeds of his later, more polished masterpieces.