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Get ready to revisit the comedic genius of Ivan Reitman! From groundbreaking blockbusters to cult classics, Reitman consistently delivered laughter and memorable characters that have resonated with audiences for decades. This list celebrates his incredible directorial journey, highlighting the films that defined an era and continue to entertain generation after generation. Prepare to reminisce and rediscover the magic Reitman brought to the silver screen. Now it's your turn! Scroll through the following entries and rate your favorites. Share your opinions and let your voice be heard as you rank these iconic movies. Which films had you rolling in the aisles? Which ones do you consider true masterpieces? Your votes will help determine the definitive "Best Ivan Reitman Movies" list, so don't miss your chance to participate and celebrate the legacy of a comedy legend!
"Cannibal Girls" (1973) is a low-budget, yet surprisingly visceral horror film that, while not a masterpiece, certainly has its place in the annals of exploitation cinema. A young couple spend the night in a restaurant, only to find out that it is haunted by three dead women who hunger for human flesh. The film is a blend of cheesy special effects, jump scares, and a surprisingly graphic depiction of violence for its time. It's a fairly straightforward, albeit somewhat ludicrous, story of hungry ghouls and a couple trying to survive. While the acting and direction aren't particularly refined, the film's very nature as a low-budget, early horror film with a distinct, albeit questionable, aesthetic is undeniably engaging for fans of the genre. While Ivan Reitman is not typically associated with horror films, "Cannibal Girls" does not belong on a list of his "Best" movies because it was not directed by him. Ivan Reitman's career is largely defined by his comedies, such as "Ghostbusters," "Meatballs," and "Twins". "Cannibal Girls" fits into a different genre altogether, and though it may have a few familiar elements of the B-movie horror subgenre, it doesn't reflect the comedic style or filmmaking approach that define Reitman's best works. The inclusion of this film on a list dedicated to his work would be more about celebrating exploitation horror in general rather than highlighting Reitman's specific filmography.
"Cannibal Girls" (1973) is a low-budget, yet surprisingly visceral horror film that, while not a masterpiece, certainly has its place in the annals of exploitation cinema. A young couple spend the night in a restaurant, only to find out that it is haunted by three dead women who hunger for human flesh. The film is a blend of cheesy special effects, jump scares, and a surprisingly graphic depiction of violence for its time. It's a fairly straightforward, albeit somewhat ludicrous, story of hungry ghouls and a couple trying to survive. While the acting and direction aren't particularly refined, the film's very nature as a low-budget, early horror film with a distinct, albeit questionable, aesthetic is undeniably engaging for fans of the genre. While Ivan Reitman is not typically associated with horror films, "Cannibal Girls" does not belong on a list of his "Best" movies because it was not directed by him. Ivan Reitman's career is largely defined by his comedies, such as "Ghostbusters," "Meatballs," and "Twins". "Cannibal Girls" fits into a different genre altogether, and though it may have a few familiar elements of the B-movie horror subgenre, it doesn't reflect the comedic style or filmmaking approach that define Reitman's best works. The inclusion of this film on a list dedicated to his work would be more about celebrating exploitation horror in general rather than highlighting Reitman's specific filmography.
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This 1984 comedic masterpiece, *Ghostbusters*, perfectly embodies Ivan Reitman's signature blend of slapstick humor and thrilling special effects. After losing their academic posts at a prestigious university, a group of eccentric parapsychologists – Peter Venkman, Ray Stantz, Egon Spengler, and Winston Zeddemore – reinvent themselves as the Ghostbusters. Their unconventional approach to paranormal activity, combined with their hilarious interactions and the iconic proton packs, creates a truly memorable experience. The film's premise, where a team of misfits confront spectral foes, is undeniably engaging, and the film excels in balancing the frantic action sequences with the character-driven humor. An ad campaign pays off when a knockout cellist hires the squad to purge her swanky digs of demons that appear to be living in her refrigerator, a comedic stroke that perfectly encapsulates the film's playful tone. *Ghostbusters* rightfully belongs on any list of Ivan Reitman's best movies due to its groundbreaking blend of genres. Beyond being a summer blockbuster, the film showcased a unique comedic style and inspired a legion of fans. Reitman's directorial prowess is evident in the film's energetic pacing, the quirky characterizations of the Ghostbusters, and the thrilling set pieces. The film's lasting appeal lies in its ability to blend humor, action, and heartwarming moments, all while creating a sense of playful adventure. The inventive use of special effects for the time, especially the depictions of various ghosts and ghouls, along with the catchy soundtrack, solidified the film's place in pop culture. Its influence can still be seen in modern comedic horror films, further cementing its position as a significant entry in Reitman's career and the history of cinema.
Dave (1993) is a comedic political satire that brilliantly blends slapstick absurdity with surprisingly poignant moments of heart. Bill Mitchell, a philandering and ultimately hapless president, is tragically incapacitated, leaving a hapless temp agency worker, Dave Kovic, to assume the role. This premise allows for a whirlwind of hilarious situations as Dave, despite his initially hesitant nature, navigates the complexities of the White House. The film cleverly satirizes political maneuvering, the often-corrupt nature of power struggles, and the mundane realities of the presidency, all while delivering plenty of witty dialogue and physical comedy. The character of Bob Alexander, the manipulative chief of staff, provides a fascinating foil to Dave's unexpected, yet surprisingly effective leadership. While Ivan Reitman's filmography encompasses a variety of genres, Dave exemplifies his talent for crafting hilarious, often heartfelt, and undeniably entertaining comedies. The film's absurd premise, coupled with Reitman's signature comedic style, ensures that laughs abound. The unexpected juxtaposition of a seemingly ordinary man in an extraordinary situation, combined with the captivating narrative of ambition, betrayal, and unexpected triumph, showcases Reitman's knack for blending sharp humor with a surprisingly nuanced look at power and responsibility. This film, while not being Reitman's most critically acclaimed, fits squarely within his oeuvre of often-quirky, character-driven comedies that are both funny and surprisingly thoughtful, thereby deserving a spot on the "Best Ivan Reitman Movies" list.
Stripes (1981) is a quintessential Ivan Reitman comedy, brimming with the kind of exuberant, slapstick energy that defined his style. John Winger, an indolent sad sack in his 30s, impulsively joins the U.S. Army after losing his job, his girlfriend, and his apartment. This unlikely premise serves as a springboard for a series of hilarious misadventures within the ranks of a training camp, as Winger and his fellow recruits navigate the absurdities of military life with a mix of naivete and deadpan humor. The film features a stellar ensemble cast, including Bill Murray in one of his best early comedic performances, and provides a sharp critique of the military experience, all wrapped in a delightfully absurd package. Reitman's signature blend of physical comedy, witty dialogue, and heartwarming camaraderie is perfectly on display. Stripes undeniably belongs on a list of Reitman's best works because it exemplifies his signature approach to filmmaking. While incorporating the recognizable elements of his comedic style, Reitman also showcases a subtle understanding of character development, especially in Winger's arc. From a man who epitomizes the "loser" archetype, he transforms into a reluctant leader and, by the end, a capable soldier, albeit one with an eccentric approach. This combination of witty humor and character growth, with its focus on camaraderie and the struggle for belonging, is a key characteristic of Reitman's oeuvre, making Stripes a worthy inclusion alongside films like Meatballs and Ghostbusters, and firmly anchoring it within the best of his comedic output.
Draft Day (2014) is a compelling sports drama centered on the NFL Draft, a pivotal moment for rebuilding a struggling team. General manager Sonny Weaver faces immense pressure as he navigates the complex world of player trades and negotiations, with the coveted number one pick hanging in the balance. The film intricately portrays the high stakes, the intense competition, and the personal sacrifices involved in assembling a successful roster. Weaver must weigh the potential benefits of acquiring a generational talent against the potential losses in other areas, creating a compelling dilemma that resonates with the audience. The film captures the thrilling atmosphere of draft day, and the emotional rollercoaster that comes with such crucial decision-making. While Ivan Reitman isn't typically known for sports dramas, Draft Day shares several qualities with his best work that merit its inclusion on a "Best Ivan Reitman Movies" list. Reitman’s films often feature sharp dialogue, intricate character studies, and a blend of comedic and dramatic elements. Draft Day exemplifies this approach. Though not a laugh-out-loud comedy, the film possesses a surprising element of humor in the witty banter and competitive spirit between the characters. Further, the film's focus on complex personal relationships and the intense pressure of high-stakes decisions mirrors the tension and human drama present in some of Reitman’s more acclaimed comedies like "Meatballs" and "Ghostbusters". The film's relatable characters and emphasis on the human side of sports, ultimately offers a very compelling, engaging and emotional experience, that makes it worthy of inclusion among Reitman's best films.
Five years after they defeated Gozer, the Ghostbusters are out of business. When Dana begins to have ghost problems again, the boys come out of retirement to aid her and hopefully save New York City from a new paranormal threat. This sequel, while not universally acclaimed as the first, maintains the franchise's signature blend of humor, visual effects, and heart. The film introduces a unique villain and a fresh set of challenges, but perhaps more importantly, it offers a touching glimpse into the evolution of the Ghostbusters' dynamic, exploring themes of family, responsibility, and facing personal demons. The witty dialogue, memorable characters, and inventive special effects combine to create an entertaining adventure, solidifying the Ghostbusters' legacy. Ghostbusters II belongs on the list of Best Ivan Reitman Movies because it embodies several key elements that define Reitman's distinctive cinematic style. The film expertly balances comedic moments with emotional depth, crafting a narrative that resonates beyond the typical blockbuster fare. Reitman's ability to create a vibrant, almost frenetic, energy in his films is present here, from the frenetic energy of the action sequences to the witty banter between characters. Importantly, the film shows Reitman's knack for crafting memorable characters and visual imagery, while retaining the cinematic flair that characterizes his work. This combination of humor, heart, and visual spectacle makes Ghostbusters II a strong addition to any discussion of Reitman's best work.
Kindergarten Cop (1990) is a hilarious and surprisingly touching action-comedy that perfectly embodies the spirit of Ivan Reitman's filmography. Hard-edged cop John Kimble gets more than he bargained for when he goes undercover as a kindergarten teacher to infiltrate a drug lord's inner circle. Pitted against a class of boisterous moppets whose antics try his patience and test his mettle, Kimble may have met his match... in more ways than one. The film masterfully blends the slapstick humor and physical comedy that Reitman is known for with moments of genuine warmth and heart, particularly as Kimble forms an unexpected bond with the young son of the drug lord. This is a quintessential Reitman movie, showcasing his ability to craft a broadly comedic narrative while still leaving room for character development and emotional resonance. Kindergarten Cop belongs on the list of Best Ivan Reitman Movies because it perfectly encapsulates Reitman's signature comedic style. The film showcases the director's knack for physical comedy and energetic pacing, with the constant barrage of kindergarten-related situations providing endless fodder for humor. Reitman also deftly utilizes the juxtaposition of Kimble's tough-cop persona with the childlike innocence and chaos of the classroom. Moreover, the film's success isn't solely reliant on broad slapstick; the emotional core of Kimble's journey, his gradual empathy for the children and the young boy, adds depth to the proceedings. This balance of humor and heart is a hallmark of Reitman's best work, and Kindergarten Cop exemplifies his talent for crafting both funny and feel-good entertainment.
No Strings Attached (2011) is a lighthearted romantic comedy that, while not groundbreaking, effectively captures the complexities of modern relationships. Emma Stone and Ashton Kutcher portray a pair of successful professionals navigating the tricky terrain of casual intimacy. The film's premise, revolving around a "no strings attached" arrangement between best friends, explores the evolving nature of connection, and the often unexpected paths friendships and relationships can take. The dynamic between the characters is well-developed, showcasing the anxieties and joys of potentially falling in love while maintaining independence. While not a direct successor to Reitman's signature comedic style of the 80s and 90s, No Strings Attached possesses certain thematic parallels with some of his best work. Reitman's films frequently explored the clash of aspirations and expectations, often with a touch of cynical humor. Though this film may not feature the same wild slapstick or sci-fi elements, the underlying emotional core and the witty portrayal of character relationships make it a reasonably fitting addition to the "Best Ivan Reitman Movies" list, particularly considering its focus on navigating modern interpersonal dynamics within a humorous framework. Reitman has also displayed a talent for pairing actors who possess excellent comedic timing, an element of this film that is prominent.
Twins (1988) fits on the list of Best Ivan Reitman movies because it embodies the director's signature blend of comedic physicality, sharp wit, and a surprisingly touching heart. The film, starring Arnold Schwarzenegger and Danny DeVito as the titular twins Julius and Vincent Benedict, delivers a laugh-out-loud portrayal of contrasting personalities. Julius, the meticulously crafted, athletic child of a meticulously planned experiment, contrasts sharply with Vincent, the "accident" who's life took a drastically different path, highlighting the absurdity and irony of human aspirations for perfection. The plot, while somewhat simple, allows for a rich tapestry of comedic situations and memorable supporting characters. The visual gags, from the elaborate fight scenes to the playful antics between the brothers, are consistently inventive and engaging. This film belongs on the "Best Ivan Reitman Movies" list not just for its humor, but for its exploration of the themes of nature versus nurture and the inherent unpredictability of life. The movie is a lively showcase of Reitman's ability to craft a comedic thriller that still manages to resonate with audience on a deeper level. While the premise of a "perfect child" experiment and its humorous consequences might seem far-fetched, the underlying questions it raises about identity and destiny—personified through the contrasting lives of the brothers—remain relatable and engaging, making the film both hilarious and insightful. Ultimately, Twins is a fun, fast-paced, and thought-provoking movie that perfectly captures the energy and brilliance of an Ivan Reitman production.
Meatballs (1979) deserves a place on the "Best Ivan Reitman Movies" list for its infectious energy and heartwarming portrayal of adolescent camaraderie. While not a typical Reitman comedy heavy on slapstick, it captures the unique blend of goofy humor and genuine emotional connection that often characterizes his work. The film's focus on the relationships between the counselors and campers, particularly the budding friendship between the slightly-over-the-top Tripper and the introverted Rudy, resonated with audiences then and continues to hold a charm today. The idyllic, albeit budget-conscious, camp setting provides a backdrop for relatable situations and surprisingly touching character development. This, combined with a healthy dose of competitive spirit and playful antics during the Olympiad competition, makes for a surprisingly engaging and enjoyable film. While not as overtly comedic as some of Reitman's later works, Meatballs' success lies in its ability to create a memorable and relatable experience. It explores themes of friendship, finding your place, and overcoming self-doubt, through the lens of a summer camp. This relatable human story, coupled with the distinctive comedic touch that would later become Reitman's trademark, solidifies its place within his filmography. The film's popularity likely stems from its emphasis on community, teamwork, and the triumph of youthful spirit, all hallmarks of Reitman's approach to filmmaking. Its use of a summer camp as a microcosm of life, mirroring the challenges and joys of growing up, is both engaging and ultimately relatable, earning its spot on the list of best Ivan Reitman movies.
Evolution (2001) is a comedic romp that blends science fiction with slapstick absurdity, perfectly capturing the lighthearted tone Ivan Reitman often brought to his films. A meteor shower delivers a bizarre assortment of alien life forms to Earth, each with its own unique and often hilarious method of survival. The film playfully satirizes the "survival of the fittest" concept, with the aliens' aggressive (and often absurdly inventive) tactics providing much of the comedic fuel. David Duchovny, Orlando Jones, Seann William Scott, and Julianne Moore deliver energetic performances, juggling the increasingly frantic situation with a surprising amount of wit. The film's blend of humor, heart, and visual gags are signature Reitman elements, making it a fitting entry into any discussion of his best work. While the film might not be as overtly dramatic or character-driven as some of Reitman's more acclaimed works, its comedic timing and energetic pacing place it firmly within the director's filmography. The relentless, escalating chaos of the alien invasion, paired with the often absurd and darkly funny situations, resonates with the comedic spirit of films like *Meatballs* and *Ghostbusters*. Reitman's knack for crafting amusing scenarios, the sharp visual gags, and the overall lighthearted tone are hallmarks of his style, making *Evolution* a worthwhile addition to a list of his best, offering a distinctly Reitmanesque approach to the science fiction genre.
Legal Eagles (1986) is a slick, witty courtroom caper that expertly blends sharp legal maneuvering with lighthearted romantic tension. District Attorney Tom Logan, played with characteristic charm by Gene Hackman, is set for a political promotion, but his ambition takes a detour when he encounters the captivating defense lawyer Laura Kelly (Jamie Lee Curtis) and her enigmatic client, Chelsea Deardon. Initially presented as a simple theft of a priceless painting, the case quickly spirals into a complex conspiracy that forces Logan to question his own ethical compass and the integrity of the legal system itself. The film's engaging plot, paired with the stellar performances from the cast, creates a captivating mix of courtroom drama and personal intrigue. While Ivan Reitman's comedic timing is undeniably present in this film, it's the intricate weaving of a compelling mystery and high-stakes legal maneuvering that elevates "Legal Eagles" beyond a simple comedic romp. Reitman's touch is evident in the film's pacing, the clever dialogue, and the overall sense of fun and suspense. The film's blend of courtroom drama and personal conflicts, paired with its sharp wit and memorable characters, aligns perfectly with the quality and tone of many other films on the "Best Ivan Reitman Movies" list. The movie boasts a blend of light-hearted entertainment and intellectual stimulation, making it a film both enjoyable and thought-provoking—qualities that often define Reitman's best work.
Six Days, Seven Nights (1998) is a lighthearted romantic comedy that, despite its escapist setting, manages to capture a certain warmth and charm. When Quinn, a gruff but ultimately lovable pilot, finds himself unexpectedly stranded on a deserted island with the sharp-tongued Robin, a fashion editor, the film expertly balances comedic misunderstandings with genuine emotional connection. The pair's initial animosity gives way to begrudging cooperation as they face the perils of the island and the formidable threat of pirates. While not a quintessential Reitman-style farce, the film showcases a relatable evolution in their characters and a surprising amount of wit. The exotic locales and the adventure plot provide a pleasing backdrop for the developing relationship. While perhaps not as overtly comedic as some of Reitman's other films, Six Days, Seven Nights clearly belongs on a list of his best works due to its impressive blend of humor, romance, and a dash of adventure. Reitman's touch is evident in the film's ability to craft believable characters and inject a pleasant energy into the story. The film's reliance on chemistry between the leads and the appealing setting showcase Reitman's knack for crafting engaging stories that resonate beyond the laughs. The movie successfully diverts from the typical Reitman fare, but still holds onto a significant degree of his signature filmmaking style, making it a memorable and enjoyable viewing experience.
Fathers' Day (1997) is a comedic drama that, while not a signature Reitman laugh riot, embodies a specific brand of relatable family dysfunction and flawed father figures that aligns with the director's broader filmography. The film cleverly navigates the complexities of a troubled father-son relationship, using a whirlwind of misunderstandings, miscommunications, and a frantic search for the truth to drive the narrative. The central premise, involving a mother's past relationships and their unexpected consequences, sets up a series of increasingly absurd situations that nonetheless hold a poignant undercurrent of longing and the difficulty of finding one's place in the world. This core conflict of finding familial connection and grappling with the past in the present, often explored in Reitman's work, is undeniably present. While not as overtly comedic as some of Reitman's more successful comedies, Fathers' Day retains a lightheartedness that is characteristic of his style. The chaotic chase scenes, the initially reluctant and eventually sympathetic portrayals of the fathers, and the ultimately hopeful resolution resonate with the themes of finding and reclaiming family bonds that underpin many of Reitman's best films. The movie, therefore, slots in well on a "Best Ivan Reitman Movies" list because it displays a similar blend of sharp wit, heartfelt emotion, and a touch of the absurd that's present in other films of his, such as *Ghost* or *Twins*. It's a film that uses a premise ripe for comedic possibilities to explore the often-complicated and emotional journey of family relationships.
"My Super Ex-Girlfriend" (2006) is a surprisingly inventive and comedic romp that, while not a masterpiece, perfectly captures the lighthearted spirit of Ivan Reitman's best work. The film boasts a winning premise: when New York architect Matt Saunders dumps his new girlfriend Jenny Johnson – a smart, sexy, and reluctantly heroic superhero known as G-Girl – she uses her powers to make his life a living hell! The ensuing chain of escalating, often absurd, punishments is played for laughs, with a healthy dose of slapstick and witty dialogue. The movie leans into the absurd, avoiding the pitfalls of taking itself too seriously, and features a decent cast, most notably the energetic and appealing Uma Thurman in a comedic turn that often overshadows a rather forgettable lead. While not renowned for its profound thematic depth or stylistic innovation, "My Super Ex-Girlfriend" fits comfortably into the pantheon of Ivan Reitman's best movies due to its core comedic sensibilities. Reitman consistently directed films with a distinct visual style characterized by broad humor and witty banter. He excels at finding the funny in situations with improbable characters, and this film delivers on both counts. The film’s energetic pacing, a hallmark of Reitman’s work, and its willingness to embrace the ludicrous and embrace the quirky tone are indicative of the director’s strengths, ensuring it’s an enjoyable popcorn flick that warrants a place amongst his more successful and lighter efforts.
Junior (1994) is a comedic drama that, while not explicitly a science fiction film, touches on the boundaries of the human experience through its unconventional premise. As part of a fertility research project, a male scientist agrees to carry a pregnancy in his own body. This unusual premise is the foundation for a series of humorous and heartwarming misadventures as he navigates the unexpected challenges of pregnancy and parenthood. The film explores themes of fatherhood, responsibility, and the complexities of family in a lighthearted and often poignant way. While Ivan Reitman is known for his comedic sensibilities, Junior also displays a rare blend of warmth and poignancy. The film cleverly juxtaposes the comedic absurdity of the situation with the genuine emotional core of the story. This unique combination of humor and heart makes it a particularly memorable and affecting entry in Reitman's filmography. The film's strong performances, particularly from Arnold Schwarzenegger, highlight the comedic potential of this unique premise, and its exploration of unconventional family dynamics makes it a worthy inclusion in the pantheon of Reitman's best works. Ultimately, its genuine heart and comedic timing elevate it beyond a simple science-fiction concept.
"Cannibal Girls" (1973) is a low-budget, yet surprisingly visceral horror film that, while not a masterpiece, certainly has its place in the annals of exploitation cinema. A young couple spend the night in a restaurant, only to find out that it is haunted by three dead women who hunger for human flesh. The film is a blend of cheesy special effects, jump scares, and a surprisingly graphic depiction of violence for its time. It's a fairly straightforward, albeit somewhat ludicrous, story of hungry ghouls and a couple trying to survive. While the acting and direction aren't particularly refined, the film's very nature as a low-budget, early horror film with a distinct, albeit questionable, aesthetic is undeniably engaging for fans of the genre. While Ivan Reitman is not typically associated with horror films, "Cannibal Girls" does not belong on a list of his "Best" movies because it was not directed by him. Ivan Reitman's career is largely defined by his comedies, such as "Ghostbusters," "Meatballs," and "Twins". "Cannibal Girls" fits into a different genre altogether, and though it may have a few familiar elements of the B-movie horror subgenre, it doesn't reflect the comedic style or filmmaking approach that define Reitman's best works. The inclusion of this film on a list dedicated to his work would be more about celebrating exploitation horror in general rather than highlighting Reitman's specific filmography.
While not a direct Reitman film, "Foxy Lady" (1971) deserves inclusion in a list of "Best Ivan Reitman Movies" due to its significant influence on Reitman's later comedic style. The film, directed by the talented, and largely overlooked, director, Sidney J. Furie, showcases a vibrant, chaotic energy that prefigures Reitman's later work. Furie expertly utilizes physical comedy and a slightly absurd tone, highlighting the actors' comedic timing in a way that would become a signature element of Reitman's oeuvre. The film demonstrates a clear comedic sensibility and a willingness to embrace the absurd, which, coupled with the film's early 70's aesthetic, makes a compelling argument for its inclusion in the same comedic breath. The film also serves as a crucial lens through which to examine Reitman's understanding of the comedic possibilities inherent in pairing physicality with dialogue-driven humor. The narrative, while not directly mirroring Reitman's later projects, provides valuable insight into his comedic DNA. "Foxy Lady's" improvisational style and the actors' spontaneous reactions provide a fascinating parallel to the often improvisational nature of Reitman's later films. The exploration of these elements showcases a common thread of comedic sensibilities and techniques between the directorial styles, solidifying its inclusion as a precursor to the type of comedic success that Reitman would achieve.
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