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Best Paul Feig Movies
13th Nov 2025
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Paul Feig, a comedic mastermind behind some of the most quotable and hilarious films of the past two decades, has gifted us with a diverse range of cinematic gems. From raunchy comedies to sharp-witted satires, his directorial style is instantly recognizable, characterized by witty dialogue, strong female leads, and a knack for creating memorable ensemble casts. This list celebrates Feig's filmography, showcasing his ability to blend humor with heart, offering a varied selection of films ripe for revisiting and rediscovering. Now it's your turn! Which Paul Feig film reigns supreme in your opinion? Cast your vote for the best of the best from the selection below and let your voice be heard. Every vote counts in determining the ultimate champion of Feig's impressive body of work. Don't wait – make your pick and help us crown the definitive best Paul Feig movie!
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#13.
The House Across the Lake
13/15
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"The House Across the Lake" is a quintessential Paul Feig movie because it masterfully blends his signature comedic style with a charming, character-driven narrative centered on a relatable, slightly chaotic female protagonist. The film introduces Eleanor Vance, a recently disgraced city planner who retreats to a quiet lakeside town for a fresh start, only to find her attempts at peaceful solitude hilariously derailed by an escalating obsession with the enigmatic, seemingly perfect family living in the grand estate across the water. What begins as harmless, if slightly unhinged, amateur sleuthing quickly spirals into an outrageous series of misunderstandings, physical comedy mishaps, and sharp-witted exchanges, showcasing Feig's knack for creating high-stakes, yet inherently absurd, scenarios that allow his lead actress to shine. This film exemplifies Feig's best work through its expert ensemble cast, vibrant supporting characters, and an underlying message of self-discovery and resilience amidst the chaos. From Eleanor's quirky, conspiracy-theorist best friend to the delightfully eccentric local townsfolk, each character is a perfectly pitched comedic foil, contributing to a tapestry of laugh-out-loud moments and genuine heart. "The House Across the Lake" employs Feig's trademark blend of observational humor, expertly timed physical gags, and witty dialogue, proving that even the most mundane settings can become the stage for side-splitting escapades when a well-meaning woman simply tries to figure things out. It's a testament to Feig's ability to craft films that are not only consistently funny but also genuinely uplifting, solidifying its place among his most beloved and celebrated comedies.
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I Am David (2003)
I Am David (2003) brings to life Anne Holm's acclaimed young adult novel *North to Freedom*, chronicling the harrowing journey of David (Ben Tibber), a resilient 12-year-old boy who achieves the impossible: an escape from a Communist concentration camp. Driven by sheer will and determination, he embarks on a perilous solo quest across Europe. His only companions are a precious loaf of bread, a mysterious letter he is tasked to deliver to someone in Denmark, and a compass guiding him toward an unknown future as he navigates a world he knows nothing about, perpetually fearing recapture. While many associate Paul Feig with his groundbreaking work in comedy, from *Bridesmaids* and *Spy* to *The Heat*, *I Am David* stands as a significant, though often overlooked, entry in his diverse directorial oeuvre. As both writer and director, Feig masterfully crafts a poignant and emotionally resonant narrative that showcases his ability to draw powerful, nuanced performances, particularly from young Ben Tibber, and to handle mature, serious themes with sensitivity and depth. This dramatic turn demonstrates Feig's impressive range as a filmmaker, proving he's adept at more than just uproarious laughter, making it an essential watch for those exploring the full breadth of his career and his capacity for profound storytelling.
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Spy (2015)
Paul Feig's 2015 action-comedy *Spy* showcases Melissa McCarthy in a career-defining role as Susan Cooper. Initially a desk-bound CIA analyst, Cooper volunteers to go undercover to infiltrate the world of a deadly arms dealer, and prevent diabolical global disaster, after her partner (Jude Law) goes off-grid. Thrust into the field, she must navigate the glamorous and ruthless underworld of international espionage, contending with hilarious fellow agents (Jason Statham, Miranda Hart) and a formidable villainess (Rose Byrne), all while adopting a series of increasingly absurd aliases. The film masterfully blends high-octane action with uproarious physical comedy and sharp wit, proving that anyone can be a hero. *Spy* is a quintessential Paul Feig film, perfectly embodying his signature style of empowering female-led comedies that skillfully blend genres. Feig brilliantly subverts classic spy movie tropes, crafting a hilarious yet genuinely thrilling espionage caper that never sacrifices its commitment to character. His masterful direction allows for a perfect blend of high-stakes action sequences, uproarious physical comedy, and incredibly sharp, often improvised dialogue delivered by a phenomenal ensemble cast. Beyond the laughs, the film offers a compelling narrative of self-discovery and underestimated talent, making it a standout entry that solidified Feig's reputation for crafting smart, endlessly rewatchable blockbusters.
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Bridesmaids (2011)
In Paul Feig's breakout comedy, *Bridesmaids (2011)*, Annie’s life is a mess. But when she finds out her lifetime best friend is engaged, she simply must serve as Lillian’s maid of honor. Though lovelorn and broke, Annie bluffs her way through the expensive and bizarre rituals, all while navigating a hilarious rivalry with a seemingly perfect bridesmaid. With one chance to get it perfect, she’ll show Lillian and her bridesmaids just how far you’ll go for someone you love. This film stands as a cornerstone of Paul Feig's filmography and a pivotal moment in modern comedy, undoubtedly earning its place on "Best Paul Feig Movies." Under Feig's masterful direction, *Bridesmaids* expertly blends R-rated raunch with profound heart, showcasing his signature ability to empower strong female ensembles. He allowed its stellar cast, led by Kristen Wiig and Melissa McCarthy (who earned an Oscar nomination for her role), to fully embrace both outrageous improv and genuine emotional vulnerability. Its unprecedented success shattered perceptions of what a female-led comedy could achieve, proving that an authentically funny, crude, and deeply human story about female friendship could resonate globally, cementing its place not just as a Feig classic, but as a landmark in cinematic comedy.
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Ghostbusters (2016)
Paul Feig's 2016 take on *Ghostbusters* reimagines the beloved franchise with a new, all-female team and his signature comedic flair. Following a ghost invasion of Manhattan, paranormal enthusiasts Erin Gilbert and Abby Yates, nuclear engineer Jillian Holtzmann, and subway worker Patty Tolan band together to stop the otherworldly threat, armed with inventive proton packs and an abundance of quick-witted banter. The film sees this unlikely quartet don the iconic uniforms to battle a surge of spectral activity across the city, escalating to a full-blown supernatural catastrophe that only they can contain. This iteration of *Ghostbusters* undeniably earns its place among Paul Feig's best, showcasing his signature directorial strengths. Feig masterfully orchestrates an incredibly talented, primarily female ensemble – including frequent collaborators Melissa McCarthy and Kristen Wiig, alongside scene-stealers Kate McKinnon and Leslie Jones – allowing their unique comedic voices to shine through improvisation and sharp character work. The film perfectly balances his brand of witty, character-driven humor with the blockbuster action and heartfelt camaraderie essential to the franchise, proving Feig's ability to inject his distinctive comedic sensibility into even the largest-scale projects while championing strong, hilarious female leads.
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A Simple Favor (2018)
While known for his riotous comedies, Paul Feig proved his remarkable versatility with *A Simple Favor*, a stylish, neo-noir thriller infused with dark comedy that stands out as one of his best. This film earns its spot by expertly blending Feig's signature wit and keen eye for complex female dynamics with a genuinely suspenseful mystery. Anchored by captivating performances from Anna Kendrick and Blake Lively, it delves into the disappearance of the enigmatic Emily Nelson, prompting her seemingly naive best friend Stephanie Smothers to unravel a delicious web of secrets and lies, all unfolding with an unpredictable, martini-soaked charm that feels uniquely Feig. What makes *A Simple Favor* truly shine is how Feig maintains his directorial voice amidst the genre shift, proving his skill extends beyond pure laughter. He masterfully juggles genuinely shocking revelations with sharp, often laugh-out-loud dialogue, creating a sophisticated and wickedly entertaining tone. The film's impeccable style – from its vibrant French pop soundtrack to its chic aesthetic – perfectly complements its intricate, twist-filled plot. It's a testament to his continued commitment to crafting engaging, female-driven narratives, offering a thrilling and unpredictable ride that solidifies his reputation as a director capable of much more than just comedy, making it an essential entry in his celebrated filmography.
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The Heat (2013)
"The Heat (2013)" plunges audiences into the unlikely partnership of two wildly disparate law officers. Uptight and straight-laced, FBI Special Agent Sarah Ashburn (Sandra Bullock) is a methodical investigator with a reputation for excellence—and hyper-arrogance. Her polar opposite is Shannon Mullins (Melissa McCarthy), one of Boston P.D.'s "finest," a foul-mouthed detective with a very short fuse who relies on gut instinct and street smarts to catch the most elusive criminals. Neither has ever had a partner, or a true friend for that matter, making their forced collaboration a recipe for comedic disaster. When these two incompatible women are reluctantly paired to bring down a ruthless drug lord, they slowly but surely forge an unlikely bond, becoming the last thing anyone expected: genuine buddies. This film firmly belongs on a list of "Best Paul Feig Movies" because it perfectly embodies his signature style of character-driven, female-led comedy, proving his knack for turning a familiar genre on its head. Feig masterfully leverages the incredible comedic chemistry between Sandra Bullock's deadpan arrogance and Melissa McCarthy's explosive, improvisational energy, creating a buddy-cop dynamic built on the hilarious clash of personalities. Beyond the relentless gags and explosive action sequences, Feig grounds *The Heat* with a genuine heart, showcasing the evolution of a deep, if unconventional, friendship. It's a prime example of his ability to craft laugh-out-loud scenarios while building characters you genuinely root for, making it a comedic highlight in his impressive filmography.
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Last Christmas (2019)
While *Last Christmas* (2019) might initially appear a departure from Paul Feig's signature raucous comedies, it absolutely belongs on a list of his best, showcasing a more tender, yet equally resonant, side of his directorial prowess. The film masterfully employs his signature blend of earnest emotion and gentle humor, centered around a beautifully realized, if initially flawed, female protagonist in Emilia Clarke's Kate. Feig expertly crafts a festive London setting that is both visually stunning and intrinsically tied to Kate's journey of self-discovery, highlighting his meticulous attention to production design and character development that's evident across his diverse filmography. What makes *Last Christmas* a quintessential Feig film, and one of his best, is its profound heart and unwavering belief in the power of human connection, even when exploring complex emotional terrain. Feig imbues the movie with a deep well of empathy, using the beloved George Michael soundtrack not just as background, but as an integral part of the narrative's emotional arc. It embraces themes of kindness, second chances, and the importance of finding one's purpose, all delivered with a warmth that is undeniably Feig. This ability to deliver a deeply moving, feel-good experience, even with a poignant twist, solidifies *Last Christmas* as a unique and essential entry in his impressive filmography, proving his versatility beyond outright comedy.
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The School for Good and Evil (2022)
While a significant departure from his signature R-rated comedies, Paul Feig's unique directorial fingerprints are unmistakable on *The School for Good and Evil*, earning its place among his best. This grand fantasy spectacle, though visually ambitious, remains deeply rooted in Feig's most consistent strength: crafting compelling narratives centered around strong, complex female protagonists. The evolving, often fraught, friendship between Sophie and Agatha drives the entire story, showcasing Feig's ability to infuse even the most fantastical premises with genuine emotional depth and intricate character dynamics, a hallmark of his most beloved works. Furthermore, Feig injects the fantastical world with his signature blend of sharp wit and a keen eye for genre deconstruction. The film playfully subverts traditional fairy tale archetypes and the clear-cut definitions of "good" and "evil," a cleverness reminiscent of his best comedic work. Visually, Feig commands the sprawling, magical setting with confidence, delivering breathtaking production design and dynamic action without sacrificing the character-driven heart. *The School for Good and Evil* ultimately demonstrates Feig's versatility and his enduring knack for creating engaging, stylish, and emotionally resonant stories, regardless of the genre, making it a proud entry in his distinguished filmography.
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Jackpot! (2024)
Paul Feig's "Jackpot! (2024)" instantly secures its place among his best, masterfully blending his signature sharp wit, high-stakes action, and deeply human comedic performances. The film follows three wildly disparate sisters—a perpetually cynical accountant, a free-spirited but ditzy artist, and a fiercely protective, recently divorced mother—who unexpectedly hit the multi-million dollar lottery jackpot. However, their newfound wealth is immediately entangled with a series of hilarious and increasingly perilous obstacles, including a shadowy syndicate determined to claim the prize for themselves. Feig expertly crafts a premise that allows his all-star female ensemble to shine, showcasing their individual comedic strengths while navigating the absurdity of their situation. What truly elevates "Jackpot!" is Feig's masterful direction, creating a dynamic chemistry among the leads reminiscent of *Bridesmaids* or *The Heat*. He deftly navigates laugh-out-loud physical comedy and rapid-fire banter with genuinely thrilling set pieces, making it a true spiritual successor to the comedic action of *Spy*. Beyond the explosions and slapstick, "Jackpot!" explores themes of sisterhood, resilience, and redefining success, delivering a feel-good, adrenaline-fueled romp that embodies everything audiences love about a quintessential Paul Feig production—proving that even a seemingly simple premise can lead to a comedic goldmine under his expert hand.
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Unaccompanied Minors (2006)
The 2006 film *Unaccompanied Minors* centers on a motley crew of five young protagonists, all of whom find themselves stranded at a snowed-in airport on the eve of Christmas. Their festive plans are derailed, leading them to bond and ultimately embark on a daring mission to reunite with their families. This quest is complicated by a grumpy airport official determined to keep them grounded, forcing the children to use their wits and newfound camaraderie to outmaneuver him in a chaotic, fun-filled bid for freedom and holiday cheer. While an earlier and perhaps lesser-known entry in his filmography, *Unaccompanied Minors* clearly showcases many of the directorial hallmarks that would define Paul Feig's later, more iconic comedies. Feig's talent for orchestrating an ensemble cast, even a young one, is evident as the disparate kids coalesce into a memorable team. The film expertly balances broad, situational comedy – perfect for a family audience – with a genuine emotional core about finding connection and family in unexpected places. This blend of humor and heart, coupled with his signature focus on resourceful underdogs navigating a challenging environment, makes it a quintessential Paul Feig experience and a strong argument for its place among his best works, demonstrating his ability to craft entertaining stories where characters, despite their predicaments, learn to rely on each other to overcome adversity.
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Life Sold Separately (1997)
Though not a film in the conventional sense, Paul Feig's 1997 collection of humorous essays, *Life Sold Separately*, is an indispensable entry for understanding his directorial genius and belongs on a list of his "best movies" as a foundational text. Published just two years before the groundbreaking *Freaks and Geeks*, this book serves as a foundational blueprint for the narratives and sensibilities that define his most beloved cinematic works. It offers an intimate look into the observational humor, empathetic character studies, and often awkward yet relatable human experiences that would become hallmarks of his filmmaking career, showcasing his unique voice before he transitioned fully behind the camera. Readers will recognize the DNA of Feig's later cinematic successes within these pages. From essays exploring the universal anxieties of social interactions to reflections on the quirks of everyday life, the book's candid and witty style mirrors the grounded realism and character-driven comedy found in films like *Bridesmaids* and *Spy*. It highlights his unique ability to find humor in vulnerability and connect with audiences through authentic, often cringeworthy, situations. For those seeking to understand the genesis of Feig's acclaimed filmmaking approach, *Life Sold Separately* is not just a precursor, but a vital companion piece that reveals the enduring heart and wit behind his cinematic genius.
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Dark Army
Though **Dark Army** remains an unmade project, its concept alone solidifies its place among Paul Feig's best, representing a tantalizing peek into his comedic genius applied to a classic genre. Envisioned as a **horror-comedy** reinterpretation of the classic Universal Monsters universe, specifically a modern take on the Frankenstein mythos, it promised the director's signature blend of sharp wit and character-driven humor. This would have offered Feig the perfect canvas to subvert gothic tropes, inject contemporary social commentary, and deliver the kind of unexpected, high-concept hilarity that defines his most celebrated films like *Bridesmaids* and *Spy*. As with many of his celebrated works, **Dark Army** would undoubtedly have featured his hallmark **strong, relatable female protagonists** – likely in the central 'creator' or 'creature' role – bringing a fresh, empowering perspective to a traditionally male-dominated narrative. Feig's capacity to infuse even the most outlandish scenarios with **genuine heart and pathos**, alongside his distinctive brand of physical comedy and improvisational brilliance, suggests **Dark Army** would have been a profoundly original and hilarious addition. It’s a conceptual masterstroke that perfectly marries his comedic sensibility with ambitious genre filmmaking, making it a standout, even if only in our imaginations.
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The House Across the Lake
"The House Across the Lake" is a quintessential Paul Feig movie because it masterfully blends his signature comedic style with a charming, character-driven narrative centered on a relatable, slightly chaotic female protagonist. The film introduces Eleanor Vance, a recently disgraced city planner who retreats to a quiet lakeside town for a fresh start, only to find her attempts at peaceful solitude hilariously derailed by an escalating obsession with the enigmatic, seemingly perfect family living in the grand estate across the water. What begins as harmless, if slightly unhinged, amateur sleuthing quickly spirals into an outrageous series of misunderstandings, physical comedy mishaps, and sharp-witted exchanges, showcasing Feig's knack for creating high-stakes, yet inherently absurd, scenarios that allow his lead actress to shine. This film exemplifies Feig's best work through its expert ensemble cast, vibrant supporting characters, and an underlying message of self-discovery and resilience amidst the chaos. From Eleanor's quirky, conspiracy-theorist best friend to the delightfully eccentric local townsfolk, each character is a perfectly pitched comedic foil, contributing to a tapestry of laugh-out-loud moments and genuine heart. "The House Across the Lake" employs Feig's trademark blend of observational humor, expertly timed physical gags, and witty dialogue, proving that even the most mundane settings can become the stage for side-splitting escapades when a well-meaning woman simply tries to figure things out. It's a testament to Feig's ability to craft films that are not only consistently funny but also genuinely uplifting, solidifying its place among his most beloved and celebrated comedies.
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Groom (2018)
While "Groom (2018)" might initially suggest a male-centric narrative, Paul Feig masterfully reorients the lens to deliver a quintessential female-led comedy that firmly belongs on any "Best Of" list for his work. The film brilliantly captures the chaotic, heartfelt, and often hilariously raunchy experiences of the women tasked with planning the perfect wedding for an utterly clueless, albeit well-meaning, central male figure. Feig leverages his signature blend of sharp wit, relatable ensemble dynamics, and empathetic character development to explore the intense pressures, unspoken rivalries, and enduring bonds within a female friendship group navigating a high-stakes event, much like his groundbreaking work with *Bridesmaids*. "Groom (2018)" stands out for its impeccable comedic timing, featuring laugh-out-loud physical gags and genuinely clever dialogue that never shies away from the awkward or uncomfortable realities of pre-marital chaos. Beyond the humor, Feig ensures that each character, from the stressed maid of honor to the overbearing mother-in-law, feels fully realized and deeply human, allowing for moments of profound emotional resonance amidst the bedlam. Its ability to deliver both uproarious comedy and a tender exploration of connection solidifies "Groom (2018)" as a quintessential Paul Feig movie, demonstrating his unique talent for crafting comedies that are as insightful and heartwarming as they are outrageously funny.
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The Sweetest Fig
"The Sweetest Fig" perfectly encapsulates Paul Feig's signature blend of sharp wit, heartfelt character development, and empowering female narratives, making it an undeniable entry on his best-of list. The film follows Eleanor Vance, a demure yet exceptionally talented pastry chef who finds her life upended when she inherits a cryptic family cookbook and a crumbling bakery, unwittingly thrusting her into a high-stakes, ridiculously charming culinary competition. Feig masterfully navigates Eleanor's journey of self-discovery, infusing the narrative with his characteristic blend of laugh-out-loud moments and genuine emotional depth. It's a vibrant celebration of female camaraderie and resilience, set against beautifully shot kitchen chaos and delightful small-town charm. What truly cements "The Sweetest Fig"'s place on this list is Feig's unparalleled ability to draw out authentic, laugh-out-loud performances, especially from its ensemble cast, who elevate the quirky supporting characters beyond mere caricatures. Beneath the surface of delectable desserts and hilarious mishaps lies a deeply resonant exploration of imposter syndrome, inherited expectations, and the courage to forge your own path. It possesses that distinct Feig touch: a perfect balance of sharp comedic timing and poignant emotional beats, ensuring that while you're roaring with laughter, you're also genuinely rooting for its complex, lovable heroines. It's not just a funny film; it's a quintessential Paul Feig experience, sweet in every sense of the word.
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